The author of the Book of James names four exemplars in the course of his work. These serve specific functions within their individual contexts in the composition; Abraham and Rahab as exemplars of a vital active faith, Job as an exemplar of steadfast endurance, and Elijah as an exemplar of effective prayer. This thesis explores the wider stories of the exemplars in the Hebrew Bible, traces their development in elements of early Jewish tradition, and compares the author’s use of the exemplars with that of other New Testament writers. It argues that, the author of the Book of James uses the exemplars collectively as a means to encourage his messianic audience to remain faithful to God in the trials of everyday life until the imminent Parousia of the Lord. The four exemplars share three characteristics that will aid the audience in their daily struggles: they were all tested to the limit, yet demonstrated their whole-hearted commitment to God by remaining faithful to him; they were all outsiders who rejected the wisdom (values) of the world and they all faced their life-defining trials reliant on God rather than on other human beings.

The notion of prophecy is a Leitmotiv, both in Scripture and in the Church. However, the popular form of prophecy that is witnessed in the Church today is the charismatic prophecy manifestations in the Pentecostal- charismatic movement. Although the latter is now billed as the fastest growing Christian movement in church history, and has brought to the fore the biblical notion of the charisms of the Holy Spirit, the subject of charismatic prophecy has received limited attention in Pentecostal studies. There is therefore a gap in knowledge. The present study is an attempt to address the lacuna; it is an empirical-biblical investigation of the nature and significance of prophecy in the Pentecostal- charismatic experience. The study presents a particular thesis: that charismatic prophecy, as observed in Pentecostal- charismatic congregational settings in the African context, is sacramental in its nature and parakletic in its functional significance. Thus, the charismatic prophecy experience is viewed as an intense moment of a participatory interface between the divine Spirit and the human spirit in which the divine Spirit infuses the human conscious dimension with revelatory impulses. The experience is parakletic in the sense that it edifies, encourages, and comforts the church in congregational settings.

This thesis uses a practical-theological methodology to explore the theology and spirituality of „spiritual warfare‟ that developed in the charismatic renewal from the 1960s. Beginning with a study of twelve charismatic Anglican pioneers, a detailed case study then explores spiritual warfare praxis in a charismatic Anglican congregation. The ensuing theological reflection focuses on the ontology of evil, through dialogue with Nigel Wright, Amos Yong, and Gregory Boyd, as well as Karl Barth and Walter Wink. The thesis argues for a positive ontology for evil powers, based on a charismatic hermeneutic of biblical texts; on the grounds that Jesus treated Satan and demons as real spiritual entities, the Pauline epistles refer to real evil spiritual powers in the heavenly realms, and charismatic experience supports this ontology. Such powers are in malevolent and wilful rebellion against God, deriving from a corrupted fallen angelic nature. A Trinitarian model of theological praxis is presented, focused on responding to the goodness of God in repentance; renewing faith in the believer‟s identity in Christ and His victory upon the cross; and resisting the devil in the power of the Spirit. This model emphasizes personal responsibility, helps bring freedom from fear, and re-connects with Anglican baptismal liturgy.

In the ancient world, impairment was common knowledge: archaeological and written material demonstrate that people with impairments were included in society. Impairment was well understood and, in the rhetorical dynamic between author and reader, it was imaginatively used. The Early Church, for instance, developed established impairment themes in order to articulate, explain, and demonstrate central conceptions and experiences of divine activity and human discipleship. Peculiar to the modern era has been the disappearance of people living impairment from mainstream experience. As a result of this culturally-shaped process, modern presuppositions about impairment have emerged that are experienced by people living impairment as profoundly negative and disabling. Modern biblical interpretation both reflects and reinforces these presuppositions, overlooking the wide range of uses of impairment in ancient texts, and causing alienation and damage to people living impairment. To read texts of the Bible informed by an investigation of the perspectives on impairment in the ancient world presents a challenge in two respects. It identifies the inadequacies and impoverishment of uncritical modern interpretation of the biblical impairment texts. It also stimulates new and fresh liberatory readings, which reclaim as the proper focus for the interpretation of these texts the experience of lived impairment.

