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One war, two different perspectives identifying the main news sources in the coverage of the 2003 war in Iraq by Al-Jazeera and CNN : a thesis submitted in partial fulfillment of the requirements for the degree of Masters of Arts (Communication Studies), Auckland University of Technology 2004.Saraj, Amel Hussein. January 2004 (has links) (PDF)
Thesis (MA--Communication Studies) -- Auckland University of Technology, 2004. / Appendices not included in e-thesis. Also held in print (150 leaves, 30 cm.) in Wellesley Theses Collection. (T 070.44995670443 SAR)
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Metaphor and bias : an in-depth look at CNN and Fox News Channel /Duncan, Sara R. January 1900 (has links)
Thesis (M.A.I.S.)--Oregon State University, 2006. / Printout. Includes bibliographical references (leaves 115-119). Also available online.
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Observations on the news factory a case study of CNN /Grogan, Andree Marie. January 2005 (has links)
Thesis (M.A.)--Georgia State University, 2005. / Title from title screen. Merrill Morris, committee chair; Marian Meyers, Douglas Barthlow, committee members. Electronic text (98 p.) : digital, PDF file. Description based on contents viewed June 21, 2007. Includes bibliographical references (p. 89-96).
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One war, two different perspectives : identifying the main news sources in the coverage of the 2003 war in Iraq by Al-Jazeera and CNNSaraj, Amel Hussein Unknown Date (has links)
This thesis seeks to identify the main sources of news in the coverage of the 2003 war in Iraq by the Arab channel Al-Jazeera and CNN. It distinguishes the news sources that journalists of CNN and Al-Jazeera have depended on while covering or reporting the events of the war and examines why they gave more airtime to certain news sources than others. Content analysis is used as the main research method and the Glasgow University Media Group's work is adopted as a model. The data for the research is five prime time news hours chosen from five-day intervals during the war from the coverage by both channels.This study also examines the two channels' different perspectives towards the event. This takes into account their histories, their stated position regarding their role and their editorial practices. At the same time there will be an attempt to further contextualize this issue by looking at the flow of the world news across borders, the development of Arab media before and after the emergence of satellite broadcasting and by briefly reviewing the history of Western media war reportage.The thesis concludes that the main sources on CNN were the 'coalition' military and official sources. By contrast, Al-Jazeera's coverage gave almost equal time to other perspectives such as anti-war voices and 'independent' analysts. Consequently it is argued that Al-Jazeera's coverage was more balanced and multiperspectival.
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Unbiased news ? : news from the BBC and CNN on September 11, 2001Berg, Ann-Christin January 2003 (has links)
No description available.
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Unbiased news ? : news from the BBC and CNN on September 11, 2001Berg, Ann-Christin January 2003 (has links)
No description available.
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Ugly war, pretty package: how the Cable News Network and the Fox News Channel made the 2003 invasion of Iraq high conceptJaramillo, Deborah Lynn 28 August 2008 (has links)
Analyses of war coverage address its relation to historical fact, propaganda, and
bias, but I see a great need to position war coverage within the context of the industry that
produces and distributes news content. To divorce televised war coverage from the
entertainment industry is to decontextualize it in the most fundamental way. This
dissertation investigates the way in which Cable News Network (CNN) and Fox News
Channel (FNC) positioned and packaged the U.S. military’s invasion of Iraq in March
2003 for a domestic audience. I place those two networks and the 2003 invasion of Iraq
within the context of post-classical Hollywood filmmaking, one offshoot of which is high
concept. I argue that high concept—a filmmaking practice inextricably linked to
conglomeration, new technologies, and an incessant, self-preserving drive to market—
can be applied productively to the study of television news. When infused with critical theory, high concept is a valuable way to understand the politics and construction of
entertainment-driven war coverage.
The industrial development of television news has yielded a media artifact that
mimics the practice of high concept filmmaking narratively, stylistically, ideologically,
and commercially. By using high concept as an alternative approach to television news, I
propose that studies that disregard or marginalize visuals, sound, narrative, and the
industry that profits from the spectacular packaging of those elements cannot fully
capture the thrust of television news. By stripping television news of its stature as
somehow divorced from and above the rest of television programming, I aim to re-insert
it into the entertainment industry. My intent is to bring together theoretical and practical
insights from different disciplines so that I can contextualize contemporary television
news in a unique and compelling way. In doing so, this dissertation aims to contribute to
the pursuit of democratic media. / text
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Popular media and the misconstruction of a narrative : "Common sense" as it affects the strugle for Palestinian self-determination /Zimmo, Maha, January 1900 (has links)
Thesis (M.A.)--Carleton University, 2002. / Includes bibliographical references (p. 109-121). Also available in electronic format on the Internet.
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Like moths to a flame the news media's influence on the operations of the United Nations and its specialized agencies /Caddell, Andrew, January 1900 (has links)
Thesis (M.J.) - Carleton University, 2002. / Includes bibliographical references (p. 179-184). Also available in electronic format on the Internet.
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Strategies of power in multilingual global broadcasters : how the BBC, CNN and Aljazeera shape their Middle East news discourse /Barkho, Leon, January 1900 (has links)
No description available.
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