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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

A constru??o de "caixas" de marabaixo na comunidade quilombola do Curia? : uma abordagem etnomatem?tica

Rodrigues, Quele Daiane Ferreira 29 December 2016 (has links)
Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-06-30T17:50:11Z No. of bitstreams: 1 DIS_QUELE_DAIANE_FERREIRA_RODRIGUES_COMPLETO.pdf: 4023372 bytes, checksum: 7ead8106592c1550e41f57838286dfc9 (MD5) / Made available in DSpace on 2017-06-30T17:50:11Z (GMT). No. of bitstreams: 1 DIS_QUELE_DAIANE_FERREIRA_RODRIGUES_COMPLETO.pdf: 4023372 bytes, checksum: 7ead8106592c1550e41f57838286dfc9 (MD5) Previous issue date: 2016-12-29 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This study aims to analyze how the mathematical knowledge involved in the making of marabaixo "drums" in the Quilombo community of Curia?, located in the Municipality of Macap?, Amap? State, was generated, organized and disseminated. Regarding the exploratory nature of this research, in which no data can be sought that can be quantified, it assumes a qualitative ethnographic approach. It bases its theoretical basis on some assumptions that underpinned all research, they are: culture; Ethno; Ethnicity; Ethnomathematics. For the concept of culture the contributions of Tylor (1871), Geertz (1973), Laplantine (2007) and Herskovits (1973) were used. The concepts of ethno and ethnicity had as reference the productions of D'Adesky (2001) and Ferreira (2013). From the perspective of Ferreira (1997, 2013), Knijnik (2012), Barton (2002, 2006) and D'Ambrosio (1989, 1990, 1998, 2002, 2004, 2009) addresses Ethnomathematics, considering the definition of the Ethnomathematics Program given by D'Ambrosio as the most fruitful to address the theme and focus of this research. In order to compose the data for the analysis, we used semi-structured interviews with three artisans belonging to the community and observations. As a method of analysis, Moraes and Galiazzi (2011) guidelines on Discursive Textual Analysis were followed. It lists three a priori categories: Generation of knowledge; Organization of knowledge; Diffusion of knowledge. In relation to the knowledge generated in the making of the "drums", it recognizes that they arose from the concern of an active participant in the community not to allow this knowledge to be forgotten, knowledge that is not related to what is taught in school. The generation of thhis knowledge comes from the observation of their ancestors, and the practice from the teachings occurred within the community. It verifies in the organization of these knowledges the need for reorganization of those that were generated from father to son, due to the influences suffered in the political, economic and cultural environment, and the improvement of the raw material for the construction of the "drums". It shows that the diffusion is carried out from the realization of workshops to popularize the knowledge, and also the commercialization of the "drums" as a way of subsistence. Although artisans have a low level of schooling, they recognize the existence of mathematics in the making of the "drum", mainly related to the sales process and budget of the material to be used. However, by means of the observations it is verified that mathematical concepts such as cylinder, flat figures, area, volume and perimeter are present during the "drum" construction process. It ends by recognizing the role of the artisan in preserving the local culture, suggesting that such knowledge can be treated in school. / Este estudo tem como objetivo analisar o modo como foram gerados, organizados e difundidos os saberes matem?ticos envolvidos na confec??o de ?caixas? de marabaixo na comunidade quilombola do Curia?, localizada no Munic?pio de Macap?, Estado do Amap?. Com rela??o ao car?ter explorat?rio desta pesquisa, na qual n?o se busca dados que podem ser quantificados, assume uma abordagem qualitativa de cunho etnogr?fico. Fundamenta sua base te?rica em alguns pressupostos que alicer?aram toda a investiga??o, sejam eles: cultura; etno; etnia; Etnomatem?tica. Para o conceito de cultura utilizou-se dos aportes de Tylor (1871), Geertz (1973), Laplantine (2007) e Herskovits (1973). Os conceitos de etno e etnia tiveram como refer?ncia as produ??es de D?Adesky (2001) e Ferreira (2013). A partir das perspectivas de Ferreira (1997, 2013), Knijnik (2012), Barton (2002, 2006) e D?Ambrosio (1989, 1990, 1998, 2002, 2004, 2009) aborda a Etnomatem?tica, considerando a defini??o do Programa Etnomatem?tica dada por D?Ambrosio como o mais fecundo para abordar o tema e o foco desta pesquisa. Para constitui??o dos dados destinados ? an?lise utilizou-se de entrevistas semiestruturas realizadas com tr?s artes?os pertencentes ? comunidade e observa??es. Como m?todo de an?lise, foram seguidas as orienta??es de Moraes e Galiazzi (2011) acerca da An?lise Textual Discursiva. Elenca tr?s categorias a priori: Gera??o de saberes; Organiza??o de saberes; Difus?o de saberes. Em rela??o aos saberes gerados na confec??o das ?caixas? reconhece que surgiram a partir da preocupa??o de um participante ativo da comunidade em n?o permitir que esse saber seja esquecido, saberes esses que n?o s?o relacionados ao que ? ensinado na escola. A gera??o desses saberes se d? a partir da observa??o dos seus antepassados, e da pr?tica a partir dos os ensinamentos ocorridos dentro da comunidade. Verifica na organiza??o desses saberes a necessidade de reorganiza??o daqueles que foram gerados de pai para filho, devido ?s influ?ncias sofridas no meio pol?tico, econ?mico e cultural, e do aprimoramento da mat?ria-prima para constru??o das ?caixas?. Mostra que a difus?o ? realizada a partir da realiza??o de oficinas para popularizar o saber, e tamb?m da comercializa??o das ?caixas? como forma de subsist?ncia. Embora que os artes?os possuam um baixo grau de escolariza??o, eles reconhecem a exist?ncia de uma matem?tica na confec??o da ?caixa?, principalmente relacionada ao processo de venda e or?amento do material a ser utilizado. Contudo, por meio das observa??es verifica-se que conceitos matem?ticos como, por exemplo, cilindro, figuras planas, ?rea, volume e per?metro, est?o presentes durante o processo de constru??o da ?caixa?. Finaliza reconhecendo o papel do artes?o na preserva??o da cultura local, sugerindo que tais saberes podem ser tratados na escola.

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