This thesis is a diachronic investigation of Lewi Pethrus’ ecclesiological thought from 1911 to 1974. The research employs Roger Haight’s transdenominational ecclesiology as its methodological framework. Since Haight’s methodology is based on a concrete ecclesiological method that emphasises the importance of a historical consciousness in ecclesiology, the study particularly focuses on the formative contexts that shaped Pethrus’ ecclesiology. The emphasis on formative contexts not only explains why certain ecclesiological concepts arose at particular points in Pethrus’ life but also clarifies why concepts were abandoned or developed over time. A vital part of Haight’s methodology is also to examine the religious values that remain constant and significantly form ecclesiological views. The thesis argues that Pethrus’ ecclesiology is shaped by a Pentecostal form of spirituality that has ‘loving Christ and loving neighbour’ as its core values. The combination of a Pentecostal form of spirituality and formative contexts is what makes Pethrus’ ecclesiology ‘Pentecostal’ and gives it its inner logic. The thesis concludes by taking this inner logic of Pethrus’ ecclesiology and hypothetically applying it to a global setting. The result is a contribution toward a transdenominational Pentecostal ecclesiology that has important implications for any attempt to construct a global Pentecostal ecclesiology.

This thesis addresses the striking proliferation of Moses imagery in sixteenth-century Venice by considering the images as a distinctive category. Although the narratives of Moses can be found elsewhere in Italy, the Venetian treatment of these subjects is distinguished by their number and their placement not in private chapels but in locations available to a broad audience. Additionally, a contrast can be made between the central Italian examples, which display variations on a political theme originally established by St. Thomas Aquinas, and the peculiar Venetian approach to the prophet, influenced by the city’s Byzantine roots and its constitution. In tracing the development of this imagery in the sixteenth century, initial consideration must be given to the roots of its stylistic interpretation in the Veneto where paintings for chapels of the Sacrament exhibit the group-oriented compositions that characterize the works throughout the period. In this context, the pioneering work of Jacopo Tintoretto forms the principal focus of this thesis, arguing that he was the first to introduce Moses imagery into Venice on a monumental scale. In his works for the main chapel of the Church of the Madonna dell’Orto and the ceiling of the Scuola Grande di San Rocco, the image of Moses takes on heightened theological significance in the general religious context of the Counter Reformation and in particular Venetian contexts of parish and confraternity. The interplay of such monumental painting and printed book illustration is also considered. It is the influence of Tintoretto’s approach to Moses on later artists that forms in part the foundation for the proliferation of the subjects in the later years of the sixteenth and the early years of the seventeenth century.

