Thesis (MPhil)--University of Stellenbosch, 2005. / On title page: Master of Philosophy (Information and Knowledge Management). Bibliography. Also available via the Internet.

published_or_final_version / Chinese / Master / Master of Arts

Among the holdings of the Department of Special Collections at the University of Arizona Library is a collection of incunabula numbering thirty-nine titles. This interesting collection of early printed books represents a wide variety of subjects that appealed to the late medieval reader and demonstrates as well a good range of early editorial practice and typographic presentation. None of the University's copies of these titles is listed in Frederick B. Goff's Incunabula in American Libraries: a Third Census (1973). The present work provides a description of each incunabulum according to Henry Guppy's Rules for the Cataloguing of Incunabula and offers a comprehensive study of the features of the collection as a whole and of its individual volumes for the purpose of establishing a record of the collection and bringing its scholarly value into clearer focus.

There exists a need to explore the music of living composers--to acknowledge and advocate the merit of his or her own culture as evidenced in musical composition. Richard Bruce Faith is a living American composer who served a tenured position at The University of Arizona from 1961-1988, in the School of Music. The merit of Faith's music has been established through discussion of his compositions in professional music journals, bibliographical reviews, newspaper reviews, and graduate research documents. Many of his songs, piano works and orchestral compositions have been published. His operas have been and are continuing to be performed. Publication of Faith's compositions has historically been achieved after continuing discussion in professional journals and after regular performances have created a demand for his product. The choral works of Richard Faith are not published at this time. The choral compositions are an interesting and varied group. Their quality is consistent within the composer's compositional whole. Seventeen of the eighteen choral works were commissioned by or composed with a specific performing choir in mind. The suitability of these compositions for distinct types of choral forces is an obvious result of Faith's pre-defined compositional strictures. For instance, the four anthems for church choir are less demanding than the Three Songs for Male Chorus, which were written for a semi-professional community chorus. The compositional tools which define Faith's unique style also characterize the musical requirements necessary for a successful performance of the individual works. This measure of requisite musicianship is clear in the choral works. In fact, their origin as commissioned works and the intention of specific musicians to perform the works, determined how Faith would use his compositional tools. The search for new music suited to the abilities of singers and accompanists is an ongoing challenge for many choral conductors. Publication of Richard Faith's choral works would answer the need for new music among the great diversity of choirs. Publication of this interesting compositional body would also acknowledge a fine American composer.

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The study of folklore within Australia to date has been consistently hampered by the lack of any systematic and comprehensive subject bibliography available to researchers interested in the area. The present work provides a conceptual framework for folklore generally, and Australian folklore, specifically. The framework utilises contemporary scholarship and government policy formulations in the subject area. Based upon that framework, a comprehensive bibliographic listing of all folklore material published within Australia between the years 1790 and 1990 is provided comprising 1661 works. An account of the bibliographic problems pertinent to the subject area is provided together with an explanation of the causes of those problems. An historical summary and interpretation of the bibliography is presented in conjunction with an appraisal of the state of folklore research in Australia at the present time.

The purpose of this bibliography is to serve researchers who are interested in finding information on Historically Black Colleges and Universities that is published by the United States federal government. The information that can be found by the use of this bibliography is intended to be broad in nature. Some of the information that is provided places a focus on the history of those institutions and the current needs of those schools. Other citations provided lead to information concerning the research that is taking place at those colleges and universities. Finally, information on federally funded programs that are geared towards increasing minority involvement in certain fields, professions and research are also included. The bibliography is selective in nature.

Thesis--Rutgers. / Photocopy (positive) made by University Microfilms. Includes bibliographical references.

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