Thesis (M.M.)--University of Wisconsin--Madison, 1966. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Inaug.-Diss.--Zürich. / Lebenslauf. "Verzeichnis der wichtigsten literatur": p. 174-175.

Inaug.-Diss.--Cologne. / Vita. "Notenbeispiele": p. [227]-[264]. Bibliography: [221-225].

Thesis (Ph. D.)--University of Missouri-Columbia, 2005. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (November 8, 2006) Vita. Includes bibliographical references.

Thesis (M.C.M.)--Western Conservative Baptist Seminary, 1987. / Bound with accompanying tape of the arrangements recorded, by the mixed choral ensemble from Milwaukie First Baptist Church, Milwaukie, Oregon and the men's chorus from Western Seminary in Portland.

Dissertation (PhD) Florida State University, 2005. / Advisor: André J. Thomas, Florida State University, College of Music. Title and description from dissertation home page (viewed 5-14-2007). Document formatted into pages; contains 187 pages. Includes biographical sketch. Includes musical examples. Includes bibliographical references.

Please read the abstract in the section 00front of this document Book accompanied by 1 CD in pocket / Dissertation (M Mus (Musicology))--University of Pretoria, 2007. / Music / unrestricted

No description available.

It is the hope and belief of the writer that this thesis will make available in concise form much information which the ambitious director of a high school a cappella choir would be unable to obtain without expending considerable time and energy.

The traditional music of America in collection is musically representative of pioneer settlements of the country from Mexico to Canada and from the Pacific to the Atlantic Ocean. To insure that each section of this vast country was musically represented naturally would require a systematic and thorough coverage by those persons who have made this work their primary concern for a good many years. A look at the map of these United States gives the observer an acute awareness of the stupendous undertaking for those who were first to begin their trek into the regions of the land where folk song abounds, into communities into which fast-moving civilization has been slow to penetrate. Early in their history these communities were isolated because of the hardships and dangers of travel. With the spread of civilization, however, the country was tamed and became more densely populated so that the growth of folk song and traditions within the social life of these isolated communities was a natural sequence.