Thesis (B.A. (Hons.))--University of Western Sydney, 2004. / A thesis submitted to the University of Western Sydney, College of Arts, Education and Social Sciences, School of Contemporary Arts, in partial fulfilment of the requirements for the degree of Bachelor of Arts Honours (Music). Includes bibliographies.

Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 2008. / Abstract. Includes bibliographical references (leaves [41]-42).

Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 2008. / Abstract. Includes bibliographical references (leaves [41]-42).

Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 2008. / Abstract. Description based on microfiche version record. Includes bibliographical references (leaves [41]-42).

This document chronicles the history, development, process, and impact of three of the United States' first and most successful professional choirs. Representing the impact of these three choirs demonstrates a need for current professional or community choirs today. Four conductors of current professional and community choirs were interviewed and discussed elements for establishing, maintaining and succeeding in creating of a professional or community choir in the United States today. This document impresses the importance and considerations for a successful endeavor when establishing a professional or community choir.

The purpose of this study was to determine the relationship between selected personal investment behaviors and the meaning non-select choir members attach to their choral experience.

It is the hope and belief of the writer that this thesis will make available in concise form much information which the ambitious director of a high school a cappella choir would be unable to obtain without expending considerable time and energy.

The purpose of this study was to examine the continuum of choral singing from secondary choral organizations to choral organizations at selected higher education institutions in Indiana. Examined were two large state institutions and two private, liberal arts colleges. Two groups of college students who had high school choral experience were surveyed: 1. non-participants, and 2. participants. Participants in choral ensembles made up 1.33% of the total enrollments of the institutions studied. Thirty four percent of the selected students had high school choral experience. Choral ensemble participants' responses to a questionnaire were compared with non-participants' responses. The state institutions' student responses were compared to the liberal arts institutions' student responses.There do not appear to be universal reasons for students to continue or not continue singing in choral ensembles. The reasons appear to vary with the individual student and institution. However, there were trends observed. Students perceived themselves as being well enough prepared to participate in higher education choral ensembles. There is a discrepancy between the expectations of the college conductors and the students' evaluation of their preparedness. Literature appears to be a highly significant factor in the interest of all respondents. Students preferred to sing all types of music. Neither participants nor non-participants reported that classical literature was the focus of their high school choral programs. Participants perceive that the university is interested in them, while non-participants reported negative responses. Private respondents felt that the university was interested in their participation in choral ensembles more than public respondents. Many students decide before arriving on the higher education campus whether or not they will participate in college choral ensembles. The amount of credit given for singing in ensembles or academic loads seem to be a minor factor. It appears that parents do influence choral participation.Private institutions have a larger percentage of their populations participating in choral ensembles than do public institutions. The higher involvement of liberal arts college students in choral ensembles may be explained by the department's need for adequate manpower and the personalized recruiting policies. The personality of the conductor was important to the students surveyed. / School of Music

This research project was a study of the non-auditioned, mixed collegiate choral ensemble. The investigation focused on successful ensembles of this type at five universities in the midwestern United States. The purpose of the study was to investigate the ensemble's need for existence and its function within the university's choral program, to research teaching strategies that work with such a unique ensemble, and to discover tactics which help this type of group reach its full potential. Information for the study was garnered through observations of the five choirs, through surveys of the group participants, and through interviews with the conductors.A total of 372 participants completed surveys. The surveys contained a variety of questions regarding group demographics, reasons for participating, rehearsal techniques, repertoire, and benefits of participating. Responses were compiled and then analyzed for similarities and differences. Three types of statistical tests were utilized to discover if significant differences existed. For those responses which were of a nominal nature, a chisquare test was used to determine if there was any significant interaction between the responses and the various ensembles. For those responses which were of a numerical nature, an Analysis of Variance (ANOVA) test was performed to determine if there were any significant differences among the choirs. If significant differences were detected (p<.05), a Tukey HSD post hoc test was utilized to determine where the differences occurred. For those questions which were of a qualitative nature, responses were simply compiled and compared for similarities and differences.The five conductors were interviewed and questioned regarding the purpose of their ensemble, the type of teaching strategies they incorporate, the structure of their rehearsals, any methods of motivation and reinforcement they use, and what techniques they use to help the ensemble reach its full potential.Some similarities were discovered among the five choirs, with the most striking one being the high level of satisfaction among the participants. Significant differences were also discovered between the choirs in a variety of areas, including reasons for participating, group perception, evaluation of the conductor's rehearsal techniques, and productivity of the rehearsal. / School of Music

Thesis (D.W.S.)--Institute for Worship Studies, 2005. / Abstract. Includes bibliographical references (leaves 141-144).