This thesis engages with the biblical archive and its animals, asking what it means to read the Bible after Jacques Derrida’s “question of the animal”, that is, critical questions directed at the characterisations, representations and utilisations of animals past and present which deem animals distinctly different to humans in order to demarcate their inferiority. At the same time, it is a critical response to Derrida’s Bible. Derrida – arguably one of the most important and influential thinkers of the twentieth century – provides a significant philosophical contribution to the question of the animal. In animal studies, the Bible is treated as a foundational legacy for concepts of the “human” and is frequently held up to blame for a misplaced human hubris. Derrida too draws on the Bible in implicit and explicit ways to underpin his critique of human/animal distinctions. Building on Derrida’s work on animality, I provide close and critical interpretations of four crucial texts of the biblical archive. I argue that these biblical texts are caught up in irreducible tensions: on the one hand, these texts depict and describe how humans and animals alike abide as finite, fellow creatures under God as a justice to come which calls for a radical similitude and solidarity; on the other hand, animals are portrayed as objects that are mastered by humans to demonstrate God’s power over the living. God’s power thus resides in a double bind – it both displaces power from humans to show them as animals, and it simultaneously provides a model for human power over animal others. In the first chapter I explore the significance of Derrida’s motifs of nakedness and shame over nakedness for his critique of human/animal distinctions, arising from his reading of Genesis. Critically continuing Derrida’s play on myths of origin, I tackle the question of the first carnivorous man, Noah, in Genesis 9 in order to show how this text can both be read as a license to enact the sovereignty of man over animals, and, how this text radically resists such a reading in God’s covenant with all life, human and non-human. Following my exploration of myths of origin, the second chapter grapples with Derrida’s notion of a deconstructed subject through his emphasis on response and responsibility. Derrida puts forward the biblical response “here I am”, as the mark of vulnerability in every relation with the other. I explore what this responsible response might mean in the context of the Book of Daniel that portrays encounters between human, nonhuman animals and God. Developing Derrida’s injunction to follow the nonhuman other, I argue that the double context of Daniel conveys two distinct visions of the concept of the political as animal: one, in which a fantasy for a harmonious domestication and cohabitation amongst rulers and their human and animal subjects is fostered under the only true ruler, a benign God; and, a collapse of such a fantasy, where rulers – human and divine – are portrayed as carnivorous, ferocious creatures who turn their subjects from pets to prey. The third chapter follows this collapse to Derrida’s critique of the commandment “Thou shalt not kill” as a commandment relating only to humans and thus a detrimental Judeo-Christian legacy. Derrida draws on the story of Cain and Abel to discuss the way the killing of an animal leads to the killing of a brother. To explore questions of killability I, however, turn to the negotiations of such issues in Acts 10. In the animal vision of Acts 10, questions of clean/unclean animals are suspended and hospitality is apparently opened up between Jewish and non-Jewish Christians. I demonstrate that the universalism associated with this text refers to an exclusive human fellowship which evades the actual implications of the animal vision. Yet, I posit that there are again two ways of reading the animal vision. In the first reading the analogical resemblance set up between animals and Gentiles implies that Gentiles too become killable as “clean” and thus the animal vision allows for indiscriminate killability amongst the living in general. In the second reading the cleanness of all animals is in fact a radical redemption of animal life for fellowship, in the same way that Peter accepts the fellowship and hospitality of Gentiles. Ultimately, the category of the living and the dead draws humans and non-humans together into what I call “mortability”; that is, the capacity for death shared amongst the living in the suspension of judgement until Jesus returns. In the fourth chapter, I follow up on the suspension of judgement by analysing Derrida’s thinking of sovereignty and animality in relation to Revelation 17. Crucially, Derrida’s logic of sovereignty includes Christ as lamb, in his logos or reason of the strongest, despite its ostensible weakness as a diminutive animal. I explore this further by turning to the scene of Revelation 17 in which the Lamb is at war with the Beast and the woman riding it. Developing Derrida’s allusions to sexual difference as it relates to the question of the animal, I explore how Revelation 17 denigrates both animals and women by characterising them as the figure of evil: Rome. The logic of the animal representations sets up the divine as the good on the side of the weak in the figure of the suffering Lamb. But as the Lamb becomes a beast-like indivisible sovereignty that asserts its reason of the strongest, the figures of “evil” become the vulnerable weak victims – the animal others. Another image of Rome emerges, then, as a deconstructed sovereignty in the subjects that stand as powerless figures in the political order, namely the animals of the Roman arenas and the prostitutes of the Roman Empire. The four texts I examine abide in the ambiguous tensions of an archive that can in the end neither be presented as animal-friendly nor as straightforwardly anthropocentric. The biblical archive is a complex compendium fraught with tensions that can, with its animals, only be held in abeyance. There can be no final “ownership” proclaimed of this archive and its animals, nor can any interpretive act dis-suspend them from such an ambivalent state. These very different texts do, however, provide the material and momentum to show central and crucial instances of how the biblical archive characterises its humans, animals and gods. My analysis reveals that the very same spaces in which these characterisations might be fixed as detrimental to animal life, are where the possibilities of seeing animals radically otherwise lie.

