Thesis (D.M.A.)--University of Maryland, College Park, 2007. / Compact discs. Includes bibliographical references (leaves 31-34).

Dissertation (D.Mus.(Performance))--University of Pretoria, 2007. / Includes bibliographical references. Available on the Internet via the World Wide Web.

Thesis (Ph. D.)--University of California, San Diego, 2009. / First work for large ensemble; 2nd for violin and electronics. Title from first page of PDF file (viewed July 7, 2009). Available via ProQuest Digital Dissertations. Vita. Accompanied by disc containing PDF file of thesis and recordings of performances of works.

Treatise (D.M.A.)--University of Texas at Austin, 2006. / Vita. Includes bibliographical references.

Thesis (M.M.)--Bowling Green State University, 2010. / Document formatted into pages; contains 1 score (33 p.) For flute, oboe, clarinet in B♭, bassoon, horn in F, piano and strings. Duration: 11 min. Includes bibliographical references.

Treatise (D.M.A.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references. Available also from UMI Company.

Thesis (M.M.)--Bowling Green State University, 2007. / Document formatted into pages; contains 1 score (36 p.) For soprano and chamber orchestra (flute, bassoon, viola, piano, harp and percussion) Includes bibliographical references.

Orcas is a two-movement work for chamber orchestra embodying traditional forms with twentieth-century timbres, textures and rhythms/ It is scored for twenty-two strings, six woodwinds, three brass and one percussionist. The purpose of this work is to make a contribution to the chamber orchestra literature which employs both traditional and contemporary elements, textures and styles.

Kami is a two-movement composition for chamber orchestra. It is scored for two flutes; two Bb clarinets; bassoon; two F horns; Bb trumpet; bass trombone; a percussion section consisting of two performers alternating on triangle, suspended cymbal, three toms (low, medium, high), two timpani, and xylophone; piano; harp; and strings. The movements are approximately five and six minutes in duration, respectively, with a total duration of approximately eleven minutes. The title, Kami, is taken from the Japanese word for "god," and is meant to convey a sense of otherworldliness. This piece is intended as a fantasy for chamber orchestra, merging eastern and western musical influences.

No description available.