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Doctoral thesis recital (clarinet)Willsey, Justin M. 16 July 2012 (has links)
Grand duo concertant, op. 48 / C. M. v. Weber -- Chromatic fantasy, BWV 903 / J. S. Bach -- X- Concerto for clarinet / S. Mcallister. / text
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Doctoral thesis recital (clarinet)Willsey, Justin M. 27 July 2012 (has links)
Hommage a J. S. Bach / Bela Kovacs -- Premiere rhapsodie / Claude Debussy -- Fantasie / Jorg Widmann -- Clarinet concerto no. 2, in E flat, opus 74 / C. M. von Weber. / text
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Master's thesis recital (clarinet)Ford, Alex 22 May 2014 (has links)
Concerto, op.57 / Carl Nielsen -- Theme and variations / Jean Francaix -- 3 romances, op.94 / Robert Schumann -- Columbian dances / Mauricio Bedoya. / text
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A study of clarinet solo concerto literature composed before 1850, with selected items edited and arranged for contemporary usePound, Gomer J. Beer, Joseph, Lefèvre, Jean-Xavier, January 1965 (has links)
Thesis--Florida State University. / Vol. 2 contains scores of Concerto in B flat, op. 1, by Joseph Beer, and Fourth concerto in B flat, by J.X. Lefevre, transcribed and edited for clarinet and piano by G.J. Pound. "Catalog of solo concerto literature for clarinet composed before 1850": v. 1, leaves 36-91. Includes bibliographical references.
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Early clarinet performance as described by modern specialists, with a performance edition of Mathieu Fré́dé́ric Blasius's IIe Concerto de clarinetteJackman, Luc Alain. January 1900 (has links) (PDF)
Thesis (D.M.A.)--University of North Carolina at Greensboro, 2005. / Title from PDF title page screen. Includes bibliographical references (p. 245-259)
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The D Major Clarinet Concerto by Theodor von Schacht (1748-1823): A Lecture Recital, Together with Three Additional Recitals of Selected Works of Brahms, Richmond, Rossini, Crusell, Reger, and OthersHill, James Walter, 1951- 05 1900 (has links)
The dissertation consists of four recitals: repertoire consisting of solo compositions, music for clarinet alone, chamber music, and one lecture recital. The repertoire of these programs was chosen with the intention of demonstrating the capability of the performer to deal with problems arising in works of varying types and of different historical periods. The lecture recital, The D Major Clarinet Concerto by Theodor von Schacht, discusses background for the development of the clarinet in different pitches and gives pertinent bibliographical and historical information on the life and works of Theodor von Schacht. A formal and stylistic analysis is then followed by a short discussion of the problems involved in the transcription and performance of the work: possibly the first solo concerto ever written for the clarinet in A. The lecture concludes with the first performance of The D Major Clarinet Concerto for clarinet in A with orchestral accompaniment reduced for piano.
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