Thesis (M.S.)--University of North Carolina at Wilmington, 2006. / Includes bibliographical references (leaves: 73)

Thesis (M.S.)--West Virginia University, 2001. / Title from document title page. Document formatted into pages; contains vii, 95 p. : ill. (some col.), maps (some col.). Vita. Includes abstract. Includes bibliographical references (p. 51-55).

Thesis (M.S.)--Virginia Polytechnic Institute and State University, 1991. / Vita. Abstract. Includes bibliographical references (leaves 73-82). Also available via the Internet.

The purpose of this study is to investigate the g-d-G-C scordatura tuning for the double bass. The study will survey the historical use, develop a theoretical rational, investigate the pedagogical implications, and explore the compositional opportunities of the scordatura tuning.Though there are many unanswered questions concerning the historical use of this tuning system, it is clear that the double bass has a long history of using scordatura tunings. The sympathetic/fifths tuning (g-d-G-C) was the basis of Violoncello Suite No. 5 by J. S. Bach, and there are three known later uses of it.After a brief history of temperament, the study concludes that this particular tuning greatly improves the resonance and intonation of the double bass. The placement of the g/G strings between the d and C strings strengthens the sonic output and vibrancy of the bass because of the close relationships between the natural harmonic series of each string. The proximity of the tuning to the upper part of the circle of fifths (C/G/D) is an additional benefit.Though the scordatura tuning creates more difficult technical challenges than the all-fourths tuning, this tuning system works well in orchestral, solo and jazz performance. The scordatura tuning is easily adapted to the bass guitar and offers many new opportunities for jazz improvisation. This tuning system is not particularly effective in popular commercial music venues.Since the 1960's new pedagogical approaches to sequence of instruction, concepts of position and approaches to fingerings have emerged. This new school of bass pedagogy suggests how a method could be developed for learning the scordatura tuning.Most of the traditional orchestral, ensemble, solo and jazz literature can be adapted to the tuning. Though it may be technically possible to play a work originally written for the all-fourths tuning using sympathetic/fifths, such a transcription may not be appropriate.Finally, the study includes four original compositions with analysis and discussion that demonstrate the idiomatic possibilities of the tuning: Sonata No. 5 for Scordatura Double Bass, Quartet No. 3B for Mixed Double Basses, Overture for Jazz Combo, and Concerto No. 3 for Scordatura Double Bass.Total Words of Abstract: 347 (does not include title) / School of Music

Thesis(M.S.)--Auburn University, 2006. / Abstract. Vita. Includes bibliographic references (p.57-62).

Thesis (M.S.)--Auburn University, 2008. / Abstract. Vita. Includes bibliographical references (p. 64-75).

Thesis (M.S.)--University of North Carolina Wilmington, 2009. / Title from PDF title page (January 12, 2010) Includes bibliographical references (p. 34-40)

Thesis (Ph. D.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 167-178). Available also in a digital version from Dissertation Abstracts.

This thesis included a chronological register of historical bass clarinets dating from c. 1750 to the twentieth century. Using this register as an outline, the early history of, and the development of the physiognomy of the bass clarinet were narrated. An effort was made to point out the discrepancies that exist between major sources which mention the bass clarinet. It was hoped that this thesis would serve as a starting place for future research concerning the bass clarinet. (Eighteen illustrations.) / text

Suite no.5 in C minor for violoncello solo / Johann Sebastian Bach -- Treizieme concert a 2 instruments a l'unisson / Francois Couperin -- Concerto for couble bass in b minor / Giovanni Bottesini -- Bass trip / Peteris Vasks. / text