Thesis (D.M.A.)--University of North Carolina at Greensboro, 2007. / Title from PDF title page screen. Advisor: Kelly J. Burke, Marsha Paludan; submitted to the School of Music. Includes bibliographical references (p. 80-83).

No description available.

This eight hour creative project has traced the life of Daniel Bonade, French-American orchestral clarinetist and teacher. Through his influence while first clarinetist with the Philadelphia Orchestra and later with the Cleveland Orchestra a new style of clarinet playing has evolved with more expressive phrasing and a larger sound to suit the requirements of orchestral playing in this century.This study has examined some of the concepts Bonade used in his teachings and writings on the art of clarinet playing. Former students and professional colleagues were asked to comment on what they know of both Bonade the person, and Bonade the player and his influence in music.In addition, this creative project is supported in part by a graduate recital that included the Grovlez Lamento and Tarantelle, the von Weber Clarinet Quintet, and the Fraucaix Concerto for Clarinet. / School of Music

Thesis (Ph.D.)--Teachers College, Columbia University, 1968. / Typescript; issued also on microfilm. Sponsor: Ernest E. Harris, . Dissertation Committee: Charles W. Walton. Includes bibliographical references (leaves 182-189).

Thesis--Brigham Young University. / Vol. 2 contains the scores of Concerto in B flat, no. 6, by J.X. Lefèvre, Concerto in E flat, no. 2, by Francesco Rosetti, and Concerto in B flat, no. 10, by Michel Yost. Includes bibliographical references. Also issued in print.

Thesis--State University of Iowa, 1962. / Includes bibliographical references (leaves 592-604).

Thesis (D.M.A.)--University of North Carolina at Greensboro, 2005. / Title from PDF title page screen. Includes bibliographical references (p. 245-259)

Thesis--Brigham Young University. / Vol. 2 contains the scores of Concerto in B flat, no. 6, by J.X. Lefèvre, Concerto in E flat, no. 2, by Francesco Rosetti, and Concerto in B flat, no. 10, by Michel Yost. Includes bibliographical references.

No description available.

It is the purpose of this thesis to present a study of the development of writing for the clarinet in chamber music during the period from Mozart (1756-1791) through Brahms (1833-1897). The first part is a brief history of the clarinet showing the stages of development of the instrument from its beginning to its present form and also surveys the field of chamber music in general, with special attention to the chamber music for the clarinet, and to the performers for whom many of these works were written.