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考律以求雅 : 萬樹《詞律》研究 = From examination of music to canonization of ci : a research on Wanshu's Cilu李日康, 12 September 2019 (has links)
《詞律》二十卷,清初詞家萬樹(字紅友,又字花農,1630¬¬-1688)編撰,成書於康熙二十六年(1687),全書錄六百六十調,一千一百八十餘體,是清初錄調最豐,辨體最詳的詞譜著作。現時《詞律》的研究,就成書背景及撰作原因而言,學者大多以明清易代的政治變故及清初詞壇針對明代詞壇而作出的反響這兩大方面切入,而就《詞律》一書本身的內部情況而言,學者傾向借助萬樹《詞律》中的〈自敘〉及〈發凡〉發微,闡述其體例,批評其得失。以上現況反映《詞律》的研究已經開展,同時基於《詞律》與時代的密切關係,又再一次證明此書對清初詞壇的重要性。然而,以上外緣因素雖然適用於清初詞壇的普遍情況,卻缺乏對《詞律》的針對性分析,而《詞律》的內部分析則又過份倚賴萬樹本人在〈自敘〉及〈發凡〉的現身說法,忽視了書中例詞、旁注、萬樹評點的價值。因此,本研究除緒論及結論,正文凡四章,分上、下篇,嘗試從外緣到內部,為《詞律》研究提供新說。第一章〈緒論〉將就研究動機、文獻回顧、方法論等作基本說明;第二章將重新檢討清初詞壇的尊體策略,析論破體、辨體及時流景貌,重估清初詞壇在尊體此命題下的角力關係,由此,為萬樹《詞律》在清初詞壇的定位提供說法,作為往後論述的基調;第三章則從先秦兩漢論律、論樂的思想傳統、宋代六次更訂樂制及大晟府影響下的詞人生態這三方面溯源,析論萬樹《詞律》將詞律設想為樂律,再藉由樂律之道通往尊體之道的根據,以此分析萬樹《詞律》由「紹述古音」轉出其獨特的「律呂之學」的思路;第四章則轉入《詞律》內部,嘗試於《詞律》的〈自敘〉及〈發凡〉之外,探索其內在理路,藉柳永及周邦彥、方千里、吳文英這兩組在《詞律》中特殊的現象,指出萬樹強調比勘互校,並將此提升至貫穿全書、組織全書的內在理路,由此邁向其「至公大雅」的追求;第五章則借鑑文獻學及西方書籍史研究的觀點,反思詞譜類著作的物質形態,分析《詞律》如何有別於當時一般詞譜,同時兼顧了視覺閱讀及聲音演練兩方面以推動填詞實踐,既解決填詞的操作問題也克服審美的困難,由此,呼應編撰《詞律》以推尊詞體的目標;第六章為結論,除歸納本研究中有關《詞律》的發現,同時亦會就研究方法作出反思。= 20 volumues of CiLu (《詞律》), written and edited by early Qing Dynasty Ci scholar WanShu (萬樹, who also named Hungyou, and known as Huanong) are finished in the year of Kangxi 26 (1687). The whole volume collects 660 kinds of tune (詞調) and more than 1180 kinds of genre (詞體). This makes it the most abundant collection of tune and classification of genre in early Qing. Of studies of CiLu today, from the perspective of writing background and reason, scholars tend to intersect the object through lens of political change during Ming to Qing as well as of the pinpointed response of early Qing Ci literary circle towards Ming Ci literary circle. Moreover, with regard to content of CiLu, scholars tend to decipher the text by interpreting WanShu's self account and introduction, explaining its format and criticizing its good and bad. This shows that research effort towards CiLu has already begun, and, at the same time, has demonstrated its importance to Qing literary circle due to the fact that it has a very close relationship with the era. However, although those external factors raised here are suitable to explain the universal situation of early Qing Ci circle, a target-oriented analysis towards CiLu is absent. Those internal analysis based on content also overly rely on WanShu's self account and introduction yet omit the value of Ci examples, annotations and WanShu's comments. Therefore, in this research, except the parts of introduction and conclusion, the body contains 4 chapters and is divided into former and latter part so as to provide a fresh angle and discourse upon the study of CiLu via an attempt of viewing it from the external to the internal. The first chapter-Introduction- provides a clean explanation upon the goals, literature review and methodology of the research; the second chapter will review early Qing Ci poetry circle's canonization strategy (尊體策略) to