This dissertation is a case study of three feature films directed by Gan Xiao’er, a Chinese independent filmmaker. I argue that these films are set apart from other independent films in China because they center on the representations of Chinese Christianity in rural areas in the postsocialist era of China, which is a subject matter under-represented in mainstream media as well as independent cinema in China. Gan’s feature films have also illustrated the social and cultural problems during the Reform period, themes which have been avoided by mainstream media but featured in independent cinema. Gan’s films are also characterized by responses to social and cultural issues from a Christian perspective. I also argue that the representations of Christianity in Gan’s films are ambiguous as both the positive and negative sides of the religion are portrayed. Such portrayals have generated a critique from within Christianity, concerning the religion’s entanglement with the social, cultural and political forces in the postsocialist context. Moreover, the three feature films of Gan’s have not only illustrated the exterior of Chinese Christianity, including the religious institution and activities of Christians, but also formulated an in-depth investigation of the inner spiritual quest of Chinese villagers and Christians. / published_or_final_version / Literary and Cultural Studies / Master / Master of Arts