Submitted by Valquíria Barbieri (kikibarbi@hotmail.com) on 2017-08-17T19:22:16Z No. of bitstreams: 1 DISS_2014_Juliana Capilé Rivera.pdf: 1454662 bytes, checksum: ca5448ae7b63dd4113fe5ff109d38077 (MD5) / Approved for entry into archive by Jordan (jordanbiblio@gmail.com) on 2017-08-21T13:46:53Z (GMT) No. of bitstreams: 1 DISS_2014_Juliana Capilé Rivera.pdf: 1454662 bytes, checksum: ca5448ae7b63dd4113fe5ff109d38077 (MD5) / Made available in DSpace on 2017-08-21T13:46:53Z (GMT). No. of bitstreams: 1 DISS_2014_Juliana Capilé Rivera.pdf: 1454662 bytes, checksum: ca5448ae7b63dd4113fe5ff109d38077 (MD5) Previous issue date: 2014-07-10 / CAPES / Este trabalho vislumbra os caminhos da escrita teatral contemporânea observando o texto teatral Cidade dos Outros, de Juliana Capilé –Cuiabá-MT e o processo de construção que determinou a obra. O texto teatral fragmentado e cheio de heterogeneidades, cuja tessitura inclui questões do registro pessoal e coletivo dos criadores do espetáculo, possui a contaminação como elemento de construção. Para a leitura do texto são observadas as noções de dramaturgia contemporânea identificadas por José DA COSTA e Sílvia FERNANDES, bem como Hans-Thies LEHMANN, Jean Pierre SARRAZAC e Jean Pierre RYNGAERT. / This work presents the ways of contemporary writing theater watching the theatrical text City of Others, Juliana Capilé -Cuiabá-MT and construction process that determined the work. The fragmented and full of theatrical text heterogeneities, whose tessitura includes personnel matters and collective record of the creators of theshow, has contamination as building element. To read the text the notions of contemporary playwriting identified by José da Costa and Silvia Fernandes and Hans-Thies Lehmann, Jean Pierre Sarrazac and Jean Pierre Ryngaert are observed.