This thesis tries to circumscribe the carnavalesque narrative strategies that Miguel Angel Asturias (1899-1974) uses in Mulata de tal (1963) to project his pessimistic vision of the social, cultural and religious mixing in Guatemala. The purpose of our work is to make an interpretation of the novel through the analysis of the carnavalesque elements of the work. To achieve this goal, we base our analysis on the Russian critic Mikhail M. Bakhtin's theories of the literary carnavalization and the dialogical principle, which we describe in the first chapter. In the following chapter we examine the formal and semantic components of the novel. In the third chapter we analyse the contrasting and deformed images that represent the social, cultural and religious mixing. Finally, in the fourth chapter we study the different social languages which the author stylizes or parodies to express his ideas in a refracted manner.

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