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Diderich Buxtehudes vokale kirkemusik studier til den evangeliske kirkekantates udviklingshistorie. Mit einer Zusammenfassung in deutscher Sprache.Sørenson, Søren. January 1958 (has links)
Akademisk avhandling--Københavns universitet. / "Nodebilag": v. 2. Bibliography: v. 1, p. [325]-329.
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The contrapuntal techniques of Dietrich BuxtehudeBubolz, Frances Anne. January 1950 (has links)
Thesis (M. Music)--University of Wisconsin--Madison, 1950. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 84-87).
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Diderich Buxtehudes vokale kirkemusik; studier til den evangeliske kirkekantates udviklingshistorie. Mit einer Zusammenfassung in deutscher Sprache.Sørenson, Søren. January 1958 (has links)
Akademisk avhandling--Københavns universitet. / "Nodebilag": v. 2. Bibliography: v. 1, p. [325]-329.
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Numerical structures in the organ works of Dietrich BuxtehudeAckert, Stephen, January 1979 (has links)
Thesis--University of Wisconsin--Madison. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 61-62).
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Buxtehude Studien zur mittelalterlichen Geschichte einer Gründungsstadt.Schindler, Margarete. January 1959 (has links)
Diss.--Hamburg.
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The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich BuxtehudeAnderson, Ron James January 2012 (has links)
Dietrich Buxtehude (ca. 1637-1707) was a North German composer of the mid-Baroque period. He lived in a time and place in which classical rhetoric, the study of oratory, influenced education, religion, and music. Applying the definition of rhetoric as the art of persuasion, this study surveys the different persuasive strategies employed by Buxtehude in his various keyboard genres. The elements considered in this inquiry include the affects of keys and modes, rhetorical figures, and structures of speeches as applied to music. The style and setting (ethos), intellectual content (logos), and emotional effect (pathos) are explored in each genre as elements of rhetorical persuasion. This study reveals that different genres of Buxtehude's keyboard music utilize different rhetorical strategies and techniques. These strategies vary according to the purpose of the music (i.e., secular or sacred), the presence or absence of an associated text, and the form of the composition. The chorale preludes, since they are driven by texts, use figures such as hypotyposis, assimilatio, anabasis and catabasis, to musically highlight important words in the text, or to amplify the text's underlying meaning. The suites, and parts of the variations, reflect the affects of the various dance movements as described by Johann Mattheson, Gregory Butler, and Patricia Ranum. The rhetorical nature of contrapuntal works is considered in terms of solving a musical issue through musical proofs, as described by Daniel Harrison. Finally, the praeludia embody the rhetorical form of the classical dispositio, or form of a forensic speech. These sectional works are arranged in such a way as to advantageously present both emotional and intellectual facets of a musical oration.The study also asserts that it is stylistically appropriate, given the audience-centered values of rhetorical persuasion, to perform Buxtehude's manualiter works at the piano, providing that they are played in a manner consistent with the style and structure of the music. This view is fortified by evidence that Baroque musicians, compared to modern musicians, were far less specific about instrumentation and musical details. An appendix offers specific performance suggestions for pianists in each of the works discussed in the study.
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Dietrich Buxtehude's Membra Jesu nostri a study in baroque affections and rhetoric /Board, Ryan Everett, William A., January 2006 (has links)
Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2006. / "A dissertation in conducting." Advisor: William Everett. Typescript. Vita. Description based on contents viewed Oct. 30, 2007; title from "catalog record" of the print edition. Includes bibliographical references (leaves 100-102). Online version of the print edition.
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Ostinato techniques in chaconnes and passacaglias of Pachelbel, Buxtehude and J.S. BachGauger, Ronald Raymond, January 1974 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1974. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Dietrich Buxtehude's 'Nun freut euch, lieben Christen gmein' : the culmination of chorale fantasy /Lee, Jiyoung. January 2005 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2005. / Vita. Includes bibliographical references (leaves 106-110).
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THE ORGAN WORKS OF DIETRICH BUXTEHUDE (1637-1707) AND MUSICAL-RHETORICAL ANALYSIS AND THEORYCOUCH III, LEON WHELAND 15 September 2002 (has links)
No description available.
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