Akademisk avhandling--Filosofi--Åbo, 1984. / Bibliogr. p. 133-138. Index.

Proefschrift--Wijsbegeerte--Leiden, 1980. / Bibliogr. p. 561-572. Index.

This study attempts to demonstrate that there is a new turn in Collingwood's philosophy of history in and after 1935 and that this new turn is the result of Collingwood working out his theory of absolute presuppositions in the early 1930's. Collingwood's unpublished manuscripts are examined in order to assist us in justifying this claim. A clarification of the theory of absolute presuppositions follows our attempt to situate this theory in Collingwood's intellectual development. After arguing that absolute presuppositions are logico-regulative entities, we suggest that Collingwood is a foundationalist in a unique sense and that he can solve the problem of conceptual change in consistently rational terms. Although we argue against the view that there are radical discontinuities in his thought, we contend that Collingwood's principles of metaphysics, uncovered in the early 1930's, throw new light on his analysis of history in The Idea Of History. We argue that absolute presuppositions underlie all attempts at a theory of historical explanation. We attempt to show that absolute presuppositions logically regulate the historical imagination and that the historical imagination has changed over time as the result of absolute presuppositions changing. We argue that there is a logico-regulative relationship of absolute presuppositions to historical evidence over time. We also argue that it is necessary to account for Collingwood's acceptance of the incommensurate thesis in 1925 and his rejection of this thesis in 1936 for question-and-answer complexes. We claim that it was Collingwood's newly uncovered principles of metaphysics in the early 1930's that account for his about-face on the subject of rethinking question-and-answer complexes. Collingwood still accepted the incommensurate thesis for contexts of irrmediacy, and so his new position was not a radical change, but his principles of metaphysics did provide a ground or basis for the possibility of re-thinking an identical questionand- answer complex. / Thesis / Doctor of Philosophy (PhD)

Each autumn, in universities from Cardiff to Sydney, young men and women in their late teens or early twenties find themselves in seminar rooms invited to discuss the writings of long-dead European males (mostly males) concerning events and situations that are no longer happening. But these young people are not history students. They are not literature students either, necessarily. They are politics undergraduates. Many of them are already political activists of some shade and some of them, when all this is over, will want to ‘go out’ into the world and make changes to it. They have come to get equipped for the dangers of real-life political action ; to get a politics degree which might make them attractive candidates for civil service positions or for an assistantship at party HQ. They are equipping for the future, they want to know about the future, and they want to be prepared for the currents in which they will soon have to swim: the networks, hierarchies and channels of influence in conjunction with which they will have to operate – present networks, today’s hierarchies and perhaps even tomorrow’s. Yet here they are, engaging not only with today’s political problems, but with yesterday’s, or with those of several centuries past; with Plato’s Republic, Hobbes’s Leviathan, and with a whole cast of authors whose works and words belong, as they soon realise, to the problems of their own time, and seem to offer very little for the solution of today’s. Even on the level of ideology, the challenges of Hobbes, of Rousseau, or of Burke to current thinking are weakened by attendant contexts that are no longer happening, by their ill-suitedness to popular revival, and by their undemocratic obsolescence…

Increasing cultural globalisation and the assertion of cultural identities present an interesting opportunity for cities in the postmodern Western World. An increasingly multi-situated polity must better reflect and serve an increasingly self-aware and heterogeneous population in search of better planning, community and social justice. A great deal of research in diversity issues has been conducted in various disciplines, but there is little integration of this theory and even less instruction as to its application. This thesis attempts to address the deficiencies - providing some rationale and some guidance towards the diversification of civic culture as a model of incorporation. Diversification requires a significant shift in our understanding of culture, identity, community and self - an end to mainstream and its hegemony. It places the onus for change on local institutions and operates on an assumption of difference, a desire for meaningful incorporation and a commitment to equality as equity. These principles translate into the pursuit of increasingly differentiated benefits, inclusive participation, varied discourse and inclusive definitions. For the transformation to be truly meaningful and systemic, it must take place in all agencies of civic culture: government, civil society, business, the media and family. A conceptual, prescriptive and evaluative framework for cultural diversification is thus elaborated. Change will require deliberate purpose and action. This thesis attempts to provide some direction by applying the discussion to a level at which most urban leaders, planners and cultural producers work. A local organisation in Vancouver, Canada - a reputed leader in diversity - is selected as a case to illustrate application of the developed framework and to enrich it with an initial investigation of how practitioners work towards the diversification of their individual institutions and their larger socio-cultural environment. It is hoped that strategies learned here, and in future applications of this research, can provide guidance for other organisations and that numerous small efforts will be rewarded with the gradual transformation of the whole.

