Thesis (Ph. D.)--University of Wisconsin--Madison, 1976. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 418-423).

Thesis (M.A.)--Humboldt State University, 2007. / Includes bibliographical references (leaves 126-134). Also available via Humboldt Digital Scholar.

Thesis (M.A.)--Acadia University, 1998. / Includes bibliographical references. Also available on the Internet via the World Wide Web.

Thesis (M.A.)--Acadia University, 1998. / Includes bibliographical references. Also available on the Internet via the World Wide Web.

Thesis (Ph. D.)--University of Virginia, 1997. / Spine title: Correlates of health behavior. Includes bibliographical references (158-190). Also available online through Digital Dissertations.

0 / SPK / specialcollections@tulane.edu

No abstract available / Dissertation (MTh)--University of Pretoria, 2012. / Science of Religion and Missiology / unrestricted

Through observation and critical response, Seven Loci: The Completion of Villa Maderni is for the author not only a work reflective of his still emergent design judgments, but also one birthed as he lived and worked in the physical fabric of the place. The primary goal of this work is to propose an inhabitable enclosure for the perimeter of an already sacred villa and garden in the Ticino region of Switzerland. The secondary goal of the thesis is to explore and propose an architecture which does not make a forgery of the villa, but one whose language is of its own time and materials, all the while responding to the invisible traditions of the town, street and site. / Master of Architecture

In this dissertation, I examine a former sixties era hippie commune from the things and memories its residents have left behind. I focus on the intersections of memories, materialities, identities and systems of signification in order to suggest the following: that we might consider through archaeological, anthropological, and oral historical analyses the value of a genealogy of the sixties alongside histories of the era; that plastic presents a challenging archaeological issue (one of method and curation) while simultaneously reifying a social sense of its artificiality as an artifact of New Buffalo and a present-fact of speech (i.e. referring metaphorically to things as ‘plastic’, meaning false or artificial); that considerations of a ‘hippie’ work ethic might be productively brought to bear upon contemporary concerns about work and labor, but also might unpack our understandings of work and labor in American history; that playing primitive is a performance of citation and appropriation, a process of the inauthentic mimesis creating an authentic new (problematic) identity; and that artifacts and other objects shape (even re-appropriate) memories as much as they are re-made by them, and that recent historical artifacts can open up interesting collaborative analytical spaces when brought into actual conversation with site inhabitants, residents, and visitors. I aim to synthesize a number of threads, a number of different thought clusters throughout this dissertation in an effort to unpack anew questions of authenticity, of performing primitive as a kind of ‘Indian play’, or cultural appropriation, while also articulating a kind of identity creation that is aesthetic, political and counter to hegemonic and dominant traditions and forms. This work combines original field research at the site of New Buffalo commune in Arroyo Hondo, NM (in Taos County) and among the New Buffalos.

Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1982. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Bibliography: p. 236-239. / by Carol Jean Boemer. / M.Arch.