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From Pemberley to Eccles Street : families and heroes in the fiction of Jane Austen, Charles Dickens, and James Joyce /Citino, David, January 1974 (has links)
Thesis (Ph. D.)--Ohio State University, 1974. / Includes bibliographical references (leaves 297-302). Available online via OhioLINK's ETD Center.
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An ethics of becoming : configurations of feminine subjectivity in Jane Austen, Charlotte Brontë, and George Eliot /Cho, Sonjeong. January 2006 (has links)
Texte remanié de: Thesis Ph. D.--College Station, Tex.--Texas A&M university. / Notes bibliogr.
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The changing role of the spinster in the novels of Jane Austen.Lewis, Barbara January 1969 (has links)
No description available.
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Jane Austen's readersBander, Elaine. January 1980 (has links)
Jane Austen's novels abound with readers "reading" not only texts but also speech, gestures, looks, scenery, events, each other, themselves. Readers in the novels illuminate her assumptions about readers of the novels; unlike eighteenth-century novelists who judged fiction by readers' responses and who tried to manipulate those responses, she accepted that not all readers read alike. / Northanger Abbey, Sense and Sensibility, and Pride and Prejudice explore different styles of reading and suggest some ways are more successful than others. A good reader observes accurately, reflects carefully, and judges candidly, disciplining subjective feelings with "objective" truths of religion and morality; above all, good readers trust their own educated judgments rather than rely upon external monitors. / Readers of the novels share the reading experiences of heroines. In Mansfield Park, Emma, and Persuasion, readers are invited to judge without monitor or narrator to direct them. Readers, like heroines, discover and reveal themselves in the act of reading.
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"Unfolding" the letter in Jane Austen's novelsCatsikis, Phyllis Joyce. January 1998 (has links)
Jane Austen revises the sentimental epistolary tradition by introducing a structural epistolarity that replaces the anatomical vocabulary of female corporeality with the domiciliar terminology of female domesticity. In Austen's novels, the epistolary metaphor of the passport links letter reading, the heroine's education process, and views of domestic space. Epistolary issues aligned with domestic spaces indicate the metaphorical relationship between the structural dialectic of closed and open and the epistolary paradox of writing to dissemble character and reading to reveal character. Letter writing and reading represent the spatial order within prescribed views and tours of houses and grounds. The heroine's critical letter reading allows her to distinguish between character types presented through different domestic contents, and the letter's interpretive authority finalizes her social education by serving as a passport figuratively transferring her between natal and martial households.
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"Jesus and Jane Austen : tracing a Christian model, or more than meets the eye, in Mansfield Park, Persuasion, Emma, and Pride and prejudice /Mooney, Ruth Miriam, January 1900 (has links)
Thesis (M.A.)--Carleton University, 2002. / Includes bibliographical references (p. 96-98). Also available in electronic format on the Internet.
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Rational vision and the comic resolution a study in the novels of Richardson, Fielding and Jane Austen /Sharp, Ruth Marion McKenzie, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1969. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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"Unfolding" the letter in Jane Austen's novelsCatsikis, Phyllis Joyce. January 1998 (has links)
No description available.
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The changing role of the spinster in the novels of Jane Austen.Lewis, Barbara January 1969 (has links)
No description available.
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Jane Austen's readersBander, Elaine. January 1980 (has links)
No description available.
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