As music production moves from the big professional studios into small bedroom studios, Headphones become more commonly used for monitoring. This brings a new set of problems based on the limitations of headphones compared to loudspeakers. This research explores how a bass enhancement algorithm impacts the results when mixing low frequency audio on headphones. This is done through a simple mixing experiment where subjects are tasked with balancing the amplitude of a low frequency element in a song, both with and without a bass enhancement algorithm enhancing the headphone monitoring. It is shown that while subjects do not perceive a difference in difficulty with this task, the results differ as subjects overall mix the bass frequencies lower in amplitude when aided by the bass enhancement algorithm. It is concluded that the bass enhancement algorithm is useful in this manner.