Thesis (Ph. D.)--University of Wisconsin--Madison, 1898. / Manuscript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 211-233).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1971. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

No description available.

Browning's long dramatic monologue Prince Hohenstiel-Schwangau was published in 1871. No second edition was required. General critical opinion judges the poem a failure both in conception and execution. It has not been anthologised since the beginning of the century and survives only as academic property. / After a summary of existing criticism, the historical and biographical background is examined and a possible motivation for the poem's appearance is suggested. This is followed by what is certainly the first in-depth study of the manuscript. Close examination contributes to our understanding of the mechanics of Browning's poetry. / The bulk of the thesis is devoted to a close reading of the poem, a disentangling of the syntax which, apart from the poem's length, seems to be the main reason for its unpopularity. / A short conclusion argues for the poem's restoration to the canon.

No description available.

No description available.

Thesis (Ph. D.)--University of Wisconsin, 1967. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliography.

Call number: LD2668 .T4 1948 P74 / Master of Science

Thesis (Ph. D.)--University of Chicago, 1999. / Includes abstract. Includes bibliographical references. Also available on the Internet.

This thesis attempts to characterize the musicality of Robert Browning's poetry. There has been much debate about whether or not Browning may be said to be a musical poet, but neither side has effectively characterized the musicality or lack thereof in his poetry. This study does not concentrate on Browning's "philosophy" of music, nor on the musical allusions in his poetry. Instead it attempts to identify aspects of Browning's art that share an affinity with music. / First, the state of music in nineteenth-century England is briefly discussed, followed by a discussion of Browning's musical background and an attempt to identify some general characteristics of musical poetry. The balance of the study is devoted to a discussion of the musicality of ten poems, among them "A Toccata of Galuppi's" and "Master Hugues of Saxe-Gotha". Emphasis is placed on these last two poems' ability to approximate a musical form: the toccata and fugue in the first, and the fugue in the second. The study concludes with a more general discussion of music in Browning's poetry.