Thesis (M.A.)--Si li Zhongguo wen hua xue yuan, 1974. / On double leaves.

Thesis (M.A.)--Si li Zhongguo wen hua xue yuan, 1974. / On double leaves.

Thesis (Ph. D.)--University of Texas at Austin, 2004. / Supervisor: Sung-sheng Yvonne Chang. Vita. Includes bibliographical references.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1983. / Typescript. Vita. Includes bibliographical references (leaves 317-336).

published_or_final_version / Comparative Literature / Master / Master of Philosophy

Thesis (M. Phil.)--Hong Kong University of Science and Technology, 2002. / Includes bibliographical references (leaves 74-77). Also available in electronic version. Access restricted to campus users.

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

香港的殖民處境特殊， 既沒有在殖民管治結束後獨立， 也沒有在殖民管治時期中止與中國的各種聯繫， 致「香港文學」主體性的意涵常在「本土文學」與「地區文學」之間徘徊， 衍生出不同的「本土性」及文學史意義。現存「香港文學」的不同主體性論述， 主要以「1950年代」為「香港文學」的起點， 各自呈現不同的「本土性」。本文關注「香港文學」在「本土性」研究中的價值，冀透過整理現存的各種「1950年代香港文學」論述，剖析「香港文學」的主體性論述與國族想像、殖民政策、文學生產的關係，思考以「本土性」建構「香港文學」的可能。 / 本文共有六章， 第一章「緒論」闡述研究動機、目的、研究方法，並回顧現存文獻的研究成果。第二章「『香港文學』的『中國新文學』」整理現存各種「1950年代香港文學」論述，歸納「香港文學」主體性論述的不同形態。第三章「殖民者的身影」探討1950年代的香港殖民政策，並以《新生晚報》為例，分析殖民者在1950年代香港文學生產中的角色。第四章「『通俗』的資本」運用「資本」的概念， 比較不同「1950年代香港文學」論述對通俗文學場域位置的不同見解，以考察通俗文學在論述中呈現的「本土」視野。第五章「通俗文學在『香港文學』」以香港作家舒巷城的作品， 在不同「1950年代香港文學」文選的編選情況為例，討論「象徵資本」與香港文學「本土性」的關係。第六章「結論」總結「1950年代香港文學」論述的研究價值，並展望香港文學主體性論述的其他研究方向。 / As one of the former colonial areas, Hong Kong has a more complex colonial experience. The demise of British colonial rule in 1997 did not gain independence for Hong Kong, and noticeably, Hong Kong remained in close contact with Mainland China throughout the colonial period. The debate of the subjectivity of "Hong Kong literature" oscillates between the framing of local literature and regional literature, and generates various understandings of locality and literary history. Despite discrepancy, "1950s" is commonly regarded as the critical period of Hong Kong literature’s emergence and various understandings of localism are hence generated. This dissertation aims at investigating localism from the perspective of "Hong Kong literature". Through analyzing different discourses of the notion of "1950s Hong Kong literature", this thesis scrutinizes the interplay of national imagination, colonial policies and cultural production, and tries to examine the possibilities of constructing "Hong Kong literature" with localism. / There are six chapters in this thesis. Chapter 1 addresses the motivation, purpose of research, methodology, as well as the literature review of the existing studies. Chapter 2 analyzes prevailing discourses on the notion of "1950s Hong Kong literature", so as to investigate different discursive formations of the subjectivity of Hong Kong literature. Chapter 3, with the examples in the Hsin Sheng Wen Pao(新生晚報), examines the colonial policies and its role in literary production regarding the notion of "1950s Hong Kong literature". Chapter 4 departs from the idea of capital, examines debates over the position of popular culture in the literary field. The dialogue is carried out through the different understandings on the notion of "1950s Hong Kong literature". Chapter 5 studies the relationship between symbolic capital and localism with the example of how a Hong Kong writer, Shu Xiangcheng(舒巷城), was perceived in the compilation "1950s Hong Kong literature". In Chapter 6, this section evaluates the importance of the discourse "1950s Hong Kong literature", and suggests other possibilities of the Hong Kong literature subjectivity in the future. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 鄒芷茵. / Thesis (Ph.D.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 143-164). / Abstracts also in English. / Zou Zhiyin.