clarify genre integration (破體), genre classification (辨體) and the spectacle of writing trend of the era. It also revaluates the tension among literary parties upon the issue of canonization in early Ching circle so that a new discourse upon the literary status of WanShu's CiLu would be brought forth as the fundamental argument of the thesis. The third chapter will trace traditional influence of CiLu's by reviewing music discussion in Pre-Qin and Han, six times official review of music systems in Song dynasty and Ci lyricists' inhabitation under the influence of Dashengfu (大晟府), and hence, it is analyzed that WanShu's CiLu alludes rules of Ci poetry writing to music theory. Then through the way of music theory, it paves the road to canonization of certain Ci poetry -this also demonstrates how WanShu's CiLu develops its own unique rules of music-lyrics theory (律呂之學) from purely inheriting ancient style (紹述古音) . The forth chapter shifts to the internal textual studies of CiLu. Apart from CiLu's self account and introduction, it tries to explore its inner logic(內在理路): by the unusual phenomenon of juxtaposing LiuYong and ChouBaoyan as well as comparing FangQianli and WuWenyin, it is noted that WanShu's emphasis on comparingly slow reading and parallel proofreading is the inner clue of netting the whole volume as well as the corner stone to his literary pursuit of being "supremely just and grandly noble" (至公大雅). The fifth chapter borrows angles of bibliography and the Cultural History Study of Book to reflect on the material form of Cipu (詞譜)writing, analysing how CiLu differentiates from other common Cipu during the period: it both masters the two facets of visual reading and vocal drill to advocate the practice of Ci poetry writing. This not only solves the problem of writing techniques but also conquers the difficulty of adopting different aesthetics norm. It, hence, echoes CiLu's editing aims which are promotion and canonization of Ci. The sixth chapter is conclusion which induces all the discoveries of this research as well as reflects on the methodology.
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The use of experimental and variant forms in ancient and early medieval Chinese verse何文匯, He, Wenhui. January 1971 (has links)
published_or_final_version / Chinese / Master / Master of Philosophy
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A critical survey of the tz'u (poems in irregular metre) of Chin and Yuan dynastiesWong, Shiu-hon., 黃兆漢. January 1969 (has links)
published_or_final_version / Chinese / Master / Master of Arts
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唐代詩人評唐詩之硏究. / Tang dai shi ren ping Tang shi zhi yan jiu.January 1973 (has links)
