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11	A stylistic analysis and comparison of the solo vocal works of Arnold Schoenberg, Alban Berg, and Anton Webern Broekema, Andrew Junior, January 1962 (has links) Thesis (Ph. D.)--University of Texas at Austin, 1962. / Vita. Bibliography: l. 341-343.
12	Alban Berg als Schüler Arnold Schoenbergs : Quellenstudien und Analysen zum Frühwerk / Krämer, Ulrich, January 1996 (has links) Texte remanié de: Diss.--Berlin--Freie Univ., 1993. / Bibliogr. p. 293-299.
13	A study of the orchestration in the Seven early songs of Alban Berg, and an interpretation of his Sonate, op. 1, by means of an orchestration / / v. 1. Analysis and discussion.--v. 2. Sonate, op. 1. Belkin, Alan January 1978 (has links) No description available. Berg, Alban, 1885-1935. Frühe Lieder
14	Fraue und seele :relations texte-musique dans les Altenberg lieder op. 4 de Berg Pedneault, D. Julie. January 1900 (has links) Thesis (M.A.). / Written for the Faculty of Music. Title from title page of PDF (viewed 2008/07/24). Includes bibliographical references.
15	A study of the orchestration in the Seven early songs of Alban Berg, and an interpretation of his Sonate, op. 1, by means of an orchestration / Belkin, Alan January 1978 (has links) Print portion available via link; print score has not been digitized but is available for consultation in McGill University Library's Rare Books and Special Collections (ROAAR) with the following call number:AS42 M3 1978 B41 vol. 2 ELF Berg, Alban, 1885-1935. Frühe Lieder
16	"Now his time really seems to have come" ideas about Mahler's music in late imperial and first republic Vienna / Kinnett, Forest Randolph. January 2009 (has links) System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 158-170).
17	Gezähmte Lulu : Alban Bergs Wedekind-Vertonung im Spannungsfeld von literarischer Ambition, Opernkonvention und "absoluter Musik / Knaus, Kordula, January 1900 (has links) Dissertation--Graz--Karl-Franzens-Universität, 2003. / Bibliogr. p. 245-255. Thèse soutenue sous le titre : "Die andere Lulu. Alban Berg Oper nach Frank Wedekinds Dramen Erdgeist und Die Büchse der Pandora"
18	Schoenberg's theories on the evolution of music applied to three works by Alban Berg Tannenbaum, Peter M. S. January 1986 (has links) No description available. Tonality
19	Dialectical opposition in fin-de-siècle music : a model of balance applied to melodic motives, harmonic context, and their interaction / Wadsworth, Benjamin K., January 2008 (has links) Thesis (Ph. D)--University of Rochester, 2008. / Includes abstract and vita. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/7669
20	A Technical and Historical Analysis of Alban Berg's Sonata for Piano, op. 1 Evans, Billy G., 1938- 08 1900 (has links) This sonata by Alban Berg is a product of Arnold Schoenberg's teachings and is, indeed, a musical reflection of the Schoenberg of 1907-1908. At this time the musical thought of Schoenberg himself was in a state of metamorphosis, developing from the chromaticism of the late Romantic composers toward the twelve-tone technique which he was to formulate a few years later. The sonata, as a whole and above all, reflects the growth of an important composer, one who is perhaps the most important link between the traditional Classical and Romantic schools and the modern schools. His growth was based on a thorough knowledge of traditional styles and techniques, vestiges of which are seen in the formal design, chromaticism, and evasive harmony of the work. His advance is seen in his peculiar use of polyphony and motivic variation. Compared with many other works for piano, Berg's sonata is perhaps not among the most celebrated. But as indication of the attitude of a great composer who wished to build upon rather than break with his heritage, it is a most significant work. Alban Berg piano sonata musical analysis

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