劉小麗. / "2001年6月" / 論文 (哲學碩士)--香港中文大學, 2001. / 參考文獻 (leaves 180-185) / 附中英文摘要. / "2001 nian 6 yue" / Liu Xiaoli. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (leaves 180-185) / Fu Zhong Ying wen zhai yao. / 前言 --- p.i / 中文摘要 --- p.ii / 英文摘要 --- p.iii / Chapter 第一章 --- 緒論： --- p.1 / Chapter 1. --- 文獻回顧：本土文化硏究 --- p.1 / Chapter a. --- 引言 --- p.1 / Chapter b. --- 本土文化硏究的兩種進路 --- p.5 / Chapter c. --- 布爾迪厄的生成結構主義 --- p.12 / Chapter d. --- 是次硏究的出發點 --- p.19 / Chapter e. --- 對布爾迪厄理論的補充 --- p.22 / Chapter f. --- 結語：群體/歷史/世代的意識勾畫 --- p.25 / Chapter 2. --- 硏究方法：從文化社會學到文學社會學 --- p.26 / Chapter a. --- 戈德曼的文學社會學 --- p.26 / Chapter b. --- 文學社會學：小說形式、文化生產者、精神結構… --- p.28 / Chapter c. --- 小說類型學的開展 --- p.30 / Chapter d. --- 硏究議程：對香港本土小說的選取 --- p.33 / Chapter e. --- 尋找「烏托邦.」 --- p.34 / Chapter 第二章 --- 金色的神話世界：精神結構與香港文學世界之一 --- p.38 / Chapter 1. --- 理想主義的人間風 景 --- p.41 / Chapter 2. --- 吳煦斌´ؤ´ؤ叢林中的尋索 者 --- p.44 / Chapter a. --- 《佛魚》´ؤ´ؤ堅決的追 尋 --- p.45 / Chapter b. --- 《獵人》´ؤ´ؤ失火的森 林 --- p.53 / Chapter 3. --- 西西´ؤ´ؤ童話國的漫遊 人 --- p.60 / Chapter 4. --- 結語 --- p.71 / Chapter 第三章 --- 焦灼的黑暗時代：精神結構與香港文學世界之二 --- p.73 / Chapter 1. --- 幻滅的犬儒主義 --- p.74 / Chapter 2. --- 黃碧雲´ؤ´ؤ煉獄裏的媚行者 --- p.78 / Chapter a. --- 暴烈和嘲弄 --- p.80 / Chapter b. --- 普遍的人物、共同的宿命 --- p.82 / Chapter c. --- 從浪漫到犬儒的幻滅 --- p.85 / Chapter i) --- 《盛世戀》 --- p.86 / Chapter ii) --- 《創世記 》 --- p.93 / Chapter iii) --- 邊界中的流徙、地獄裏的媚行 --- p.98 / Chapter 3. --- 鍾玲玲´ؤ´ؤ社群內的流浪兒 --- p.101 / Chapter a. --- 社群生活的總體 --- p.102 / Chapter b. --- 對理想的浪漫懷緬 --- p.103 / Chapter i) --- 退入記憶的理想 --- p.104 / Chapter ii) --- 被記憶唾棄的現實生活 --- p.107 / Chapter c. --- 墮進虛無的犬儒心態 --- p.111 / Chapter 4. --- 結語 --- p.115 / Chapter 第四章 --- 航向陰性烏托邦：精神結構與香港文學世界之三 --- p.117 / Chapter 1. --- 自戀的虛擬主義 --- p.118 / Chapter 2. --- 董啓章一~ffl影中的水仙花少年 --- p.122 / Chapter a. --- 曖昧的體裁、虛擬的出路 --- p.124 / Chapter b. --- 虛擬的一元自戀國 --- p.129 / Chapter i) --- 《《安卓珍尼》：投進虛擬的自毀國 --- p.130 / Chapter ii) --- 《雙身》：自戀耽美的旅途 --- p.142 / Chapter 3. --- 結語 --- p.148 / Chapter 第五章 --- 結論：文學與歷史 --- p.150 / Chapter 1. --- 青年文藝與火紅歲月 --- p.150 / Chapter a. --- 幾段青年運動的舞曲 --- p.151 / Chapter i) --- 序曲：理想主義的文藝反叛 --- p.151 / Chapter ii) --- 高峰：擺盪不定的社會運動 --- p.159 / Chapter iii) --- 結章：幻滅消沉的休止 --- p.162 / Chapter b. --- 歷史的外延舞台 --- p.166 / Chapter i) --- 難民文化圈子的興衰 --- p.167 / Chapter ii) --- 宏觀社會環境的調控 --- p.168 / Chapter iii) --- 國際社會思潮的牽引 --- p.171 / Chapter 2. --- 結語 --- p.173 / 參考資料 --- p.180

