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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Form and analysis as elements of neo-romanticism in Summer music, op. 31, by Samuel Barber (1957) with three recitals of selected works by Bach, Mozart, Hindemith, Handel, Gaubert and others /

Grosklos, Hollie Jo. January 2001 (has links)
Thesis (D.M.A.)--University of North Texas, 2001. / Accompanied by 4 recitals, recorded Mar. 27, 1995, Jan. 29, 1996, June 5, 2000, and Sept. 10, 2001. Includes bibliographical references (p. 100-101).
2

The concerto for violin and orchestra by Samuel Barber.

Baer, Verna Lucile. January 1945 (has links)
Thesis (M.M.)--University of Rochester, 1945. / Typewritten. Bibliography: p. 69-70. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/2629
3

Analysis, interpretation and performance of the concerto for violin and orchestra by Samuel Barber /

Flood, Elizabeth Ruth. January 1997 (has links)
Thesis (B.M.) Magna Cum Laude--Butler University, 1997. / Includes bibliographical references (leaves [38-39]).
4

Samuel Barber: a formal analysis of three chamber works.

Laverty, Paul H. January 1955 (has links)
Thesis (M.M.)--University of Rochester, 1955. / Typewritten. Bibliography: l. 84. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/8555
5

A study of selected vocal-choral works of Samuel Barber /

Voorhees, Larry Donald. January 1965 (has links) (PDF)
Thesis (M.A.)--Eastern Illinois University, 1965. / Includes bibliographical references (leaves 104-105).
6

A methodolology of study for Samuel Barber's Concerto for violin and orchestra op. 14

Platt, Jessica K. January 2009 (has links)
Thesis (D.A.)--Ball State University, 2009. / Title from PDF t.p. (viewed on Nov. 12, 2009). Includes bibliographical references (p. 81-83).
7

Melodic characteristics of the songs and compositions for violoncello of Samuel Barber.

Emley, Joseph Frederick. January 1957 (has links)
Thesis (M.M.)--University of Rochester, 1957. / "Table summary of Part One": l.38-40. "Table summary of Part Two": l.87-89. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/5259
8

The choral music of Samuel Barber /

Johnson, Randy. January 1992 (has links)
Thesis (D. Mus. Arts)--University of Washington, 1992. / Vita. Includes bibliographical references (leaves [189]-191).
9

Analysis for performance and interpretation of selected songs of Debussy, Griffes, and Barber /

Sperry, Linda Kay. January 1966 (has links) (PDF)
Thesis (M.A.)--Eastern Illinois University, 1966. / Includes bibliographical references (leaves 96-98).
10

The Hermit Songs of Samuel Barber

Lansford, Julia Ann 05 1900 (has links)
Samuel Barber was born in West Chester, Pennsylvania, a town on the outskirts of Philadelphia, on March 9, 1910. He was the son of Samuel Le Roy Barber and Marguerite Beatty Barber. His father came from a long line of tradesmen and professional people and was a doctor and prominent citizen in the Pennsylvanian town in which his son was born. Although no musical tendencies existed on the father's side, there were numerous accounts of musical abilities in his mother's family. Marguerite Beatty Barber was a talented pianist and the sister of the celebrated contralto, Louise Homer. At the age of six, Samuel Barber began to play the piano and a year later began to compose. Although his mother helped to write down some of his first compositions, neither she nor her husband made any attempt to develop a possible prodigy. Instead, they tried to encourage him to indulge in the activities of any normal American boy.

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