This self-study focused on how a physical education teacher worked to develop and enact four authentic assessment tasks with his 7th grade physical education students. The tasks were invented using standards for authentic assessment developed by the Center for Organization and Restructuring of Schools as a guide. Authenticity is explored over the course of a school year through the invention of the tasks, the enactment of the tasks, and the reactions and memories of eight students to the tasks. The study found that students often did not demonstrate a deep understanding of the content when completing the tasks or during the interviews. While decisions were made by the teacher in order to incorporate each of the standards for authentic assessment into the tasks, those standards related to value beyond school were most difficult to satisfy. A tension was described by the teacher between the time in cognitive activities and the time in physical activities. However, students did not describe this tension.

This thesis addresses why a comprehensive art education curriculum needs to merge with visual culture in order to better serve current elementary students today. The review of literature supports this theory and proves that the two approaches work together to make learning relevant and effective. The units of study provided make up a guideline that show teachers how to include visual culture into the current comprehensive art education structure. This allows students to bring their own ideas and experiences into the classroom, and results in making the visual arts more personal. Following this curriculum will help students own their education and ultimately gain higher level thinking and learning in the visual arts as well as other subject areas.

The purpose of this study was to investigate instructional components that foster meaningful learning for adults with disabilities in a community-based art center. Through narrative analysis and case study methodology, the researcher examined the programmatic content of a single community-based art center--the Arc of the Arts Studio and Gallery (AOA) in Austin, Texas--from 2009 to 2011. Utilizing authentic instruction and constructivism as educational frameworks (Anderson & Milbrandt, 2005; Newmann & Wehlage, 1993), the investigator proposed instructional changes to the AOA program that encouraged student-centered learning through discipline-based inquiry, maintaining real-world connections, and the active construction of knowledge. The researcher instituted a structured, arts-based curriculum based upon these educational concepts that infused lessons with illustrative materials, sequential learning, and public promotion of participants' finished art products in order to stimulate creativity and meaningful learning within the art center. This study scrutinized historical literature documenting art and general education for the disability community in order to examine the influence each historical orientation to disability had on art instruction for this population. Coupled with analysis of the programmatic structure of similar art centers around the country, this information facilitated a more full and rich understanding of how and why art education for people with disabilities is currently organized. The process of creating and implementing a structured art curriculum into the AOA studio addressed the ways in which meaningful learning may take place for adults with disabilities at community-based locations, and emphasized the need for further research into the quality, experience, and location of art education for the wide spectrum of people with disabilities. / text

This thesis addresses why a comprehensive art education curriculum needs to merge with visual culture in order to better serve current elementary students today. The review of literature supports this theory and proves that the two approaches work together to make learning relevant and effective. The units of study provided make up a guideline that show teachers how to include visual culture into the current comprehensive art education structure. This allows students to bring their own ideas and experiences into the classroom, and results in making the visual arts more personal. Following this curriculum will help students own their education and ultimately gain higher level thinking and learning in the visual arts as well as other subject areas.

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This development design research dissertation used Richey and Klein's (1996) Type 2 model to create guidelines that inform instructional designers when designing authentic tasks in the online environment. Herrington and Oliver (2000) state that designing authentic tasks for online learning can be captured using nine characteristics. Bonk and Dennen's (2003) research empirically demonstrated a Framework for Online Instruction. Combining these two research frameworks, guidelines to inform the decisions to of instructional designers when for authentic in the online environment are designed, developed, and validated with expert reviewers in authentic learning. / Ed. D.

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