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1	Western-style Painting in Pan-Asian Context: The Art and Historical Legacies of Kuroda Seiki, Li Shutong, and Go Hui-dong, 1889-1916 Kim, Sangah 21 November 2016 (has links) From the late nineteenth century, works inspired by Western art spread to China and Korea through Japan. Thus, Western art came to be accepted in China and Korea as a reinterpretation of Japan’s development of Western art, rather than a direct transmission from Western sources. This act of reinterpretation went on to have a lasting effect on the practice of Western-style painters in East Asia with their own acceptance modes. This thesis provides a study of self-portraits and nude paintings, two categories of painting without precedent in East Asia prior to the late nineteenth century, created by Kuroda Seiki, Li Shutong, Go Hui-dong, and Kim Gwan-ho in order to illustrate how East Asian countries established their own versions of modern art. Asian art history Go Hui-dong Kuroda Seiki Li Shutong Pan-Asianism Tokyo School of Fine Arts
2	Colonial Connections: Interpreting and Representing Korea through Art and Material Culture at the Cleveland Museum of Art (1914 – 1945) Ward, Logan Seay January 2021 (has links) No description available. Art Education Art History Asian Studies History Industrial Arts Education Museum Studies Museums Korean art Korean art history Orientalism Korean studies museum studies museology Japanese studies Japanese colonialism museum education East Asian studies East Asian art East Asian art history

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Western-style Painting in Pan-Asian Context: The Art and Historical Legacies of Kuroda Seiki, Li Shutong, and Go Hui-dong, 1889-1916

Colonial Connections: Interpreting and Representing Korea through Art and Material Culture at the Cleveland Museum of Art (1914 – 1945)