Thesis (Ph. D.)--University of Chicago, Dept. of Anthropology, August 2000. / Includes bibliographical references. Also available on the Internet.

Diss.--Nijmegen--Katholieke universiteit, 1998. / Contient des résumés en anglais et en néerlandais. Bibliogr. p. 522-541.

Increasing cultural globalisation and the assertion of cultural identities present an interesting opportunity for cities in the postmodern Western World. An increasingly multi-situated polity must better reflect and serve an increasingly self-aware and heterogeneous population in search of better planning, community and social justice. A great deal of research in diversity issues has been conducted in various disciplines, but there is little integration of this theory and even less instruction as to its application. This thesis attempts to address the deficiencies - providing some rationale and some guidance towards the diversification of civic culture as a model of incorporation. Diversification requires a significant shift in our understanding of culture, identity, community and self - an end to mainstream and its hegemony. It places the onus for change on local institutions and operates on an assumption of difference, a desire for meaningful incorporation and a commitment to equality as equity. These principles translate into the pursuit of increasingly differentiated benefits, inclusive participation, varied discourse and inclusive definitions. For the transformation to be truly meaningful and systemic, it must take place in all agencies of civic culture: government, civil society, business, the media and family. A conceptual, prescriptive and evaluative framework for cultural diversification is thus elaborated. Change will require deliberate purpose and action. This thesis attempts to provide some direction by applying the discussion to a level at which most urban leaders, planners and cultural producers work. A local organisation in Vancouver, Canada - a reputed leader in diversity - is selected as a case to illustrate application of the developed framework and to enrich it with an initial investigation of how practitioners work towards the diversification of their individual institutions and their larger socio-cultural environment. It is hoped that strategies learned here, and in future applications of this research, can provide guidance for other organisations and that numerous small efforts will be rewarded with the gradual transformation of the whole. / Applied Science, Faculty of / Community and Regional Planning (SCARP), School of / Graduate

Essa dissertação analisa a construção da história e da memória da Fábrica de Ferro de São João de Ipanema, na região de Sorocaba, a partir do referencial teórico de R.G. Collingwood, o qual formulou a conhecida história de cola e tesoura, com o intuito de questionar escritas da história ou práticas historiográficas em que seus autores apenas trabalham de maneira acrítica com relatos já produzidos, recortados de fontes disponíveis ao pesquisador e selecionados a partir de operações de lógica formal: informações recorrentes no mesmo sentido são colados no texto e as informações discordantes são selecionadas, descartando-se a supostamente errada ou inexata. Além disso, também se usou a distinção entre memória, memória coletiva, história e esquecimento, presentes, sobretudo, nos trabalhos de Maurice Halbwachs Paul Ricoeur, bem como as noções de progresso e da historia magistra vitae, que aparecem sobretudo nos relatos produzidos no século XX. Esta Fábrica, que foi uma dos primeiros empreendimentos industriais do Brasil, cuja origem remonta ao século XVI, despertou o interesse de várias personalidades, como Pedro Taques, Martim Francisco, José Bonifácio, Vergueiro, Varnhagen e Calógeras, entre outros que escreveram sobre esse estabelecimento por diversas razões, em especial, para sustentar-se o pioneirismo de Ipanema em face de outras fábricas existentes em Minas Gerais, destacando, ademais, a intriga entre o primeiro diretor, o sueco Carl Gustav Hedberg e seu sucessor, Frederico Luis Guilherme Varnhagen. No século XX, esses relatos buscavam analisar os malogros da siderurgia nacional até a década de 1970, na intenção de obterem-se lições do passado. / This dissertation examines the construction of history and memory of the Fabrica de Ferro de São João de Ipanema, in Sorocaba, from the RG Collingwoods approach, who created the wellknown concept of scissors-and-paste\" history, in order to criticize historical writings or historiographical practices in which their authors work uncritically with produced reports, getting them from available sources to the researcher and selected from formal logic operations: similar information remain in the text and conflicting information are selected, discarding the supposedly wrong or inaccurate ones. A distintion among memory, collective memory, history and forgetting was made, present mainly in the work of Maurice Halbwachs Paul Ricoeur, and the concepts of progress and history magistra vitae, which appear mainly in the reports produced in the 20th Century. This plant, which was one of the first industrial activities in Brazil, whose origin was in the 16th Century, was object of interest of several people, like Peter Taques, Martim Francisco, Jose Bonifacio, Vergueiro, Varnhagen and Calógeras, among others who wrote about Ipanema for various reasons, in particular, to stress the pioneering of Ipanema in the face of other plants in Minas Gerais, noting, moreover, the conspiracy between the first Ipanemas Director, the Swedish Carl Gustav Hedberg and his successor, the German Frederico Luis Guilherme Varnhagen. In the 20th Century, these reports sought to examine the failures of the national steel industry until the 1970s, in order to get to lessons of the past.

