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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

How Can We Understand Children’s Literature through Children’s Psychology? : An Analysis of Pippi Longstocking and The Little Girl at the Window according to Jean Piaget’s pedagogy

Qi, Qing January 2014 (has links)
Nowadays, an increasing amount of psychologists and educators find that literature designed for children plays a very important role in a child’s upbringing. A good children’s book not only influences a child’s psychological development, but is also a useful tool for scholars to research children’s psychology, which reflects children’s thinking regarding certain aspects. Astrid Lindgren’s Pippi Longstocking (1957) and Tetsuke Kuroyanagi’s The Little Girl at the Window (1984) undoubtedly are two representative children’s literatures, which were written during a time where the child's perspective in children's literature was not yet an attitude commonly adopted by narrators in novels. The novels illustrate and highlight children's thinking and reasoning abilities, and the characterization appears to draw on children's developmental cognitive theories, describing a child whose cognition ability recalls Jean Piaget's work and ideas. This thesis attempts to analyze Pippi’s and Totto’s thinking and reasoning and how it can illustrate some of Piaget’s theories about children’s drawing and children’s cognitive development. And a further discussion will be going on in this thesis about how Piaget's work might inform and enrich educational practices in accordance with children’s specific needs at different ages and from different cultural backgrounds.
2

O desenho que provoca o riso: o desenho de humor nas aulas de arte como incentivo à prática do desenho / The drawing that provokes laughter: the drawing of humor in art classes as an incentive to the practice of drawing

Mathias, Elisângela de Freitas [UNESP] 12 July 2018 (has links)
Submitted by Elisângela de Freitas Mathias (belearte@gmail.com) on 2018-09-06T01:36:53Z No. of bitstreams: 1 O DESENHO QUE PROVOCA O RISO - Elisângela de Freitas Mathias - PROF-ARTES - 2018.pdf: 927821 bytes, checksum: c9d7cbcfaf8d95183d55f5e040284d7b (MD5) / Approved for entry into archive by Laura Mariane de Andrade null (laura.andrade@ia.unesp.br) on 2018-09-10T17:28:35Z (GMT) No. of bitstreams: 1 mathias_ef_me_ia.pdf: 927821 bytes, checksum: c9d7cbcfaf8d95183d55f5e040284d7b (MD5) / Made available in DSpace on 2018-09-10T17:28:35Z (GMT). No. of bitstreams: 1 mathias_ef_me_ia.pdf: 927821 bytes, checksum: c9d7cbcfaf8d95183d55f5e040284d7b (MD5) Previous issue date: 2018-07-12 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Este artigo propõe a observação de como o desenho de humor pode ser trabalhado em sala de aula com crianças e adolescentes visando o desenvolvimento simbólico e do desenho em si. O estudo tem como hipótese a incorporação da linguagem do humor gráfico ao ensino-aprendizagem do desenho a partir de propostas para pensar, elaborar e criar a partir de referências experimentadas através da apropriação do alfabeto gráfico por parte do aluno. A intenção é provocar a reflexão sobre o quanto o incentivo ao desenho, por meio de uma abordagem interacionista, possibilita e fomenta a prática desenhista numa fase de possível bloqueio do desenvolvimento gráfico do sujeito. / This article proposes the observation of how the humor drawing can be worked in the classroom with children and adolescents aiming at the symbolic development and the drawing itself. The study’s hypothesis is the incorporation of the language of graphic humor into the teaching-learning of the drawing from proposals to think, elaborate and create from references experienced through the appropriation of the graphic alphabet by the student. The intention is to provoke reflection on how much the incentive to draw, through an interactionist approach, enables and encourages the designer practice in a phase of possible blocking of the person’s graphic development. / CAPES: 5629532

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