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Gray sky II: for brass quintet and tapeYeo, Young-Hwan 28 August 2008 (has links)
Not available / text
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Counterparts, a computer-aided composition for brass quintet and electronic tapeMinnick, Michael T. January 1983 (has links)
This thesis concerned the design and implementation of an extensible computer language for microcomputer users. The language was shown to provide a minimal set of features which can be extended toward particular applications. The interactive nature of the language was discussed, along with a description of each language feature.Also presented were implementation specifics involving the use of a technique called threaded code. Motivations for the use of extensible languages were discussed, along with suggestions for further extensions and applications. / School of Music
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Gray sky II for brass quintet and tape /Yeo, Young-hwan. Pinkston, Russell, January 2003 (has links) (PDF)
Thesis (D.M.A.)--University of Texas at Austin, 2003. / Supervisor: Russell Pinkston. Vita. Includes bibliographical references. Available also from UMI Company.
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DNAlienRyan-Hirst, Thomas F. January 2009 (has links)
Thesis (M.M.)--Ohio University, June, 2009. / Title from PDF t.p. Includes bibliographical references.
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Baroque ornamentation practices applied to transcriptions for the modern brass quintet using selected compositions of Johann Pezel and Samuel Scheidt /Goforth, Stephen Tucker, Pezel, Johann, Scheidt, Samuel, January 1996 (has links)
Thesis (D.M.A.)--University of Oklahoma, 1996. / Includes bibliographical references.
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Original repertoire for the American Brass Quintet, 1962-1987 : a guide for performers and composersSorensen, Randall J. January 1998 (has links)
This dissertation examines the following works from the original repertoire of the American Brass Quintet (ABQ): Charles Whittenberg, Triptych for Brass Quintet; Ralph Shapey, Brass Quintet; Gilbert Amy, Relais; William Lovelock, Suite for Brass; Leonardo Balada, Mosaico; Virgil Thomson, Family Portrait; Elliott Carter, Brass Quintet; Jacob Druckman, Other Voices; Robert Starer, Evanescence; Dan Welcher, Brass Quintet; Vladimir Ussachevsky, Dialogues and Contrasts; David Sampson, Morning Music; Maurice Wright, Quintet; and Eric Ewazen, Colchester Fantasy. These works represent a small part of the ABQ's repertoire and attest tothe significance of the ensemble's contribution to brass quintet literature. The purpose of this study is to bring these works to the attention of performers and to provide a guide for those wishing to perform them. Composers will be interested in the discussion of compositional techniques. The fourteen works are studied in chronological order and in the following manner: composer biography, historical background of composition, descriptive analysis (form, harmony, melody, rhythm, texture), and performance considerations (range, special techniques, use of basstrombone or tuba, and equipment needs). Program notes from the ABQ's performances of the works, many written by the composers, are included.Through the study of these works the following conclusions are reached: (1) the ABQ has influenced the development of university brass programs and has helped to make brass quintet experience an integral part of brass education, (2) it has encouraged composers to write for brass quintet, and (3) the ABQ has played a significant role in developing an original brass quintet repertoire. Through its residencies at the Aspen Music Festival and the Juilliard School of Music and touring, the ABQ has reached a large number of students, performers, and composers throughout the world. The quintet's performances of new music has inspired composers to write for brass quintet; the group receives many unsolicited scores each year. Since its founding in 1960, the ABQ has been a leader in the commissioning of original works for brass quintet and has played a significant role in the development of the brass quintet repertoire. / School of Music
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Part I. Elliott Carter: the manipulation of musical time. ; Part II. Matrix: structure for orchestra /Jenny, Jack David January 1980 (has links)
No description available.
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Ensembles for wind instrumentsWillett, William Cannell. January 1947 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1947. / Works originally for voices. Ms. (arranger's holograph); prefatory material and bibliography typescript. Includes bibliographical references (leaves 150-156).
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A portfolio of music compositions.January 2009 (has links)
Die-bleibende Stadt : Quintet für fünf Bläser Nr. 1, op. 27 -- La nuit et l'extra-terrestre : Deuxième Poéme Symphonique pour Orchestra à vents, op. 28 -- Requiem no. 1 for solo soprano, mezzo-soprano, alto, tenor, bass, off-stage instruments, organ, double mixed chorus and orchestra, op. 30 -- 3 duets of strings, "Information Engineering", op. 31. / Lam, Wang Kong. / Durations: 8 min.; 8 min.; 70 min.; 8 min. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves ). / Lyrics of 3rd work in Latin; abstract also in Chinese. / Abstract --- p.ii / Acknowledgements --- p.iii / Die bleibende Stadt: Quintet fur funf Blaser Nr. 1,Op.27 --- p.1 / Programme notes --- p.2 / Score --- p.3 / "La nuit et I'extra-terrestre : Deuxieme Poeme Symphonique pour Orchestre a vents, Op.28" --- p.9 / Programme notes --- p.10 / Score --- p.11 / "Requiem no. 1 for solo soprano, mezzo-soprano, alto, tenor, bass, off-stage instruments, organ, double mixed chorus and orchestra, Op.30" --- p.39 / Programme notes --- p.40 / Score: / Chapter I. --- Introit --- p.44 / Chapter II. --- Offertorio --- p.72 / Chapter III. --- Sanctus --- p.102 / Chapter IV. --- Pie Jesu --- p.121 / Chapter V. --- Agnus Dei --- p.126 / Chapter VI. --- Lux aetema --- p.137 / Chapter VII. --- Libera me --- p.141 / Chapter VIII. --- In paradisum --- p.171 / "3 Duets for strings, ""Information Engineering´ح, Op.31" --- p.184 / Programme notes --- p.185 / Score: / Chapter I. --- Fourier Transform --- p.186 / Chapter II. --- Cryptography --- p.188 / Chapter III. --- Information Theory --- p.190
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