This dissertation investigates the need for a change in popular perception of what an institutional building should and could look and feel like. This is achieved through the exploration of ways to create a therapeutic environment that houses a sub-acute facility which provides operational after care for patients discharged from Louis Pasteur Private Hospital in the Pretoria CBD. As well as providing for certain functional requirements, the architectural exploration aims to enrich and encourage the healing process of patients within the city with a rich mixture of stimulating and therapeutic experiences and qualities. Through the exploration and incorporation of various theories, these aims are set as an end goal not only throughout the design process, but are also used to guide the technical development and solutions that are used within the finalization of the facility. With a constant concept of creating a space for healing within the city of Pretoria, a Centre for Healing is created which holds these ideals at the core of its existence. / Dissertation (MArch(Prof))--University of Pretoria, 2010. / Architecture / unrestricted

In his thesis, Mother bird hovering over the city: space, spirituality and a community-based urban praxis, the promovendus adopted a trans-disciplinary, praxis-approach to consider participatory, critical and liberationist planning and city-building processes. His journey was about the soul of the city, embodied in its spaces and its people. It reflected on unfolding urban spaces, tracing dynamics in the Berea-Burgers Park neighbourhood of Tshwane’s inner city between 1993 and 2016. The narratives emerging from this neighbourhood was brought into conversation with a range of other narratives, hoping to discern and propose a vision for a community-based urban praxis. The journey originated from a deliberate option for the city’s most vulnerable people, hoping to contribute towards a city characterised by radical forms of inclusion, sustainability and justice. It recognised that space is not neutral and spatial constructs are shaped by deep value frameworks that are prejudiced, exclusive and oppressive, or equalising, inclusive, and life-affirming. What the promovendus sought to discern and outline was a spirituality that can infuse planning praxis and spatial thinking: making spaces that will mediate dignity, justice and well-being. Part I of the study considered a new epistemology, identity and methodology, expressed in the metaphor of “becoming like children”, requiring a new selfunderstanding for those involved in planning, city-building or place-making, but also amongst urban citizens and vulnerable urban dwellers: to reclaim their own voice and agency in processes of city-making. In Part II of the study, after describing and deconstructing urban spaces and discourses in a contextual-narrative way, a spirituality and ethic of urban space are developed. It argues for a radical shift from planning as bureaucracy and technocracy, to planning as immersed, participatory artistry: opening up to the “genius” or (S)pirit of space – the Mother bird – hovering over urban spaces, responsive to urban cries, of humans and earth alike, and inviting us to be co-constructors of new and surprising spaces, mending and making whole. / Thesis (PhD)--University of Pretoria, 2017. / Town and Regional Planning / PhD / Unrestricted