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Le narratif et le descriptif dans l'oeuvre romanesque de Michel ButorZahhari, Abdelilah. January 1900 (has links)
Thesis (doctoral)--Université de Nancy 2, 1999. / Cover title. Includes bibliographical references (p. [294]-306).
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Le narratif et le descriptif dans l'oeuvre romanesque de Michel ButorZahhari, Abdelilah. January 1900 (has links)
Thesis (doctoral)--Université de Nancy 2, 1999. / Cover title. Includes bibliographical references (p. [294]-306).
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Sémiotique tensive de l'abjection chez Michel ButorGirard, Stéphane. January 1900 (has links)
Thesis (Ph.D.). / Written for the Département de langue et littérature françaises. Title from title page of PDF (viewed 2008/08/04). Includes bibliographical references.
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L'architexture du rêve: Lire le cycle des "Matière de rêves" de Michel ButorLa Mothe, Jacques. January 1997 (has links)
Thèses (Ph.D.)--Université de Sherbrooke (Canada), 1997. / Titre de l'écran-titre (visionné le 19 juillet 2006). Publié aussi en version papier.
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Quand les mots font image : une lecture iconotextuelle de "La modification" de Michel Butor /Lagerwall, Sonia, January 1900 (has links)
Texte remanié de: Thèse de doctorat--Göteborgs--Göteborgs Universitet, 2002.
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Étude critique des romans de Michel Butor, 1954-1965Rice, Donald, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1969. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Références culturelles et littérature dans "Passage de Milan", "L'Emploi du temps" et "La Modification" de Michel ButorRahali, Ali Borreli, Guy. January 2002 (has links)
Thèse de doctorat : Langue et littérature françaises : Nancy 2 : 2002. / Bibliographie.
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La réification du personnage féminin dans "La modification" de Butor /Nodwell, Megan. January 1996 (has links)
This master's thesis deals with the reification, or transformation into objects, of the female characters in Michel Butor's La Modification. It is our contention that the two female characters, Henriette and Cecile, function not as characters, but as objects: they are unable to take up subject positions, and they have the same roles as the other inanimate objects in Butor's work. The critical analysis is based in part on existentialist, psychoanalytic, and poststructuralist theories of subjectivity, as well as feminist rereadings of these theories. We have also used several critical and theoretical works on the object in the "Nouveau Roman", in the novels of Michel Butor, and, specifically, in La Modification. / The first chapter deals with the work of several feminist theoreticians, who claim that woman is objectified in patriarchal society because she has no access to subjectivity, be it through the means of action, of vision, or of language. In the second chapter we discuss critical writings on the treatment and role of the object in Butor's work, writings which claim that these objects have a specific role to contribute to the characterisation of the main character, and to allow this main character to take up a position as subject. In the third chapter we examine the link between these two critical fields. The female characters in La Modification are objectified because they are not able to assume subject positions, they have no access to subjectivity through action, vision, or language. In addition, the female characters have the same narrative role as the other objects in the novel.
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Joycean themes and techniques in the works of Michel ButorO'Donnell, Thomas Daniel, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1971. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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La réification du personnage féminin dans "La modification" de Butor /Nodwell, Megan. January 1996 (has links)
No description available.
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