作品集內共有十一首作品，為修讀音樂博士學位期間所創作，分別為：《竹露》、《枯丫嘯鳴》、《痕》、《我是在魚缸裏的金魚》、《夜雷細雨打梨花，靜聽微風響叮鈴》、《碎彩迷圖》、《悸動》、《雲泊》、《魂牽夢縈，更哪堪酒醒！》、《唧唧咕咕》以及《畫布》。 / My portfolio of music compositions consists of eleven compositions encompassing works for solo, duo, trio, medium to large ensemble, choir a cappella and orchestra. / In retrospect, the compositions in my portfolio can be categorized into four states of maturity and intelligence growth during my doctoral study. Dew on Bamboo Leaves, Arid Branches Resound and Scar present my primitive and instinctive thoughts on harmonic colours, motivic organity and expression of solitude and sentimentality. Im a Goldfish in a Globe , Pyrus Flower in Rain and In the Labyrinth of Stained Glass Mosaic establish my proficiency in orientating musical idiom and in communicating deliberated artistic conception of space and time with music. Palpitation and A Lagoon of Clouds comprise a comprehensive perception of texture and temporality. Lastly, Yearning . Sober Anguish , Susurrus and Canvas convey my dexterity incraftsmanship, complexity, musical form and poeticality. / In brief, my portfolio exemplifies my idiosyncratic insight into music as atemporal art, as a language and as an architecture of soundscape. Itrepresents the artistry of my compositions as a young composer. / Detailed summary in vernacular field only. / Lee, Kar Tai. / Thesis (D.Mus.)--Chinese University of Hong Kong, 2013. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract also in Chinese; includes Chinese. / Abstract / Acknowledgements / Content / Volume I / Dew on Bamboo Leaves --- p.P.1 (9) / Arid Branches Resound --- p.P.17 (14) / Scar --- p.P.37 (5) / Im a Goldfish in a Globe --- p.P.49 (3) / Pyrus Flower in Rain --- p.P.57 (3) / In the Labyrinth of Stained Glass Mosaic --- p.P.65 (16) / A Lagoon of Clouds --- p.P.85 (17) / Yearning --- p.P.107 (36) / Susurrus ( Quiet Carriage) --- p.P.147 (2) / Volume II / Palpitation - Montage for Large Orchestra in 100 Seconds --- p.P.1 (6) / Canvas --- p.P.13 (28)

雨(Rain) : for SATB choir and piano -- String quartet no. 1 -- The Ferris wheel fantasia : for double-winds orchestra. / Yu (Rain) : for SATB choir and piano -- String quartet no. 1 -- The Ferris wheel fantasia : for double-winds orchestra. / Kwan Lai-yan Livia. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2006. / Abstracts in English and Chinese. / Chapter 1. --- 雨(Rain ) --- p.1 / For SATB Choir and Piano / Chapter 2. --- String Quartet No.l --- p.23 / Chapter 3. --- The Ferris Wheel Fantasia --- p.41 / For double-winds Orchestra

Symphony I -- Moments -- Three Chinese poems for mixed choir. / Tam Chin Fai. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 96). / Abstracts in English and Chinese. / Instrument List of SYMPHONY I --- p.iii / SYMPHONY I (2002-2003) --- p.1 / MOMENTS (2003) --- p.56 / THREE CHINESE POEMS for Mixed Choir (2004) / Chapter I. --- Chou Nu Er - Shu Bo Shan Dao Zhong Bi by Xin Qi-ji --- p.75 / Chapter II. --- Deng Le You Yuan by Li Shang-yin --- p.81 / Chapter III. --- You Zi Yin by Meng Jiao --- p.88 / Pronunciation and Translations of THREE CHINESE POEMS for Mixed Choir --- p.94 / Bibliography of the Translations of THREE CHINESE POEMS for Mixed Choir --- p.96

Thesis (Ed. D.)--Teachers College, Columbia University, 1968. / Typescript; issued also on microfilm. Sponsor: Frederick D. Mayer. Dissertation Committee: Charles Walton, Lawrence Taylor, . Appendix A: Musical Scores of the A Cappella Choral Music for mixed voices of Arnold Schoenberg. Includes bibliographical references.

...I never saw another butterfly... is a twelve movement chamber work scored for SATB choir, narrator, percussion I [vibraphone, and tomtoms (4)], percussion II [timpani (4), tam-tam, snare drum, and bass drum], guitar, violins I and II, viola, and cello and is based on the book of the same name. It contains a variety of compositional techniques, forms and genres.

by Ho Tsz-Yan, Rebecca. / Thesis (M.Mus.)--Chinese University of Hong Kong, 1998. / Abstract also in Chinese. / Chapter Part I: --- p.page / Chapter ´Ø --- Abstract --- p.1 / Chapter Part II: / Chapter ´Ø --- "Analysis on ""Conversation""" --- p.3 / Chapter ´Ø --- """Conversation"" (Full Score)" --- p.6 / Chapter ´Ø --- "Analysis on ""Dark Haze´ح" --- p.25 / Chapter ´Ø --- """Dark Haze"" (Full Score)" --- p.28 / Chapter ´Ø --- "Analysis on ""San-Shui Xi-Nan""" --- p.65 / Chapter ´Ø --- """San -Shui Xi-Nan"" (Full Score)" --- p.69 / Chapter Part III： / Chapter ´Ø --- Biography --- p.119

Title from accompanying document. / Collegiate Chorale ; conducted by Kathleen Wilson ; J. Sloop, soprano ; D. Huyett, piano ; J. Hall, organ ; Student String quartet ; Student Recorder Ensemble. / Digitized by Kansas Correctional Industries

This composition is a single-movement work for three choirs and full orchestra, including celesta, piano, and four percussionists. Total duration is fifteen minutes. The music is divided into six sections, with the overall form being substantially influenced by the structure of the poem, War Is Kind, by Stephen Crane (1871-1900). Many devices are utilized to contrast tension and relaxation, as associated with ironic elements of the text, with repetition and development of musical elements and motives providing unity for the entire work.

The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on January 26, 2010 Thesis advisor: Dr. W. Thomas McKenney. Includes bibliographical references.

Thesis (M. Mus.)--University of Canterbury, 2007. / Typescript (photocopy). Includes bibliographical references (leaves 425-426). Also available via the World Wide Web.