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Whether considering Wilhelm Busch's famous picture-stories of poetic realism, or his prose works with their satiric grotesque and surrealistic elements, Busch's aesthetic views and practices straddle the divide between earlier and contemporaneous forms of art (folk tales, Classicism, Romanticism, Realism) and those akin to late nineteenth and early twentieth century German Moderne. In this thesis, Busch's aesthetic views on art and literature are gleaned from a variety of his writings including his mature prose piece Eduards Traum (1891). This study argues that Busch's aesthetics in this piece anticipated a number of developments associated with the German Moderne, such as complex narrative techniques, distorted states of time and space, ambiguity, fragmentation, and surrealistic modes of expression.