Essa dissertação analisa a construção da história e da memória da Fábrica de Ferro de São João de Ipanema, na região de Sorocaba, a partir do referencial teórico de R.G. Collingwood, o qual formulou a conhecida história de cola e tesoura, com o intuito de questionar escritas da história ou práticas historiográficas em que seus autores apenas trabalham de maneira acrítica com relatos já produzidos, recortados de fontes disponíveis ao pesquisador e selecionados a partir de operações de lógica formal: informações recorrentes no mesmo sentido são colados no texto e as informações discordantes são selecionadas, descartando-se a supostamente errada ou inexata. Além disso, também se usou a distinção entre memória, memória coletiva, história e esquecimento, presentes, sobretudo, nos trabalhos de Maurice Halbwachs Paul Ricoeur, bem como as noções de progresso e da historia magistra vitae, que aparecem sobretudo nos relatos produzidos no século XX. Esta Fábrica, que foi uma dos primeiros empreendimentos industriais do Brasil, cuja origem remonta ao século XVI, despertou o interesse de várias personalidades, como Pedro Taques, Martim Francisco, José Bonifácio, Vergueiro, Varnhagen e Calógeras, entre outros que escreveram sobre esse estabelecimento por diversas razões, em especial, para sustentar-se o pioneirismo de Ipanema em face de outras fábricas existentes em Minas Gerais, destacando, ademais, a intriga entre o primeiro diretor, o sueco Carl Gustav Hedberg e seu sucessor, Frederico Luis Guilherme Varnhagen. No século XX, esses relatos buscavam analisar os malogros da siderurgia nacional até a década de 1970, na intenção de obterem-se lições do passado. / This dissertation examines the construction of history and memory of the Fabrica de Ferro de São João de Ipanema, in Sorocaba, from the RG Collingwoods approach, who created the wellknown concept of scissors-and-paste\" history, in order to criticize historical writings or historiographical practices in which their authors work uncritically with produced reports, getting them from available sources to the researcher and selected from formal logic operations: similar information remain in the text and conflicting information are selected, discarding the supposedly wrong or inaccurate ones. A distintion among memory, collective memory, history and forgetting was made, present mainly in the work of Maurice Halbwachs Paul Ricoeur, and the concepts of progress and history magistra vitae, which appear mainly in the reports produced in the 20th Century. This plant, which was one of the first industrial activities in Brazil, whose origin was in the 16th Century, was object of interest of several people, like Peter Taques, Martim Francisco, Jose Bonifacio, Vergueiro, Varnhagen and Calógeras, among others who wrote about Ipanema for various reasons, in particular, to stress the pioneering of Ipanema in the face of other plants in Minas Gerais, noting, moreover, the conspiracy between the first Ipanemas Director, the Swedish Carl Gustav Hedberg and his successor, the German Frederico Luis Guilherme Varnhagen. In the 20th Century, these reports sought to examine the failures of the national steel industry until the 1970s, in order to get to lessons of the past.