This thesis is the first oral history study of English rugby union. Through personally conducted interviews, it focuses on the experiences of men who played rugby union for England in the post-war, amateur era, and considers what they can tell us about both the sport and the society of which it was a part. The period it covers begins with the end of the Second World War, in 1945, and ends when rugby union ceased to be an amateur sport, in 1995. These fifty years were a time of both change and continuity, and it is a primary concern of this thesis to consider the extent of each in both rugby union and in wider society. Through looking at, in particular, English rugby union’s links with education, its relationship with work in a period in which its players were amateur, and its place on the spectrum of class, this study demonstrates, above all, the durability of rugby union’s social core, even in the midst of outward change to the sport. In doing so, it makes an important contribution to the historiography of both British sport and post-war Britain more generally, arguing for consideration of social continuity among a field largely dominated by notions of change. It also constitutes a unique study of a particular group of middle-class men, and demonstrates that sport – and oral history – can add much to our understanding of post-war social history.

This thesis examines the relationship between work and identity amongst letterpress printers in late eighteenth- and early nineteenth-century Britain. It probes the sources of work-based identity and considers efforts to maintain, and even manipulate, a distinctive sense of trade belonging. The effect of work on other interrelated personal and social identities is also examined. In contrast to other histories of work, particularly class-based studies, all levels of the trade are scrutinized, from apprentices through journeymen to masters and proprietors. Differences in the experience of work between these varying members of the trade are analysed, together with their effect on working relationships. The first part of this thesis follows the hierarchy of the trade with chapters on apprentices, journeymen and masters. Apprentice printers endured increasingly exploitative conditions and came from more diverse social backgrounds than was commonly assumed. Journeymen took pride in the history of their trade, and had a strong tradition of fraternity, but their sense of identity was increasingly threatened by rising unemployment levels. Meanwhile, masters were less likely to have been brought up to the trade, and had few formal or informal trade associations. The second part of the thesis looks at how work-based identities intersected with familial, political, and socio-economic identities. Family relationships were crucial to the success of many printing businesses with intergenerational transfer being unusually prevalent compared with other trades. Political discussion played an important role in the formation of printers’ collective identity, particularly where campaigns for freedom of the press were concerned. Finally, social mobility became increasingly divergent among printers in the early industrial period. The changes highlighted in this thesis had a profound effect on working relationships. A new generation of master printers was distant from the physical process of work and at times dismissive of the culture and customs of the workplace. This led to tension and conflict with journeymen over issues such as apprentice numbers. But there were also many stabilizing influences, such as the strength of journeymen’s fraternity, or a shared belief in the history and social significance of the press. By uncovering these complexities, even within a single trade, this thesis argues that occupation is a poor basis on which to base socio-economic classifications. Furthermore, the specific characteristics of occupational communities were in themselves strong contributors to personal and social identity, influencing working relationships, as well as the way in which people interacted with wider society.

Many researchers of gender studies and colonial history ignore the lives of European women in the British West Indies. The scarcity of written information combined with preconceived notions about the character of the women inhabiting the islands make this the "final frontier" in colonial studies on women. Over the long eighteenth century, travel literature by men reduced creole white women to a stereotype that endured in literature and visual representations. The writings of female authors, who also visited the plantation islands, display their opinions on the creole white women through their letters, diaries and journals. Male authors were preoccupied with the sexual morality of the women, whereas the female authors focus on the temperate lifestyles of the local females. The popular perceptions of the creole white women seen in periodicals, literature, and caricatures in Britain seem to follow this trend, taking for their sources the travel histories.

With the emegence of an empire, many of the devices and instruments adopted for the governance of England, were extended beyond the seas to the colonies. One such device was royal commissions of inquiry. Royal commissions, the origins of which in England have been traced as far back as the time of the Norman Conquest, were utilised by the administration in England from time to time to investigate particular problems in colonies, and suggest ways and means of solving them. In the first empire, the American settlements received bodies of somewhat similiar nature on some occasions, but their true value was displayed only when the second empire was being founded. During the turbulent years of the French and Napoleonic wars the empire was continuously extended, but only after peace was established did it become possible for the ministers in England to take stock of the empire which had been acquired. What were the purposes of the empire, what were the nature and the conditions of the colonies conquered, in what manner should this new empire of a diverse and amorphous character be governed, were some of the numerous questions which faced them through the following years. These clearly emphasised above all the need to obtain information about the colonies. The information provided by their Governors did not prove to be adequate, and there was no possibility of officials at home acquiring the much needed information. To resolve the problem, they fell back upon the age old method: royal commissions of inquiry.

Since John Ruskin and William Morris's protestations against mass production in the nineteenth century, critics of mass consumption thought that it not only reduced the necessity, but also the desire, to make things for personal use and enjoyment. The history of leisure painting in art societies and adult education, and of the amateur artist’s consumption of art materials and self-help literature, shows that, on the contrary, affluence both inspired and facilitated a quest for self-actualisation amongst the rank and file. Creative activities such as drawing and painting served this quest at little financial cost to the individual. Following the Second World War, a significant increase in the take-up of leisure painting was encouraged by the state as part of the broader postwar settlement. The pursuit of personal wellbeing through creative activity was regarded as a public good, of benefit not only to individuals but also to the communities of which they were a part. In the last quarter of the twentieth century, state support for recreational pursuits such as leisure painting was pared back: in the shift from collectivist social democracy towards individualist market liberalism, personal enjoyment was recast as a private affair for which the consumer must pay. Painting continued to grow in popularity, supported by expanding consumer markets in self-help literature and affordable art materials. Yet while consumerism sustained the popularity of amateur art-making, the ways in which amateur artists participated in the arts changed. Personal creativity emerges here as an inherently social activity: the private experience of creativity is mediated and structured by society. Consumerism was not bad for personal creativity per se, but the replacement of a communitarian approach with a consumerist model restricted the breadth and reach of creative aspiration nurtured as part of the postwar settlement. By the end of the century, most amateurs were painting alone.

