This study analyses visible artefacts depicted on Athenian white-ground funerary lekythoi from between 475 to 425 BCE, to investigate what the iconographic information of the artefacts can tell us about the funerary activity and how the information relates to the written sources from antiquity. The purpose of this study is to gain a more in-depth view of the Athenian funerary activities, of which we currently have limited knowledge of. The activates surrounding an Athenian funeral is a complex matter consisting of several stages of preparation and visits to the grave. However, when we are looking at the funerary images, it is difficult to determine what stage of the burial culture we are observing, which is what this study sets out to answer. The study uses a theoretical framework in viewing the vase images as a “scene of an idea” rather than a “scene from reality” where expressions of ideas and notion are what is on display on the white-ground lekythos. The study has analysed the visible artefacts from 252 Athenian white-ground lekythoi and thematically grouped them, then with an iconographical method analysed the meaning and representation of the visible artefacts and how they relate to the written sources.  The study has resulted three main conclusions. Firstly, a possible identification of a funerary activity when observing the number and detailed work of the artefacts illustrated by the painter. Secondly, the importance of maintaining a good relationship between the living and the dead. Thirdly, the contemporary events involving the Athenian administrative changes implanted by Solon and how it could have affected the way the Athenians illustrated their funerary scenes.