The aim of this thesis is to explore the cultural background of Matthew’s dream narratives and in particular to try and establish whether the literary practice underlying them is closer to that of OT or Graeco-Roman literature. This will be done by looking at the ways in which the dreams were remembered and transmitted, analysing the text in search of “memory patterns”, devices used in oral and semi-literate societies with the aim of helping people remember a poem or a narrative. Many of these techniques use sound (e.g. alliteration, assonance and rhythm), but some engage with the structure of the material; occasionally an image might be applied to aid memory. Thereafter dream reports from a variety of other ancient sources will be analysed to reveal the memory patterns which underlie them. Subsequently the results will be compared, with attention focused on the few devices which are culturally specific and elsewhere noting the frequency with which devices are used as authors typically express themselves. The outcome will be to identify the cultural background within which the Matthean dream narratives emerge. The thesis will take the following shape. After an introductory chapter, there will be the literature review, followed by a chapter on methodology. The method used in the analysis of dream narratives is new and will provide a novel interpretive approach to this section of Matthew. Chapters on memory, orality and rhetoric, Matthew, and a comparison of his text with dream narratives in other literature will follow. Finally there will be a conclusion. In this thesis I argue that the Matthean narratives have greater affinity to Jewish material and OT in particular than to Graeco-Roman literature. The data gathered in the course of research also allows for other comparisons. Of particular interest are comparisons between the writers of OT and those of Hellenistic background and between Josephus and both the groups just mentioned. Several contributions are made to scholarship. Arguably the greatest of these is the methodology employed in the thesis. I also introduce the concept of ‘translation distortion’, which affects memory where an account of the past is originally expressed in a different language. I introduce comparison of Matthew’s use of oral sources with similar use in Herodotus and Pausanias, the latter living in the second century CE and his work rarely applied to NT studies.

This collation of 8 of von Soden's manuscripts is a companion work to my earlier investigation into his manuscripts. A similar division of this thesis is employed, with the nucleus in sections III, IV & V. Section III, with the general and individual descriptions of the MSS involved, is an attempt to bring together in one place all the known details about the history, the format, the scribe, the script and any other relevant material. Section IV contains the Synoptic Collation of the Group in Acts and the Catholic Epistles. Section V is itself divided into six parts and is concerned with the singular and subsingular readings. The conclusion is that neither can logically be separated from one another as the interrelationship of individual MSS is far more complex than von Soden makes evident.

This thesis investigates Dalí’s adoption of religious iconography to help represent themes that he had conceptualised through Surrealism, psychoanalysis and other thought systems. His selective use of sources was closely bound to his life circumstances, and I integrate biographical details in my analysis of his paintings. I identify unexpected sources of Dalí's images, and demonstrate how alert he was to the psychological motivations of traditional art. I find he made especial use of the iconography of martyrdom – and the perceptual and cognitive mechanics of the contemplation of death – that foreground the problem of the sexual and mortal self. Part I examines the period 1925-7, when Dalí developed an aesthetic outlook in dialogue with Lorca, formulated in his text, 'Sant Sebastià'. Representations of Sebastian and other martyr saints provided patterns for Dalí's exposition of the generative and degenerating self. In three chapters, based on three paintings, I plot the shift in Dalí's focus from the surface of the physical body – wilfully resistant to emotional engagement, and with classical statuary as a model – to its problematic interior, vulnerable to forces of desire and corruption. This section shows how Dalí's engagement with religious art paradoxically brought him into alignment with Surrealism. In Part II, I contend that many of the familiar images of Dalí’s Surrealist period – in which he considered the self as a fundamentally psychic rather than physical entity – can be traced to the iconography of contemplative saints, particularly Jerome. Through the prism of this re-interpretation, I consider Jerome's task of transcribing Biblical meaning in the context of psychoanalytical theories of cultural production. In Part III, I show how Dalí's later, overt use of religious imagery evolved from within his Surrealism. I trace a condensed, personalised life-narrative through Dalí’s paintings of 1948-52, based on Biblical mythology, but compatible with psychoanalytical theory: from birth to death to an ideal return to the mother's body.