This doctoral thesis considers the significance of Australian engagement with China within British imperial history between the late-eighteenth and early-twentieth centuries. It sets out to explore the notion that colonial and early-federation Australia constituted an important point of contact between the British and Chinese Empires. Drawing on a long tradition of imperial historiography and recent advances in British World and Anglo-Chinese history, it utilises extensive new archival research to add a colonial dimension to the growing body of scholarship on the British Empire’s relations with Qing China. In doing so, it also seeks to contribute to a better understanding of the internal dynamics and external relations of Britain’s late-Victorian and Edwardian Empire. The following chapters centre around two overarching historical themes. The first is the interconnection between Chinese migration to Australia and the protection of British mercantile and strategic interests in the Far East as imperial issues. The second is the relationship between Australian engagement with China and the development of the idea of a Greater Britain. Each of these themes throws up a range of fascinating historical questions about the evolving character of Britain’s late-Victorian and Edwardian Empire, the inter-relation of its various parts and its ability to navigate the shifting winds of political and economic change. Taken together, they shed new light not only on Anglo-Australian, Anglo-Chinese and Sino-Australian history, but also serve to illuminate a series of triangular relationships, connecting the metropolitan, Far Eastern and Australian branches of the British Empire.

Much work has been done over the last fifty years in the study of the English ecclesiastical courts. One court that thus far has escaped much significant scholarly attention, however, is the one located in Chester, England. The author analyzes the acta of that court in order to determine what types of cases were being heard during the years 1540-42. His analysis shows that the Chester court did not deviate significantly from the general legal and theological structure and function of Tudor church courts of the period.

The thesis presents a first account of the development of British public relations in the twentieth century. The focus is on the whether British public relations has managed to 'professionalise'. To a large degree, the story is one of failure, despite the exponential growth of the field. The history of this puzzling contradiction is explored in detail, drawing on previously untapped archives and extensive oral history interviews. The thesis argues that this apparent paradox is explained by the inability of the would-be professional body to establish control over public relations practice. Thus, one of the key features of the thesis is its presentation of a counter-history of the Institute of Public Relations to that body's own selfunderstanding. Turning to the overall development and growth of the occupation, the thesis argues that one of the most significant features of British developments, especially in the first half of the twentieth century, was the large role played by local and central governments and the relatively small contribution of the private sector. Key aspects of British government propaganda in both wartime and peacetime are highlighted and also include activities focused on policies of de-colonisation and economic intervention. The contribution of the British Film Documentary Movement and the collaboration between its leader, John Grierson, and the Secretary of the Empire Marketing Board (EMB), Sir Stephen Tallents, is presented as being of considerable significance, particularly in terms of the development of public relations ideology. The discourse and actions of key figures within the public relations industry are also foregrounded in the overall analysis. Themes include relationships between the public relations industry, the media and politics, ethics, and the ultimately vain attempts of the industry to establish the widespread legitimacy necessary for professional status.

Thesis (Ph.D.)--Boston University / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / Between the March 1917 revolution in Russia and the November 18 armistice with Germany, Britain's diplomatic and military activities in Russia had been determined by the war against Germany. During the period of the Provisional Government, the great effort had been to maintain the Eastern Front by keeping Russia actively in the war. From the Bolshevik Revolution of November 1917 to the Treaty of Brest-Litovsk in March 1918, this effort was continued. When it clearly had failed, military intervention was tried to keep Allied military stores from falling into German hands and to prevent Germany from exploiting Russia's resources and thereby prolonging the war. This military intervention, by force of circumstances, was carried out in cooperation with anti-Bolshevik Russian elements [TRUNCATED] / 2031-01-01

This thesis is a study of the prevalence, context, and experience of illegitimacy in Wales during the long eighteenth century, between approximately 1680 and 1800. It explores levels of illegitimacy across the Welsh counties of Montgomeryshire and Radnorshire, and investigates many of the underlying causes of childbirth outside of wedlock throughout eighteenth-century Wales. It is argued that Welsh illegitimacy was influenced by a combination of courtship-led marriage customs, a decline in traditional forms of social control, and worsening economic circumstances. In addition to exploring broader demographic trends, this study also examines the diverse individual identities, relationships and socioeconomic backgrounds of the mothers and fathers of illegitimate children in Wales, and the lived experience of conception, pregnancy and childbirth for unmarried mothers. The sexual encounters which resulted in the birth of an illegitimate child ranged from consensual sex which took place within the context of courtship, to sexual exploitation and rape. It is argued that these broad range of experiences are central to our understanding of illegitimacy. This thesis also examines infant and maternal survival chances, both in terms of overall risk of mortality in the days, weeks, and months after birth, and in terms of the ways in which fatal violence against illegitimate children and their mothers was contextualised in court records. These narratives reveal how the bodies of illegitimate infants and unmarried mothers often represented deviance, and served as the locus of anxieties surrounding unregulated reproduction. Finally, this study also analyses the provision of care for married and unmarried pauper women immediately before, during and after parturition. The skills, reputation, and availability of midwifery services in Wales are also explored. This thesis unites many disparate historical fields, including social and cultural history, historical demography, and the histories of crime, gender, sex, reproduction, and medicine, and analyses evidence from previously unstudied regions of Wales. It demonstrates that illegitimacy in eighteenth-century Wales was a deeply complex phenomenon governed by diverse regionally-specific social, cultural and economic influences.