In my study on Barbara Pym's novels, the focus is first on the two basic ironies in love-marriage relations: irony of dilemma in which marriage is seen as the end of romantic love; and irony of situation in which excellent but plain-looking women are deprived of the chance to express their basic need for love. Chapter I of this study introduces the major themes and ironies in Pym's novels and the nature and functions of her irony. The following six chapters examine the two major ironies in six of Pym's twelve novels: Some Tame Gazelle, Excellent Women, Jane and Prudence, Less Than Angels, A Glass of Blessings, and A Few Green Leaves. While discussing the uniqueness of each of Pym's heroines, I also explore how Pym underwent changes in her views of love and marriage and how she attempted to keep a balance between her romanticism and her sense of irony. Pym's other six novels are discussed in Chapter VIII, the concluding chapter.

In this study of several novels each by Barbara Pym, Fay Weldon, and Margaret Atwood, I focus on two areas: the ways in which female protagonists break out of their victimization by individuals, by institutions, and by cultural tradition, and the ways in which each author uses a structural pattern in her novels to propel her characters to solve their dilemmas to the best of their abilities and according to each woman's personality and strengths.