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Qipao: living and evolving tangible and intangible cultural heritageKok, Chui-wah, Ranee., 郭翠華. January 2012 (has links)
“Clothing always shows people’s personality.” said William Shakespeare. “Even we bow our heads with silence, our clothing and bearing will still reveal our past experiences.” As for a Chinese woman, Qipao reminds and even reveals her own background and roots. Qiapo is so widely recognized that people from different countries relate it to China once they see it. Such a Chinese female identity has been built for decades.
Qipao has been seen as the National Costume throughout the 20th Century until nowadays. It expressed the patriotic purposes in the sense of Chinese and the rest of the world implicitly and explicitly. More importantly, it is an international symbol of Chinese femininity.
The reason why Qipao can be preserved through history and time is that through the vicissitudes of the process of social and historical development, it has steadily given expression to the distinct character and individual style of the nation, making it distinctively different to the rest of the world. Qipao with its bewitching eastern charm, peerless style with its universal appeal established its unique place in the history of clothing in the world. It is an international symbol of Chinese femininity.
In short, Qipao is a living heritage that has been evolving to adapt to the socio-historical circumstances of different times. This dissertation seeks to discover the process of this evolution through the tangibility and intangibility of Qipao. / published_or_final_version / Conservation / Master / Master of Science in Conservation
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從文化角度探討香港(女性)時裝的歷史與轉化(1950-1970). / Cong wen hua jiao du tan tao Xianggang (nü xing) shi zhuang de li shi yu zhuan hua (1950-1970).January 2004 (has links)
鄺慧瑜. / "2004年6月". / 論文(哲學碩士)--香港中文大學, 2004. / 參考文獻 (leaves 19-23). / 附中英文摘要. / "2004 nian 6 yue". / Guang Huiyu. / Lun wen (zhe xue shuo shi)--Xianggang Xhong wen da xue, 2004. / Can kao wen xian (leaves 19-23). / Fu Zhong Ying wen zhai yao. / 論文撮要(中文) --- p.i / 論文撮要(英文) --- p.ii-iii / 圖表目錄 --- p.iv / 引言 --- p.1-2 / Chapter 第一章. --- 時裝歷史文獻回顧 / Chapter 1.1. --- 香港時裝歷史與文化硏究文獻回顧 --- p.3 / Chapter 1.1.1. --- 香港時裝歷史 --- p.3 / Chapter 1.1.2. --- 香港時裝文化硏究 --- p.4-7 / Chapter 1.2. --- 旗袍硏究文獻回顧 --- p.8-9 / Chapter 第二章. --- 硏究方法的論述 / Chapter 2.1. --- 硏究資料來源 --- p.10-11 / Chapter 2.1.1. --- 報紙 --- p.11-13 / Chapter 2.1.2. --- 電影雜誌 --- p.13-15 / Chapter 2.1.3. --- 電影 --- p.15-16 / Chapter 2.2. --- 硏究方法的槪述 --- p.17 / Chapter 第三章. --- 時裝理論剖析 / Chapter 3.1. --- 時裝定義 --- p.19-21 / Chapter 3.2. --- 時裝與社會硏究 --- p.21 / Chapter 3.2.1. --- 韋伯倫 --- p.22-23 / Chapter 3.2.2. --- 西美爾 --- p.24-25 / Chapter 3.3. --- 時裝與文化硏究 / Chapter 3.3.1. --- 時裝與符號 --- p.26-29 / Chapter 3.3.2. --- 時裝與流行商品文化 --- p.29-30 / Chapter 3.3.3. --- 時裝與性別 --- p.30 / Chapter 3.3.4. --- 其他理論 --- p.31-34 / Chapter 3.4. --- 中國與時裝 --- p.34 / Chapter 第四章. --- 戰前旗袍的歷史與變革 / Chapter 4.1. --- 旗袍之名稱 --- p.35 / Chapter 4.2. --- 清代婦女 --- p.36 / Chapter 4.2.1. --- 清初 --- p.36 / Chapter 4.2.2. --- 清中至末 --- p.37 / Chapter 4.3. --- 1920 年代 --- p.38 / Chapter 4.3.1. --- 女性時裝之一:襖衫/裙 --- p.38-39 / Chapter 4.3.2. --- 女性時裝之二 :旗袍 --- p.40-44 / Chapter 4.3.3. --- 男裝 --- p.45 / Chapter 4.4. --- 1930年代 --- p.46 / Chapter 4.4.1. --- 女裝 --- p.46-47 / Chapter 4.4.2. --- 男裝 --- p.47 / Chapter 4.5. --- 1940年代至戰時 --- p.47-48 / Chapter 第五章. --- 戰前及四十年代的香港時裝 --- p.49-52 / Chapter 第六章. --- 五十年代的香港時裝 / Chapter 6.1. --- 男性時裝 --- p.53-56 / Chapter 6.2. --- 女性時裝 --- p.57 / Chapter 6.2.1. --- 旗袍 --- p.57-62 / Chapter 6.2.2. --- 西裙 --- p.62-64 / Chapter 第七章. --- 六十年代的香港時裝 / Chapter 7.1. --- 男性時裝 --- p.67 / Chapter 7.1.1. --- 西裝 --- p.68-69 / Chapter 7.2. --- 女性時裝 --- p.70 / Chapter 7.2.1. --- 旗袍 --- p.70-73 / Chapter 7.2.2. --- 西裙 --- p.74-76 / Chapter 7.2.3. --- 迷你裙 --- p.76-80 / Chapter 7.3. --- 香港時裝節 --- p.81-83 / Chapter 第八章. --- 七十年代及以後的香港時裝 / Chapter 8.1. --- 成衣的年代 --- p.84-85 / Chapter 8.2. --- 業界的發展 --- p.85-87 / Chapter 第九章. --- 香港時裝與旗袍´ؤ´ؤ旗袍的社會價値、文化轉變與象徵意義的論述 / Chapter 9.1. --- 旗袍的社會價値 --- p.88 / Chapter 9.1.1. --- 社會價値之建構 --- p.88 / Chapter 9.1.2. --- 旗袍之身份建構與表述 --- p.89-94 / Chapter 9.2. --- 文化轉變 --- p.95 / Chapter 9.2.1. --- 時裝文化的轉借與吸納 --- p.95-96 / Chapter 9.2.2. --- 混雜的時裝文化 --- p.96-99 / Chapter 9.2.3. --- 旗袍文化的對外影響 --- p.100-101 / Chapter 9.3. --- 消費品與象徵意義 --- p.102-103 / Chapter 9.3.1. --- 中國人的身份 --- p.103-106 / Chapter 9.3.2. --- 年齢的身份 --- p.107-110 / Chapter 第十章. --- 總結 / Chapter 10.1. --- 香港時裝歷史 --- p.111-112 / Chapter 10.2. --- 時裝潮流的變化理由 --- p.113-116 / 附錄: / 圖片說明目錄 附錄 --- p.1-4 / 圖片附錄 --- p.5-18 / 參考書目 附錄 --- p.19-23
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History of Chinese women's costumeWu, Hao, 吳昊 January 1998 (has links)
published_or_final_version / Chinese / Doctoral / Doctor of Philosophy
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City as fashion: urban transformation of Causeway Bay盧敏思, Lo, Mun-sze, Anita. January 2002 (has links)
published_or_final_version / Architecture / Master / Master of Architecture
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