手稿本. / Thesis (M.A.)--香港中文大學. / Shou gao ben. / Includes bibliographical references (leaves 505-506). / Thesis (M.A.)--Xianggang Zhong wen da xue. / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 資料──唐代詩評作品概述 --- p.6 / Chapter 第二節 --- 唐詩之分期 --- p.23 / Chapter 第二章 --- 太宗貞觀至中宗景龍 --- p.32 / Chapter 第一節 --- 上官儀 --- p.36 / Chapter 第二節 --- 四傑──王勃、楊炯、盧照鄰、駱賓王 --- p.39 / Chapter 第三節 --- 沈佺期、宗之問 --- p.46 / Chapter 第四節 --- 蘇味道、李嶠、崔融、杜審言 --- p.53 / Chapter 第五節 --- 陳子昂 --- p.59 / Chapter 第六節 --- 其他 --- p.65 / Chapter 第七節 --- 結論 --- p.71 / Chapter 第三章 --- 宗玄開元天寶 --- p.73 / Chapter 第一節 --- 張說、張九齡 --- p.77 / Chapter 第二節 --- 王昌齡、王之渙、李頎 --- p.84 / Chapter 第三節 --- 王維、孟浩然、劉長卿 --- p.95 / Chapter 第四節 --- 高適、岑參 --- p.114 / Chapter 第五節 --- 李白 --- p.122 / Chapter 第六節 --- 杜甫、鄭虔、蘇源明、薛據、嚴武 --- p.141 / Chapter 第七節 --- 錢起、郎士元 --- p.169 / Chapter 第八節 --- 其他 --- p.173 / Chapter 第九節 --- 結論 --- p.182 / Chapter 第四章 --- 肅宗至德至代宗大曆 --- p.188 / Chapter 第一節 --- 元結、孟雲卿 --- p.190 / Chapter 第二節 --- 韋應物、皎然 --- p.202 / Chapter 第三節 --- 大曆十子及李益 --- p.213 / Chapter 第四節 --- 王建 --- p.234 / Chapter 第五節 --- 其他 --- p.237 / Chapter 第六節 --- 結論 --- p.243 / Chapter 第五章 --- 德宗建中至憲宗元和 --- p.245 / Chapter 第一節 --- 白居易、劉禹鍚、元稹、李紳 --- p.249 / Chapter 第二節 --- 韓愈、孟郊、盧仝、賈島 --- p.296 / Chapter 第三節 --- 張籍、李賀 --- p.331 / Chapter 第四節 --- 柳宗元 --- p.349 / Chapter 第五節 --- 姚合 --- p.355 / Chapter 第六節 --- 其他 --- p.359 / Chapter 第七節 --- 結論 --- p.370 / Chapter 第六章 --- 穆宗長塵至文宗開成 --- p.372 / Chapter 第一節 --- 杜牧 --- p.374 / Chapter 第二節 --- 張祐 --- p.381 / Chapter 第三節 --- 許渾 --- p.388 / Chapter 第四節 --- 劉得仁 --- p.392 / Chapter 第五節 --- 李商隱、段成式、溫庭筠 --- p.396 / Chapter 第六節 --- 其他 --- p.410 / Chapter 第七節 --- 結論 --- p.415 / Chapter 第七章 --- 武宗會昌至昭宗天祐 --- p.418 / Chapter 第一節 --- 薛能 --- p.420 / Chapter 第二節 --- 皮日休、陸龜蒙 --- p.427 / Chapter 第三節 --- 司空圖 --- p.448 / Chapter 第四節 --- 方干 --- p.454 / Chapter 第五節 --- 鄭谷 --- p.462 / Chapter 第六節 --- 韋莊 --- p.467 / Chapter 第七節 --- 其他 --- p.472 / Chapter 第八節 --- 結論 --- p.488 / Chapter 第八章 --- 總結 --- p.490 / Chapter 第一節 --- 唐人評唐詩之標準 --- p.490 / Chapter 第二節 --- 唐詩之影響 --- p.502 / Chapter 附錄 --- 參考書目 --- p.505
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A critical study of Hu Ying-lin's poetic theoriesChan, Kwok-kou, Leonard, 陳國球 January 1982 (has links)
published_or_final_version / Chinese / Master / Master of Philosophy
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Problems in the historical reconstruction of Chinese literary criticismYang, Songnian, 楊松年 January 1974 (has links)
published_or_final_version / Chinese / Doctoral / Doctor of Philosophy
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The Tzu-yeh folk songs: translations and analysisLaursen, Thomas Edward January 1979 (has links)
No description available.
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Female singers and the ci poems of the Tang and Song periods=Tse, Wai-lok, 謝煒珞 January 2007 (has links)
published_or_final_version / abstract / Chinese / Master / Master of Philosophy
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中國古典詩歌敎學硏究. / Study on the teaching of Chinese classical poetry / Zhongguo gu dian shi ge jiao xue yan jiu.January 1987 (has links)
