Mating Call is a memoir set in the Pacific Northwest during the 1990s, in what Spin Magazine calls "Seattle's Golden Age." The story begins with my arrival in the West and a self-inflicted broken heart, a relationship I had severed due to "missing pieces." The quest is to find these pieces, and throughout the search the memoir analyzes love and relationships for Generation X. The quest takes seven years, during which the narrative explores Seattle's breweries and bedrooms, and the Northwest's rainforests and volcanoes, all the while investigating interpersonal chemistry, sex, and friendship. For all the searching, the missing pieces are actually discovered by accident, when happenstance deals my heart a second blow; the quest is over, and I return East.

A character discovering and testing the limits of his emotional or psychological range most interests me. What will he choose to do? Stay within his old boundaries? Or try and go beyond them? What does he learn about himself in the process? And, finally, what price will be exacted, either for his staying where he is, or for his choosing a new level of self-knowledge? "The Short Reign Of Sultan Osman and Other Stories" is a collection of short stories set in either the United States, Greece, or Brazil, and ranging in time from 1972 to today. Each story presents its protagonist with challenges unique to a specific time and place. In most of these stories, the protagonists are driven by an urge for love or for mastery, and these urges send them across landscapes of delusion or folly before they can arrive at some sense of self-knowledge.

Up till now, Florida detective fiction has prowled through the hot, sexy, slightly bizarre babel of South Florida. Deadlift reveals a different Florida. DEADLIFT, set in the mid-1980s, is situated in central Florida in Winter Haven, located between Orlando and Tampa. DEADLIFT reveals Bubba Simms, a Sheriff's Department sergeant, who kills the man who raped his wife and, then, conceals the crime. He leaves the police community to become a private detective. While he searches for truth in his detective work, he is compelled to face the reality of his crumbling marriage. Bubba Simms begins to find the isolation of Sam Spade and Phillip Marlowe. While the novel is action-driven, DEADLIFT depicts the humor, character, and community of a Florida that clings to the traditional South while being changed by the influx of others.

HELLO, CLOTHING is a collection of lyric poems about the connections between human beings, following an ekphrastic model that seeks truths about the world “second-hand”: through the language and images of other artists. A large section of the poems address the life and work of composer Morton Feldman, while many others explore the world of cinema or photography. The poems are particularly conscious of received forms. The collection takes to heart Harold Bloom’s assertion that “every poem is about another poem” and interprets this dictum as a celebration of formal structure. Whether through a traditional model such as the sonnet, sestina or villanelle; a stanzaic form derived from Elizabeth Bishop; or the re-writing of a single line by Denis Johnson, the book attempts to re-invent the work of its own inspiration, with the goal of discovering the inexhaustable pleasure of repetition.

The purpose of this creative thesis was to explore, in a cacophony of lyric voices and registers, the constant struggle for personal expression in the face of mortality in its many forms. While many of the poems are written purely in free verse, many others are written using traditional forms, variations on traditional forms, and nonce forms, thus the thesis seeks to contemplate and celebrate its themes of mortality, family, cultural and personal myth, language, and abstraction through the use of its fluid, constantly improvised sonic techniques. The result was that the multifarious approach to lyric poetry is an accurate, memorable, and revelatory mode through which mortality can be confronted and celebrated.

This thesis is a collection of thematically arranged poems that explore one of the significant ways in which we define ourselves as human beings, that is, through our past and present relationships with others, whether those relationships are familial, cultural, social or personal. Through the direct presentation of images, these largely narrative poems seek to refine perception and thus reveal some of the complicated truths inherent in our various relationships with others, all in an effort to find meaning. The form of the poems often reveals a process, a continual redefining of views on human experience in both its life-affirming and disappointing aspects. It is through such discovery and disclosure that these poems aim to affirm the process, passion, and meaningfulness of art and life.

The Church of Our Blessed Redeemer Who Walked Upon the Waters is a collection of short stories about Elwyn Parker, a devout pianist who becomes a worldly car salesman. "Thirty Fingers," "My Father's Business," and "Apostate" introduce Elwyn, a saint at church and a trouble-making evangelist at school, who nevertheless finds himself in a love affair with an older woman, Sister Morrisohn. In "Captivity," Elwyn, a college freshman, experiences worldliness, then grows to resent and ultimately reject Sister Morrisohn. In "The Leap," Elwyn is back at the piano, but unemployed and unhappily married. He finds comfort only in his decade-old affair. In "The Lord of Travel," Elwyn, a car salesman, appears bereft of his former morals until he hoodwinks Ida, who reminds him of the now deceased Sister Morrisohn. Elwyn repairs Ida's car, redeeming himself in the process.

THE FULLNESS OF TIME is a novel about the quest for identity that transcends the limitations of moral duty, social status, and cultural conventions. Set in Tarpon Springs, Florida, in 1969, it is the story of Victor Lucas, a young Greek immigrant forced to go to war in Vietnam in another man's place in order to save the woman he loves. He must survive the war to return and reclaim his love and his rightful place in society. Based on the archetypal hero's quest as articulated by Joseph Campbell, the narrative is told from the limited third-person perspective of the main character. Though the journey is particular to Tarpon Springs in the 1960s, it echoes the human struggle and triumph in the wanderings of Ulysses. The novel's influences include Thomas Hardy's The Mayor of Casterbridge, but is also thematically related to contemporary works exploring cultural turbulence and upheaval.

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