Thesis (M.F.A.)--Rochester Institute of Technology, 1994. / Typescript. Includes bibliographical references (leaves 28-29).

published_or_final_version / Literary and Cultural Studies / Master / Master of Arts

Terrestrial Evolution focuses on the destruction of the natural environment by manmade obstructions such as housing developments, strip malls, roads, telephone lines, and utility poles. Each of the paintings address one or more of these aspects of development and communicates ideas of detachment from this seemingly endless process of building. Color, surface texture, composition, and visual imagery were all carefully thought out and planned parts of a complicated process for the communication of ideas on this particular subject matter.My hometown of Carmel, Indiana has been experiencing massive environmental change over the past ten years. Large housing editions and strip malls have been built to accommodate the influx of people moving to this northern suburb of Indianapolis. Land is being sold, bought, zoned, and covered with quickly built homes and strip malls. Once this suburban sprawl has begun, will it stop? How much of the environmental damage it has contributed is reversible?Terrestrial Evolution represents a very personal and visual response to the contemporary state of Carmel's woodlands, wetlands, and wildlife, which are being sacrificed for manmade development. / Department of Art

Thesis (MA--Art and Design) -- AUT University, 2009. / Includes bibliographical references. Also held in print ( leaves : ill. ; 30 cm.) in the Archive at the City Campus (T 759.993 CAR)

This thesis is composed of five oil paintings and four synthetic paintings. The works are arranged in a sequence beginning with distant over views of the city and progressing toward more immediate views. Techniques change also, from the suggestive impressionistic mode, a style I explored in my early years of art education, to a studied application of large, solid, simplified shapes of color. In my work, realism is sacrificed for a decorative arrangement of color patterns. From this creative experience I have reached conclusions about art education and my responsibility as an art instructor. Motivation is essential when introducing all art projects. Students presented with interesting background material are more likely to present an acceptable work of art. Critical thinking plays an important role in the teaching of art. I conclude that if the students consider all possible alternatives before making a final decision, there will be a higher degree of artistic quality. A general knowledge of the development of art and its great men is a vital part of art instruction. I feel that a student with an awareness of the past and its influence upon today’s art movements is better equipped to deal with artistic problems or demands. Last, my research has aided me in establishing this educational objective: to involve the students in learning experiences which would cause a deeper understanding of both art media and subject matter.

Partant du constat de l'importance du sujet pour le peintre futuriste a une epoque ou les avant-gardes europeennes tendent a l'abstraction, la presente etude demontre que la ville fut un theme capital dans l'elaboration de l'esthetique futuriste. En effet, les peintres italiens ne cherchaient pas tant a depeindre l'apparence, l'aspect visible de la ville qu'a apprehender de facon conceptuelle les idees-forces qui en emanaient. A travers l'entite "ville", ils revelerent les concepts inherents au monde moderne et en etablirent les equivalents plastiques. / Ainsi, c'est a travers le sujet de la ville que s'expriment les idees-forces les plus originales du mouvement, telles que la modernolatrie, le dynamisme universel, la vitesse, le devenir, la transformation, l'unanimisme et le simultaneisme, illustres dans trois chapitres intitules 'La ville montante', 'La ville electrisee' et 'La ville simultanee'. Geux-ci demontrent comment certains motifs recurents du cadre urbain comme les echafaudages des chantiers de construction, les lampadaires, les foules ou les bolides sont transcendes par ces idees-forces. La representation de la ville par les futuristes ne releve pas simplement de la description mais d'un programme d'abord politique puis esthetique: l'avant-garde italienne a cree une nouvelle conception du beau, a revele la beaute de la ville moderne et des valeurs qui lui sont inherentes.

Thesis (Ph. D.)--Simon Fraser University, 2007. / Senior Supervisor: Jerald Zaslove. Includes bibliographical references (leaves 291-310). Also issued in digital format and available on the World Wide Web.

Inaug.-Diss.--Münster.

No description available.

Thesis (M. A.)--University of Hong Kong, 2007. / Title proper from title frame. Also available in printed format.