This thesis is a study of the nature of guerilla activity, guerilla tactics in the lower North, guerillas on the middle southern border (Kentucky and Tennessee), guerilla war in Kansas and Missouri, and the guerilla in the Southwest.

Unlike other Confederate armies at the conclusion of the Civil War, General Edmund Kirby Smith's Trans-Mississippi Army disbanded, often without orders, rather than surrender formally. Despite entreaties from military and civilian leaders to fight on, for Confederate soldiers west of the Mississippi River, the surrender of armies led by Generals Robert E. Lee and Joseph E. Johnston ended the war. After a significant decline in morale and discipline throughout the spring of 1865, soldiers of the Confederate Trans-Mississippi Department chose to break-up and return home. As compensation for months of unpaid service, soldiers seized both public and private property. Civilians joined the soldiers to create disorder that swept many Texas communities until the arrival of Federal troops in late June.

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The United States Civil War continues to be an intriguing aspect of history to both scholar and layperson. In light of this broad interest, the relatively small amount of scholarly study of music created by American composers during these years is conspicuous. One of the war's significant composers, both in relationship to the composition and publication of songs in America, was George Frederick Root. Not only were Root's compositions numerous, several pieces assumed major positions in the ongoing sociopolitical musings of a nation seeking to process these turbulent years. This document explores Root's development and productivity as a Civil War era composer and publisher. It also considers his music as representative of the scores of popular compositions that reflected the spirit, artistry, politics, religion, and social processing by the people of the United States of America during one of the most defining periods of its relatively short existence.Chapter one serves as an introduction. It identifies the context, scope, methodology, and delimitation of the study.Chapter two provides a brief overview of the social and cultural climate of the country at the time of the Civil War. It identifies how various forms of artistic expression carried the war directly into private parlors and public squares. More specifically, it discusses the role of parlor songs not only as an important cultural expression for the nation, but also as a valuable commodity for composers and publishers of music such as George Frederick Root.Chapter three describes the developmental years of Root as a composer and businessman. From Willow Farm to the first Normal Music Institute, Root built a foundation of experience and skill that set the scene for a significant impact upon American culture. Influenced by musicians such as Lowell Mason, Louis Gottschalk, and Stephen Foster, his musical landscape was diverse and deeply rooted in the language of popular culture. George Root partnered with his brother Ebenezer Root and business associate Cauncey Cady at the Chicago-based publishing firm of Root and Cady to provide a production and delivery system for music that infiltrated all areas of the country.Chapter four is a collection of Root's thirty-six vocal Civil War parlor songs published by the Root and Cady Publishing Company. The songs are reproduced from the original sheet music. Each song is summarized and the entire collection is analyzed based upon musical and textual considerations.Chapter five provides a summary of this project as well as questions for further study. / School of Music

The United States government began paying pensions to disabled Union veterans before the Civil War ended in April 1865. By 1890 its pension programs included any Union veteran who had fought in the Civil War, regardless of his financial means, as well as surviving family members, including mothers, fathers, brothers, and sisters. Union veterans did not hesitate to "wave the bloody shirt" in their attempts to liberalize pension laws. Pension programs for Confederate veterans were much slower to develop. Lacking any higher organization, each southern state assumed the responsibility of caring for disabled and/or indigent Confederate veterans and widows. Texas began paying Confederate pensions in 1899, Georgia in 1888 and Virginia in 1889. Unlike Texas, Georgia and Virginia provided artificial limbs for their veterans long before they started paying pensions. At the time of his enlistment in the 1860s, the typical future pensioner was twenty-five years of age, and fewer than half were married heads of households. Very few could be considered wealthy and most were employed in agriculture. The pensioners of Georgia, Texas, and Virginia were remarkably similar, although there were some differences in nativity and marital status. They were all elderly and needy by the time they asked for assistance from their governments. The Confederate pension programs emerged about the same time the Lost Cause began to gain popularity. This movement probably had more influence in Georgia and Virginia than in Texas. Texas tended more to look to the future rather than the past, and although Confederate veterans dominated its legislature for years, its pension program could not be called generous. The Civil War pension programs died out with the veterans and widows they were designed to care for and did not evolve directly into any other programs. Because they helped to remove the stigma of receiving government aid (state or federal), The pension programs served as precedents for future social programs.

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Indiana University-Purdue University Indianapolis (IUPUI) / The Kimblerlin Family, first white settlers of Scott County, Indiana is used as a focal point to study the impact of the Copperhead movement on southern Indiana during the Civil War. The author has been granted acces to dozens of family letters, to and from the battlefield, that have never been subjected to academic scrutiny. They provide a fascinating mirror that reflects cultural attitudes toward the War, and ultimately, the courage it took to stand firmly for the Union in Copperhead country. / This is the story of the Kimberlin Family that sent 33 fathers and sons, brothers and cousins to fight for the Union cause during the Civil War. Ten family members were killed, wounded, or died of battlefield disease, a 30 percent casualty rate that is unmatched in recorded Scott County history. Of the 134 known deaths of Scott County soldiers, ten were members of the Kimberlin clan. While we know that the Kimberlins suffered disproportionately, our only clues to their feelings about the war come from 40 letters to and from the battlefield that have survived to this day. Were they fighting to save the Union or to free the slaves? How did they express grief over the loss of a brother? Did they keep up with their business and the women at home? And what did they think about “secesh” neighbors in southern Indiana who tried to undermine the Union cause? The answers to these questions will help determine if the Kimberlins were unusual in their patriotism or simply acting as any Union family would in an area of the nation known as Copperhead Country

The Private Law of Emergency traces the development of the American law of contract in response to four emergencies that occurred between 1860-1940 – the Civil War, World War I, the 1918 pandemic, and the Great Depression. It traces the development of an idea – that the purpose of the law of contract is to preserve certain features of civil society and in this way guard against the corrosive effects of emergency on that society. The thesis explores three broad themes; first, that private law provides a means by which courts have managed the resolution of an emergency; second, that that the way courts have applied private law in response to emergency can tell us something about the true values underlying private law; and third, that the way courts have applied private law in response to emergency tells us something about the public law of emergency – and in particular, the capacity of emergency powers to affect private rights. The thesis considers these developments in the context of parallel developments in legal method – most particularly, the rise of formalism in private law – in the law of equity, and in the positioning of commerce as central to the maintenance of the legitimacy of the American constitutional system across this period. It demonstrates that these developments have suppressed the early tendency of the common law to operate as a form of emergency law.

This study will cover the period between 1861 and 1865. It will cover within that period of time, the technical and historical advance of the navy through the Civil War. The technical approach will cover the advancements in design, engineering, and armament from the beginning of hostilities to its end, and contrast those advancements with those of the period immediately preceding them and immediately after it, while the historical approach will cover the main engagements of the war and the results of the technical advances. The study will also cover the advancement and growth of the Confederate States Navy, and the effect which the marine designs of that navy had on the designs of the rival United States Navy.

The purpose of this thesis is to illustrate the importance of the military principle of unity of command by examining the military history of a Union army unit during the Civil War. The Mississippi Marine Brigade and its predecessor, the Ellet Ram Fleet, being a creation of the War Department, and yet conducting tactical operations within the scope of the Navy Department, vividly illustrates the problems inherent in joint army-navy operations. The brigade's primary mission was to counter guerrilla warfare in the Mississippi River valley. The text describes the organization, administration, and major operations of the brigade as a mobile, independent, private military force.