Spelling suggestions: "subject:"clarinet."" "subject:"klarinet.""
101 |
The clarinet in early America, 1758-1820Ellsworth, Jane Elizabeth, January 2004 (has links)
Thesis (Ph. D.)--Ohio State University, 2004. / Title from first page of PDF file. Document formatted into pages; contains x, 361 p. Includes bibliographical references (p. 348-361).
|
102 |
Background studies for an authentic performance of Johann Stamitz's Concerto in B-flat major for clarinet and strings a thesis submitted in partial fulfillment ... for the degree of Master of Music (Music Education) /Lee, Ronald Thomas. January 1966 (has links)
Thesis (M.M.)--University of Michigan, 1966.
|
103 |
The development of the German system clarinet : circa 1700-1900 /Reibel, MIchael B. January 2003 (has links) (PDF)
Thesis (M.Mus.) - University of Queensland, 2004. / Includes bibliography.
|
104 |
Observations and trends found in Stravinsky's use of the clarinet during the years 1914-1919Laubenthal, Jennifer Joy, January 2009 (has links)
Thesis (D.M.A.)--Ohio State University, 2009. / Title from first page of PDF file. Includes vita. Includes bibliographical references (p. 362-364).
|
105 |
Straight, curving, colorful three architects /Kemper, Steven Thomas. January 2006 (has links)
Thesis (M.M.)--Bowling Green State University, 2006. / Document formatted into pages; contains 1 score (vii, 27 p.) For clarinet in B♭ and violoncello, with computer for live electronic processing and pre-recorded sounds.
|
106 |
Mental representations in clarinet performance connections between auditory imagery and motor behaviors /Allen, David Reed. January 1900 (has links) (PDF)
Thesis (D.M.A.)--University of North Carolina at Greensboro, 2007. / Title from PDF title page screen. Advisor: Kelly J. Burke; submitted to the School of Music. Includes bibliographical references (p. 31-37).
|
107 |
Stanley Hasty His life and teaching /Gunlogson, Elizabeth Marie. Kowalsky, Frank. January 2006 (has links)
Treatise (D.M.A.) Florida State University, 2006. / Advisor: Frank Kowalsky, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-21-2007). Document formatted into pages; contains 307 pages. Includes biographical sketch. Includes bibliographical references.
|
108 |
A review of eight university clarinet studios An investigation of pedagogical style, content and philosophy through observations and interviews /Dees, Margaret Iris. Kowalsky, Frank. January 2005 (has links)
Treatise (D.M.A.) Florida State University, 2005. / Advisor: Frank Kowalsky, Florida State University, College of Music. Title and description from dissertation home page (viewed 6-21-07). Document formatted into pages; contains 126 pages. Includes biographical sketch. Includes bibliographical references.
|
109 |
Effective orchestral accompaniment at the keyboard An evaluation and comparison of piano reductions for Mozart's clarinet concerto /Hardin, Philip Tad. Bridger, Carolyn. Mozart, Wolfgang Amadeus, January 2006 (has links)
Treatise (D.M.A.) Florida State University, 2006. / Advisor: Carolyn Bridger, Florida State University, College of Music. Title and description from dissertation home page (viewed 6-26-07). Document formatted into pages; contains 60 pages. Includes biographical sketch. Includes bibliographical references.
|
110 |
A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the RepertoireLignitz, Kellie 05 1900 (has links)
In the last three decades there has been a surge in original compositions for clarinet and guitar resulting in the repertoire virtually doubling in size. However, documentation and research of original works in published sources remains limited and is quickly becoming outdated. This document reviews the current resources and reviews the newer published materials. Early chamber music works for guitar and clarinet typically required the guitar to supply harmonic support to the clarinet's upper voice, which carried the themes. An examination of the earliest works, which date from the early nineteenth century, suggests, in other words, that the two parts were not treated equally, in contrast to modern-day chamber music, in which melodic elements are proportionally balanced between the two instruments. A critical survey and comparison of four significant works from the repertoire reveals a development toward motivic balance, a progression towards melodic equality that continued in subsequent compositions. The four works surveyed are: Heinrich Neumann's Serenata Svizzera Op.29, Ferdinand Rebay's Sonata for Clarinet and Guitar No.2 in A minor, Libby Larsen's Blue Third Piece, and Gernot Wolfgang's Four Miniatures. An extensive compilation of over 300 original published and unpublished works for clarinet and guitar, bass clarinet and guitar, and more than one clarinet and/or guitar is included.
|
Page generated in 0.0497 seconds