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211	Time fields : chamber concerto #3 for fifteen instruments Baker, Robert A., 1970- January 2004 (has links) No description available. Chamber music -- Scores Chamber music -- Analysis, appreciation.
212	The Organ Concertos of George Frideric Handel Martin, William Henderson 08 1900 (has links) This thesis analyzes the organ concertos of George Frideric Handel organ music Baroque composers George Frideric Handel
213	The Development of the Piano Solo Concerto from Its Beginning to the Twentieth Century, with a List of Published Concertos Hendrix, Jack W. (Jack Wheeler) 08 1900 (has links) Every pianist at one time or another hopes to study and perform at least one piano concerto. In addition to the pleasure which will be derived from the study and performance, the student's musical growth will be greatly enhanced. In this survey and study of the general development of the piano solo concerto, the goal is to broaden the understanding of what the concerto is and what it means. piano concertos piano music music history musical composition orchestral accompaniment Concerto. Piano music -- History and criticism.
214	A study of Bartók's first two piano concertos. January 1996 (has links) by Wong Siu-to, Victoria. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1996. / Includes bibliographical references (leaves 77-79). Bartók, Béla , 1881-1945 Concertos (Piano)
215	A portfolio of four original music compositions. / CUHK electronic theses & dissertations collection January 1998 (has links) by Lo Hau Man. / Thesis (D.Mus.)--Chinese University of Hong Kong, 1998. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. Orchestral music--Scores Percussion ensembles--Scores Instrumental ensembles--Scores Concertos (Oboe)--Scores
216	A historical and analytical discussion of Reinhold Glière's Concerto for horn and orchestra, op. 91 Misner, Michael Shawn 28 August 2008 (has links) Not available / text
217	Joan Tower's Violin concerto : an organic approach to composition Crawford, Heather A. 18 April 2011 (has links) Not available / text
218	A stylistic and analytical discussion of Jean Rivier's Concerto for saxophone and trumpet and Concerto for trumpet Lockard, Douglas Todd, 1965- 25 May 2011 (has links) Not available / text
219	A historical and analytical discussion of Reinhold Glière's Concerto for horn and orchestra, op. 91 Misner, Michael Shawn, 1968- 05 August 2011 (has links) Not available / text
220	Inquiry into J.S. Bach’s method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology Douglas, David James 11 1900 (has links) Bach's Concerto for Keyboard, Flute, and Violin with Orchestra in A minor, BWV 1044, is a very interesting and unprecedented case of Bach reworking pre-existing keyboard works into three concerto movements. There are several examples of Bach carrying out the reverse process with his keyboard arrangements of Vivaldi, and other composers' concertos, but the reworking of the Prelude and Fugue in A minor, BWV 894, into the outer movements of BWV 1044, and the second movement of the Organ Sonata in F major, BWV 527, into the middle movement, appears to be unique among Bach's compositional activity. This study will explore in some detail how Bach transforms these solo keyboard pieces into a three movement concerto for three concertino instruments and ripieno. As is the case with most of Bach's instrumental works, the question of where BWV 1044 fits within the chronology of Bach's works is unclear. This paper will attempt a reliable date of composition for this concerto by combining a variety of methods including source study and comparative formal analysis.

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