本文研究香港八、九十年代最重要的同人雜誌《素葉文學》(1980-2000)。第一及第二章分別從文學生產及語言風格兩方面劃定《素葉》在文壇的座標。第一章闡釋《素葉》的文學生產模式如何造成其「高格調」的印象，決定它從生產到接受面向都傾向同質化，並發展出平實的雜誌性格和文學風格。第二章討論《素葉》的「生活化」散文及小說，重新釐定被認為代表香港文學特色的「生活化」風格的涵義，並提出「周報─大拇指─羅盤─素葉」體系是文壇上反對美文、主張「生活化」風格的文學群落。第三及第四章則分別透過翻譯及旅行審視「本土」如何在與「他者」的關係中誕生。第三章整理《素葉》的所有譯介活動，探討翻譯與本土、香港文學本土性與世界性的關係，檢視八、九十年代香港作家如何透過翻譯，思考面對文學表述與身份認同等議題。第四章研究《素葉》上的中國遊記和相關小說，反思被長期忽略的香港文學的「中國性」問題，並說明旅行如何促成本土主體的誕生，最後提出香港文學的跨地域性。藉由這四方面的研究，嘗試概括《素葉》的重要特點，同時與身份認同、雅俗之辯、文學史書寫等多個香港文學的核心論題對話，由此希望反思「本土」的涵義，在「本土以外」開拓更多研究空間。 / The study aims at rethinking the meaning of ‘local’ by studying the literary magazine in 80’s to 90’s, Su Yeh Literature (1980-2000), on various issues of Hong Kong literature such as identity, hierarchy of tastes and literary history. Chapter 1 examines Su Yeh Literature from the perspectives of literary sociology, artistic production and the history of Chinese modern literary journals, in order to explain the cause of its highbrow taste and the homogenization in both production and consumption aspects. Chapter 2 analyzes the style of writings on Su Yeh Literature and its status in Hong Kong Literature; arises two misrecognitions in the present discussion of Hong Kong Literature, which points to the re-evaluation of 80s to 90s literary works and realism, by re-investigating the ‘everyday-life-style’ which is usually considered as a ‘local’ style. Chapter 3 explores the production of ‘Hongkongness’ and how the ‘local’ associate with ‘global’ by studying the introduction and translation of foreign literature on the journal. Chapter 4 focuses instead on travel writings especially on the relationship with ‘local’ and proposes the neglected ‘Chineseness’ in Hong Kong literature. / Detailed summary in vernacular field only. / 王家琪. / Parallel title from English abstract. / Thesis (M.Phil.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 136-147). / Abstracts in English and Chinese. / Wang Jiaqi.