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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

From Mrs. Dalloway to The Hours: bisexuality/bitextuality and écriture féminine

Lee, Chi-kwan, Anita., 李至君. January 2005 (has links)
published_or_final_version / abstract / Comparative Literature / Doctoral / Doctor of Philosophy
2

The masquerade and bisexuality in Margaret Atwood's The robber bride /

Jones, Jessica L. January 2007 (has links) (PDF)
Thesis (M.A.)--University of North Carolina at Wilmington, 2005. / Includes bibliographical references (leaves: 42-43)
3

From Mrs. Dalloway to The Hours bisexuality/bitextuality and écriture féminine /

Lee, Chi-kwan, Anita. January 2005 (has links)
Thesis (Ph. D.)--University of Hong Kong, 2005. / Also available in print.
4

From Mrs. Dalloway to The hours : bisexuality/bitextuality and ècriture fèminine /

Lee, Chi-kwan, Anita. January 2005 (has links)
Thesis (Ph. D.)--University of Hong Kong, 2005.
5

Somewhere in the double rainbow : representations of bisexuality in post-apartheid novels.

Stobie, Cheryl. January 2005 (has links)
This thesis examines the middle ground between dual strands of sexuality/gender and race/ethnicity, which I refer to metaphorically as a fluid space of possibility between the rainbows of the pride flag, which celebrates sexual diversity, and the image of the rainbow nation, which celebrates multiculturalism. I discuss ways in which lesbian, gay, bisexual and transgender issues and rights have been discursively treated in the West as well as Africa, most particularly South Africa. I note that a substantial number of novels which appeared after 1994 and have a South African setting or were authored by South Africans, employ the trope of bisexuality. This new preoccupation with bisexuality is parallel to attitudes towards change, the future, and progressive politics, including gender politics. Representations of bisexuality in each of the texts I examine vary; however, together they form a crucial cartography of a liberalization of the imagination in post-apartheid South Africa: a space of anxiety and hope, a space particularly revealing the ongoing evolution of a national identity, and newly part of a global community. Reading bisexuality accurately contributes to the disruption of binaries and illumination of the interstitial associated with the post-apartheid moment in general, and contemporary South African literature and literary criticism in particular. This method of reading, which I call "biopia," allows for a fresh understanding of sexuality, gender, race, citizenship and authority. / Thesis (Ph.D.)-University of KwaZulu-Natal, 2005.

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