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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Beco da lama: formas e cores de uma pl?stica da vida

Fa?anha, Jose Marcilio de Sousa 04 June 2014 (has links)
Made available in DSpace on 2014-12-17T14:20:32Z (GMT). No. of bitstreams: 1 JoseMSF_TESE.pdf: 6624564 bytes, checksum: 9084038d49640afd416792498a1c5d27 (MD5) Previous issue date: 2014-06-04 / Our research goes a remarkable setting of Natal-RN. This is a place where we find art practices and artworks territorialities building the margin of museums, art galleries and institutional galleries. Its geography includes an area popularly known as Mud Alley. Along geography that we critically about how some processes of sociability, which formed the margins of institutional fields, can, and its progeny, compose new possibilities to relate to art and artistic practices. Thinking about the dialogues and clashes that positioning the margins can offer, we investigated the role of bookstores, bars and other spaces of the Alley in the promotion and dissemination of artistic practices, focusing on how these spaces handle the work, the artists and the patrons Beco da Lama. Our integration into the search field resulted in collecting testimonials, pictures and watching expressions which, together with sensations obtained during the years of integration in that setting, help make our empirical material. To follow us methodologically this investigation, we looked at a higher frequency, a theoretical support of authors: Gilles Deleuze, F?lix Guattari and Giorgio Agamben. With them compose an investigative diagram to think about the art of Alley, noting the relationship of the Alley with the established field of art, as well as towards the rest of the city. The results point to the view of a singular event that shows artistic practices writing in the margins of institutional spaces, new territoriality for contact with art. The term territoriality points to situations formed by practices, feelings, wishes, expressions, and poetic subjectivity that can tell us we are confronted with an event comprising it as the moment of realization of potentialities, desires, subjectivities and spatialities training, flocks, movements. In our case, the event while the Mud Alley Alley Arts forced us to rethink the role and the place of art and artist in Natal-RN / Nosso trabalho de pesquisa percorre um cen?rio singular da cidade de Natal-RN. Trata-se de um lugar onde encontramos pr?ticas art?sticas e obras de arte construindo territorialidades ? margem de museus, pinacotecas e galerias institucionais. Sua geografia compreende uma ?rea conhecida popularmente por Beco da Lama. Junto aquela geografia problematizamos sobre como alguns processos de sociabilidades, que se formaram ? margem dos campos institucionais, podem, com seus desdobramentos, compor novas possibilidades para nos relacionarmos com a arte e as pr?ticas art?sticas. Pensando nos di?logos e embates que esse posicionamento ? margem pode oferecer, investigamos a atua??o dos sebos, bares e demais espa?os do Beco na promo??o e divulga??o das pr?ticas art?sticas, atentando para a maneira como esses espa?os lidam com a obra, os artistas e os frequentadores do Beco da Lama. Nossa inser??o no campo de pesquisa resultou na coleta de depoimentos, imagens e na observa??o de express?es que, junto ?s sensa??es que obtivemos durante os anos de inser??o naquele cen?rio, ajudam a compor nosso material emp?rico. Para nos acompanhar metodologicamente nessa investiga??o, buscamos, com uma maior frequ?ncia, suporte te?rico dos autores: Gilles Deleuze, F?lix Guattari e Giorgio Agamben. Com eles compomos um diagrama investigativo para pensarmos a arte do Beco, atentando para o relacionamento do Beco com o campo estabelecido da arte, assim como, para com o restante da cidade. Os resultados apontam para a visualiza??o de um acontecimento singular que mostra pr?ticas art?sticas compondo, ? margem dos espa?os institucionais, novas territorialidades para o contato com a arte. O termo territorialidades aponta para conjunturas formadas por pr?ticas, sensa??es, desejos, express?es, subjetividades e po?ticas que podem nos indicar estarmos diante de um acontecimento, compreendendo-o como o momento da efetiva??o de virtualidades, desejos, subjetividades e forma??o de espacialidades, bandos, movimentos. Em nosso caso, o acontecimento do Beco da Lama enquanto Beco das Artes nos for?ou a repensar a fun??o e o lugar da arte e do artista na cidade de Natal-RN

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