This paper concerning the regional architectural term known as the Tjust Empire style analyses manor houses built in the Tjust area by the east coast of Småland in the period 1810-1860. The term Tjust Empire style was invented in 1937 by PhD. Manne Hofrén in his dissertation on architecture in Kalmar län in the period 1650-1850. The aim of the paper is firstly to determine whether there is a distinct difference between the regional Tjust Empire style in architecture and the common Swedish empire style or as its Swedish equivalent is known; the Karl Johan style. Secondly, the paper strives to analyse why and how the Empire style became so popular in the area during this period, focusing on architecture as a means to express social identity and status. My disposition is grounded in an ethnological viewpoint on architecture where culture is seen as created by and part of human existence. In order to give my analysis substance two case studies have been done of two manor houses in the area; Casimirsborg and Blekhem, in order to compare these with architecture representative of the Swedish Empire/Karl Johan style. The manor houses have been chosen partly because they represent the architectural style of the period well and partly due to them being accessible. As material concerning the construction of the two buildings, such as plans and sketches is sparse the opportunity to examine and analyse them at the spot has been invaluable. When I have been able to, I have used plans and fire insurance documents available. For a general view of the architecture during the period I have had to rely on material already written concerning the architecture of the time, the patrons, their architects and master builders. This has shown that the Tjust Empire style is in fact very closely tied to the common Swedish Empire or Karl Johan style and that it directly strives to commit to it. I have also been able to show that the the reason for the Tjust Empire style being so popular in the area in the period lies in a unique economic and social situation at the time; as well as, a relationship between the patrons and their favoured architects.