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Capra, Smith & Doe filming the American hero /Halnon, Mary. January 1900 (has links)
Thesis (M.A.)--University of Virginia, 1998. / Description based on content as of June 1999; title from title screen.
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An examination of narrative structure in four films of Frank CapraRose, Brian Geoffrey. January 1900 (has links)
Thesis--Wisconsin. / Vita. Includes bibliographical references (leaves 232-233).
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Capra's social films a study of Mr. Deeds goes to town, Mr. Smith goes to Washington and Meet John Doe.Rose, Brian Geoffrey, January 1973 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1973. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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An historical and descriptive analysis of the "Why we fight" seriesBohn, Thomas W. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1968. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Enforcing fragments : a critical analysis of the mythological messages in Frank Capra's Why we fight seriesAntonietti, Iris A. January 2008 (has links)
This thesis is a rhetorical analysis of Frank Capra's World War II information film series, Why We Fight, produced from 1942-1945. The series' mythological messages are examined using the four national parables as defined by Robert Reich (1987), namely The Mob at the Gates, The Triumphant Individual, The Benevolent Community, and The Rot at the Top. The values conveyed through the national parables are analyzed using a delineation of 17 core American values provided by Steele and Redding (1962). The analysis reveals the basic narrative structure of the series constituted by the myths, The Battle of Good and Evil and The Foundation Myth of America. Particularly, these two myths are crucial for America's shift from an isolationist to interventionist paradigm in foreign policy. This change in the mythical system initiated America's emergence as a world power after World War II. / Department of Telecommunications
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The "German" and "Nazi" in Chaplin's The great dictator, Capra's The Nazis strike and Hitchcock's LifeboatEllis, Erin. January 2009 (has links)
Thesis (M.A.)--Bowling Green State University, 2009. / Document formatted into pages; contains vi, 71 p. Includes bibliographical references.
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