狄慧人 = A study on the teaching of Chinese classical poetry / Ti Hwei Jen. / 據手稿本複印. / Thesis (M.A.)--香港中文大學硏究院敎育學部. / Ju shou gao ben fu yin. / Includes bibliographical references (leaves 396-437). / Di Huiren = A study on the teaching of Chinese classical poetry / Ti Hwei Jen. / Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan jiao yu xue bu. / 前言 --- p.伍 / 摘要 --- p.柒 / Chapter 第一章 --- 緒言 / Chapter 第一節 --- 詩歌的定義 --- p.1 / Chapter 第二節 --- 詩歌的特色 --- p.12 / Chapter 第三節 --- 詩歌的價值 --- p.34 / Chapter 第一目 --- 詩歌在歷史方面的提供 --- p.37 / Chapter 第二目 --- 詩歌與德育的配合 --- p.44 / Chapter 第三目 --- 詩歌與美育的關係 --- p.50 / Chapter 第四目 --- 詩歌與語文教學的配合 --- p.56 / Chapter 第四節 --- 關於詩歌教學的一般研究 --- p.61 / Chapter 第二章 --- 詩歌的教學目標 --- p.74 / Chapter 第三章 --- 詩歌的教學原則 --- p.77 / Chapter 第四章 --- 詩歌的教學 --- p.143 / Chapter 第一節 --- 教材編送 --- p.155 / Chapter 第二節 --- 教學方案 / Chapter 第一目 --- 教學預備 --- p.181 / Chapter 第二目 --- 認識背景 --- p.191 / Chapter 第三目 --- 字詞教學 --- p.195 / Chapter 第四目 --- 深究與鑑賞 --- p.204 / Chapter 第五目 --- 綀習與評鑑 --- p.237 / Chapter 第三節 --- 教案舉隅 --- p.246 / Chapter 第五章 --- 總´結´ؤؤ兼論教師應備的條件 --- p.353 / Chapter 附錄一 --- 中學中國語文及文學科教學目標 --- p.376 / Chapter 附錄二 --- 中學中國語文及文學科詩歌教材 --- p.377 / Chapter 附錄三 --- 中國語言文學科古典詩歌教材 --- p.384 / Chapter 附錄四 --- 範文教學的適用原則及教法簡表 --- p.390 / 範文教學實施要領及注意事項簡表 --- p.391 / Chapter 附錄五 --- 國文教師自我能力檢查表 --- p.392 / 參考書目 --- p.396
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宋詞用韻之硏究. v.1 / Song ci yong yun zhi yan jiu. v.1January 1977 (has links)
Thesis (M.A.)--香港中文大學. / Includes bibliographical references. / Thesis (M.A.)--Xianggang Zhong wen da xue. / Chapter 第一章 --- 研究目的、材料與方法 / Chapter 第一節 --- 研究目的 --- p.1-8 / Chapter 第二節 --- 研究材料 --- p.9-12 / Chapter 第三節 --- 研究方法 --- p.12-14 / 註1至註9 --- p.15-19 / Chapter 第二章 --- 清戈載〈詞林正韻〉 / Chapter 第一節 --- 〈正韻〉一書之製作目的 --- p.20 / Chapter 第二節 --- 〈正韻〉一書之體例 --- p.21-23 / Chapter 第三節 --- 〈詞林正韻〉之分部系統 --- p.23-34 / Chapter 第四節 --- 〈正韻〉照顧方音及古今音變之特色 --- p.34-52 / Chapter 第五節 --- 關於葉斐軒刊本〈詞林韻釋〉 --- p.53-56 / 註1至註9 / Chapter 第三章 --- 〈詞林韻釋〉分部內容之修正 / Chapter 第一節 --- 統計及推論 --- p.60-65 / Chapter 第二節 --- 支持〈灰韻應歸第五部〉之兩項事實 --- p.65-71 / Chapter 第三節 --- 探討〈正韻〉歸部錯誤之原因 --- p.71-73 / 註1至註4 --- p.74 / Chapter 第四章 --- 論宋詞人有「平聲貴嚴」之觀念 --- p.75-79 / Chapter 第五章 --- 方音 / Chapter 第一節 --- 略論研究方音及決定其為方音之條件 --- p.81-85 / Chapter 第二節 --- 材料所示宋代之方音概況 --- p.86-103 / 註1至註6 --- p.104-105 / Chapter 第六章 --- 入聲 / Chapter 第一節 --- 〈詞林正韻〉入聲分部的特點 --- p.106-112 / Chapter 第二節 --- 個別詞家的入聲分部系統 --- p.113-138 / Chapter 第三節 --- 探討〈正韻〉入聲歸入三聲之根據 --- p.138-144 / 註1至註3 --- p.144A / Chapter 第七章 --- 宋詞之特殊協韻技巧 / Chapter 第一節 --- 不自覺的協韻方式 --- p.145-151 / Chapter 第二節 --- 長尾韻 --- p.151-154 / Chapter 第三節 --- 句中韻 --- p.154-156 / Chapter 第四節 --- 和聲 --- p.157-158 / Chapter 第五節 --- 福唐獨木橋體 --- p.158-161 / 註1 --- p.161 / Chapter 附錄一 --- 〈詞林正韻〉補正 / Chapter 附錄二 --- 四十二詞家曾使用之韻字 / Chapter 附錄三 --- 有關本文修正〈正韻〉分部內容之資料備矤 (本文第三章第一節表中II、IV、V、VI各項之內容) / Chapter 附錄四 --- 有關本文第四章之資料備攷 / Chapter 附錄五 --- 有關本文第五章「方音」之詳細資料 / Chapter 附錄六 --- 平仄通協體 / Chapter 附錄七 --- 詩韻詞韻分合對照表 / Chapter 附錄八 --- 詞韻分部索引表 (以〈廣韻〉韻目為主)
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