Thesis (doctoral)--Universität zu Köln. / Includes added t.p. without thesis statement. Includes bibliographical references (p. 347-353).

Thesis (M.A.)--University of Hong Kong, 1994. / Includes bibliographical references (leaves 78-82).

Thesis (M.A.)--University of Hong Kong, 1994. / Includes bibliographical references (leaves 78-82). Also available in print.

This thesis is a study of the representation of emigration to Canada in Scottish Romantic periodicals and fiction, and of the relationship between these genres and the little-studied genre of the emigrant's guide. Chapter One tracks the Edinburgh Review and Quarterly Review's reviews of books on Canadian topics and demonstrates how the rival quarterlies respond to, and intervene in, the evolving public debate about emigration. Chapter Two examines depictions of Canada in Blackwood's Magazine and Fraser's Magazine, and reveals connections between these magazines' engagement with Canadian affairs and the concurrent reception of Scottish Romanticism in early Canadian literary magazines. Chapter Three argues for an understanding of the emigrant's guide as a porous form that acts as a bridge between nonfictional and fictional representations of emigration. Chapter Four reads novels with emigration plots in relation to the pressures of American, Canadian and transatlantic canon formation, arguing that these novels trouble the stark division between the American and Canadian emigrant experiences which was insisted upon by contemporary commentators and which continues to underpin criticism of transatlantic literary works. Chapter Five considers the relationship between Scottish Romanticism and nineteenth-century Canadian literature, a relationship which has often been framed in terms of the portability of a 'Scottish model' of fiction associated most strongly with Walter Scott. Overall, this thesis contends that foregrounding the literature of emigration allows for greater understanding of the synchronicity of Scottish Romanticism and the escalation of transatlantic emigration, offering an alternative to conceptions of Canada's colonial and transatlantic belatedness.

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The contact of two different cultures in the colonization process produces a zone of cultural mingling that resembles Victor Turner's concept of "liminality" referring to states or persons that elude classification. This study considers the repercussions of colonization on the lives of women characters in novels about four different "post-colonial" contexts--Native American, Jamaican, Irish and Mexican American. These novels reflect both the unique historical circumstances of each context and common themes that occur due to colonization and transcend the specific cultures such as the mourning of personal and collective loss, liminal states of consciousness and mingling of cultures. The introductory chapter examines the particular historical contexts of each novel and the theories of Abdul JanMohamed and Frantz Fanon on colonization. This study also applies the work of Victor Turner, Mary Douglas, Julia Kristeva, Gloria Anzaldua, Homi Bhaba and others to an examination of the subversive cultural formations that evolve through the boundary dissolution of colonization. Chapter two considers Louise Erdrich's novel Tracks in which the decimation of the Anishinabe people is the context for the three primary characters who have experienced personal and collective loss and respond by resisting or adapting to colonization. Chapter three examines Erna Brodber's Myal and the impact of the manichean colonial ideology on a Jamaican woman who is literally half-black and half-white. Chapter four addresses Julia O'Faolain's No Country for Young Men, a novel about two women, one who lived through the early twentieth century movement for Irish independence and the other who is her great niece, that have both been silenced and sexually controlled by colonialism and Irish Catholicism. The fifth and final chapter examines Lucha Corpi's Delia's Song about a young Chicana activist who has suffered losses on several levels and recovers by writing an autobiographical novel that weaves the personal and political issues of her life. All four novels are concerned with the liminal states of consciousness in these women characters and their efforts to both find love and tell their stories, thus counteracting the colonizer's version of history.

This dissertation proposes a two-part thesis on the South Asian diaspora in the Caribbean within contemporary Indo-Guyanese literature. First, Indo-Guyanese writers such as David Dabydeen, Oonya Kempadoo, and Narmala Shewcharan are using the genre of historical fiction to posit counter narratives that undermine dominant narratives of South Asian culture and gender roles. Second, even as these writers struggle against dominant narratives, their texts reinscribe the colonial discourse and rearticulate racial stereotypes. As argued in this dissertation, the dismal historical realities of ethnic tensions and failed anti-colonial tactics do not sufficiently address the flexible strategies often chosen by the characters and authors to navigate through racial and political convolution. By analyzing works by Indo-Guyanese, I attempt to open a conversation about race, place, and politics, offering some external viewpoints and revealing some important insights into the problems and contradict ions in Guyana. The value of these works is the calling for a connection to history as both a positive example (texts that show gaps in which characters can negotiate social borders) and a negative model (works that amplify racial tension and dismiss the divide and conquer strategy of the colonizer). This twofold thesis develops along three crucial historical periods - the dislocation from India and the heavy burden of indentured labor in British Guiana (1838-1917), ethnic victimization during post-independence (1970), and the subsequent flight to the First World (1980-1990): migration, nationalism, and exodus. / Chapter 1 reveals the challenges of indentured labor through East Indian and African characters that disrupts racial and gender borders in David Dabydeen's The Counting House. Chapter 2 exposes the racial tensions following independence as the newly formed government creates an atmosphere of distrust in Oonya Kempadoo's and Narmala Shewcharan's debut novels. Chap suggests the ramifications of exodus as Guyanese reconfigure their identity in a new location in David Dabydeen's narratives. This body of work by Indo-Guyanese plays upon the complex web of historical, political, and racial constructs that coexist simultaneously as authors acknowledge the limits and potential of their colonized history, of nationalist movements, and the rebuilding that is left in its wake. / by Savena Budhu. / Thesis (Ph.D.)--Florida Atlantic University, 2010. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2010. Mode of access: World Wide Web.

Thesis (Ph. D.)--Lehigh University, 2001. / Includes vita. Includes bibliographical references (leaves 177-188).

Thesis (M.A.)--University of Hong Kong, 2002. / Includes bibliographical references.

published_or_final_version / abstract / toc / English / Doctoral / Doctor of Philosophy