李向昇. / "二〇一一年八月". / "2011 nian 8 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 148-159). / Abstract in Chinese and English. / Li Xiang heng. / 提要 --- p.頁i / 目錄 --- p.頁 iii / Chapter 第一章 --- 緒論 / Chapter 第一節 --- 硏究動機 --- p.頁1 / Chapter 第二節 --- 硏究綜述 --- p.頁2 / Chapter 第三節 --- 硏究方法 --- p.頁8 / Chapter 第二章 --- 文人趣味與儒者修為：汪琬的生平 / Chapter 第一節 --- 明亡與仕清 --- p.頁11 / Chapter 第二節 --- 宦遊京師 --- p.頁16 / Chapter 第三節 --- 歸隱與復出 --- p.頁21 / Chapter 第三章 --- 從足小品文到古文：明清之際散文的演變 / Chapter 第一節 --- 小品文與古文 --- p.頁31 / Chapter 第二節 --- 晚明小品文與清初小品文 --- p.頁37 / Chapter 第三節 --- 小品文家的古文寫作 --- p.頁45 / Chapter 第四節 --- 清初古文的復興 --- p.頁53 / Chapter 第四章 --- 文道與文法：汪琬的古文理論 / Chapter 第一節 --- 汪琬古文的承繼 --- p.頁63 / Chapter 第二節 --- 汪琬的古文理論的矛盾 --- p.頁66 / Chapter 第三節 --- 汪碗與陳僖的論爭 --- p.頁70 / Chapter 第四節 --- 道、經、文的層次問題 --- p.頁78 / Chapter 第五節 --- 汪琬古文理論對傳統的回歸 --- p.頁83 / Chapter 第五章 --- 文人之文與儒者之文：汪琬的古文創作 / Chapter 第一節 --- 文人與儒者 --- p.頁88 / Chapter 第二節 --- 序記之文：文學典範與師法對象 --- p.頁99 / Chapter 第三節 --- 史傳之文：古文筆法與小說伎倆 --- p.頁124 / Chapter 第六章 --- 結論 --- p.頁144 / 參考書目 --- p.頁150 / 附錄 / 《汪琬全集箋校》失收資料匯集

「古文」作爲傳統中國士人日常表達和學術著作的主要文體，在思想世界與知識世界中具有重要的地位。然而，除了在文學史研究中討論「知識」對「文章」的重要性，我們似乎很少反過來設問，「文章」對「知識」有何作用？作爲「學問」載體的古文，是否真正介入了這些學術性知識的傳承與變革？基於這一思路，本文希望將對「古文」的研究，置於一更大的社會文化脈絡之中，探討「文章」如何塑造了讀書人的知識視野和學問秩序。 / 文章與知識之間的張力，在古代文學史及思想史上一直存在；然在清代，由於儒家知識主義之興起，此一張力獲得了更爲自覺和充分的展開。本文認爲，從晚明到清初，中國士人的知識視野經歷了一次擴張，而明中期以降博覽求古的「文章」趣味，正是其重要的動力。入清之後，「文」「學」之緊張日益顯現。康熙十七年詔徵博學鴻儒，還是以「詞章」評判「博學」；至乾隆間開經學特科，所重便是「根柢經史」的專門學問；由「博」而「精」，「文」「學」相離。不過，在以「文章」訓練為主的書院教育中，對「古學」的提倡往往還需要借助「古文」之力；同時清人以「著書明道」為理想，考經證史的成績、自身的學術趣味與知識修養，都需要選擇恰當的「著述」體裁以表達之。在編次文集乃至註釋經書之時，不少學者都對其「著作」的方式作出精心的安排，以求體現其學問之系統。「文」與「學」的互動，實又通過另一種形式表現出來。此外，「著書明道」，還可以看作一個以「私言」發明「公道」的實踐，故而「著作」不僅是對公共「知識」的傳遞，更是對個人「性情」的表達。在清中期，「文」與「學」的張力進一步推演出性情與知識關係的重整。「文」「學」離合之間，清代讀書人知識世界的遷變，正有跡可循。 / The concept of ‘wenxue’(文學) in Chinese intellectual tradition philologically consists of two basic elements: belle-lettres (文wen) and learning (學xue). Thus when talking about ‘wenxue’ we are referring to not only a heritage of literature, but also a genealogy of knowledge. This dissertation aims to shed light upon the socio-cultural and epistemic aspects of classical prose(古文 guwen), which is a main genre of classical literature as well as the prevailing form of both practical and scholarly writing in late imperial China. Questions raised in my research include: How were different categories of knowledge ordered and systematized? In what way did the literary taste of intellectuals delimit and displace their epistemological boundaries? And how was the world of knowledge embodied through the compiling of literary anthologies and the writing of scholarly works? / China’s long eighteenth century (1644-1799) witnessed an adequate and self-conscious unfoldment of the perennial tension of literature and knowledge in the shadow of the Confucian intellectualism. The Ming literati’s interests for archaic literature and ancient texts, which lead to a trend of vast learning, herald the expansion of knowledge in late Ming and early Qing. In the 1679 ‘Boxue Hongru’ Examination, literary excellence was still regarded as a crucial criterion for the selection of ‘erudite scholars’. The rise of evidential study, however, intensified the tension between literary talent and scholarly learning. Men of letters were criticized for having no knowledge of the real way of learning, although they had copious knowledge of classical literature. The curiosity for erudition and was regulated, if not replaced by the pursuit of philological study on the Confucian classics. In spite of such idealistic divergence of ‘literati’ and ‘scholar’, literary writing played a significant role in the propagation and expression of scholarship. On one hand, study on Confucian classics and ancient history was advocated in local academies(shuyuan 書院) through the training of prose writing. On the other hand, scholars had to be very concerned about choosing the appropriate genre or the most refined textual form to lucubrate their academic work. Furthermore, debates on the proper form of academic writing made special contribution to the revival of subjectivism in the realm of academic studies. From my perspective, the interaction of ‘wen’ and ‘xue’ played a decisive role in shaping the trajectory of both literary and academic history of late imperial China. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 胡琦. / Parallel title from added title page. / Thesis (Ph.D.) Chinese University of Hong Kong, 2015. / Includes bibliographical references (leaves 540-551). / Abstracts also in Chinese. / Hu Qi.

黎必信. / "2012年3月". / "2012 nian 3 yue". / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 355-368). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract in Chinese and English. / Li Bixin.