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Die Entwicklung des Komischen bei HebbelHeims, Paul, January 1913 (has links)
Inaug.-diss.--Leipzig. / Lebenslauf. Includes bibliographical references.
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The comic in early Spanish literature, 1140-1500Barbera, Raymond E. January 1958 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1958. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [251]-255).
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The friendly companion : toward a comic poetics in the nineteenth-century English novel /Christian, George Scott, January 2000 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 584-633). Available also in a digital version from Dissertation Abstracts.
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Komik und Tragik in ihren Wechselbeziehungen in Gorch Focks ErzählkunstLilienthal, Agnes, January 1928 (has links)
Thesis (Ph. D.)--Universität Hamburg, 1928. / Vita. Includes bibliographical references (p. 144-145).
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Comic characters in eighteenth-century English fiction a view of the theory, types, and techniques /Kulas, James Edward, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1963. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 309-314).
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Fiction networks the emergence of proprietary, persistent, large-scale popular fictions /Craft, Jason Todd, Newton, Adam Zachary, Slatin, John M., January 2004 (has links) (PDF)
Thesis (Ph. D.)--University of Texas at Austin, 2004. / Supervisor: Adam Z. Newton and John M. Slatin. Vita. Includes bibliographical references. Also available from UMI.
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Fiction networks: the emergence of proprietary, persistent, large-scale popular fictionsCraft, Jason Todd 28 August 2008 (has links)
Not available / text
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Laughing in Space: Robert Heinlein's The Moon is a Harsh Mistress and Towards a New Humor FrameworkUnknown Date (has links)
Humor’s effect on the audience’s relationship to the object, or speaker, of humor
has often been neglected, and creating a framework by which scholars can examine how
humor works to alter the relationship between audience and other fills this gap.
Additionally, the definition of science fiction relies on the existence of a cognitively
estranging other and under this definition, humor has not been thoroughly studied. This
thesis attempts to explain how humor affects audiences cognitively, utilizing Hegel’s
theory of self and other, and then applies this theoretical explanation to the field of
science fiction and examines its effects. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection
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Marcel Proust, Emile Zola, and the sexual politics of the Dreyfus Affair mocking the tradition of melodramatic epic /Lasseigne, Edward Joseph. January 2005 (has links)
Thesis (Ph. D.)--Ohio State University, 2005. / Available online via OhioLINK's ETD Center; full text release delayed at author's request until 2010 Jun 1.
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Vor den Kopf stoßen : das Komische als Schock im Werk Thomas Bernhards /Ervedosa, Clara. January 2008 (has links)
Teilw. zugl.: Kiel und Coimbra, Universiẗat, Diss., 2004.
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