Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-01-26T21:27:46Z No. of bitstreams: 1 AndreGarciaBraga_DISSERT.pdf: 3522881 bytes, checksum: daa0b5278c2041d0d408a882fa5c289c (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-02-02T19:17:02Z (GMT) No. of bitstreams: 1 AndreGarciaBraga_DISSERT.pdf: 3522881 bytes, checksum: daa0b5278c2041d0d408a882fa5c289c (MD5) / Made available in DSpace on 2016-02-02T19:17:02Z (GMT). No. of bitstreams: 1 AndreGarciaBraga_DISSERT.pdf: 3522881 bytes, checksum: daa0b5278c2041d0d408a882fa5c289c (MD5) Previous issue date: 2014-10-02 / O presente trabalho pretende, a partir da an?lise da circula??o de discos de vinil em uma determinada situa??o hist?rica, produzir uma interpreta??o da forma??o e desenvolvimento do fen?meno sociocultural conhecido como cena Black Rio, ocorrido no Rio de Janeiro na d?cada de 70 do s?culo XX. Trata-se tamb?m de mapear o campo art?stico e de consumo em a??o na cena, inserindo-o em um contexto mais amplo de circula??o de cultura caracterizado no conceito que Paul Gilroy (2012) nomeia de Atl?ntico negro. Ao inserir a Black Rio ao Atl?ntico negro, a pesquisa permitiu, desta maneira, a possibilidade de investiga??o da forma??o de identidades locais a partir de referenciais estrangeiros ou globais, e dos estilos de vida decorrentes deste processo de ressignifica??o e trocas culturais. Em um segundo momento, faz-se um esfor?o para se entender a identidade racial e a sua conex?o com a dimens?o pol?tica do contexto dos bailes e da cena Black Rio. Utilizando-se para tanto dos trabalhos de Hall, Giacomini e Sansone, que orbitam em torno dos conceitos de ra?a, etnicidade e identidade, planejase, no limite, refletir sobre a seguinte quest?o: o qu?o negra (ou black) foi (ou ?) a cena Black Rio? / This work aims to make, through the analysis of vinyl discs circulation in a certain historical situation, an interpretation of the formation and development of the socialcultural phenomenon known as Black Rio scene, which took place in Rio de Janeiro in the 20th century?s 70s. It also intends to map the field of arts and consumerism that took place in the scene, including it in the wider context of circulation of culture rooted in the concept that Paul Gilroy (2012) names Black Atlantic. By associating Black Rio with the Black Atlantic, this reasearch has thus allowed the possibility for investigating the formation of ?native? or local identities related to foreign or global references, and the lifestyles that sprung from this process of cultural ressignification and exchange. On a second step, we make an effort to understand the racial identity and its connection to the political dimension of the context of the festivals and the Black Rio scene. For this purpose, we refer to the writings by Hall, Giacomini and Sansone, who explore the concepts of race, ethnicity and identity, and we try to think about the following question: how black was (or is) the Black Rio scene?