Spelling suggestions: "subject:"eomposition (music)"" "subject:"eomposition (nusic)""
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Unity, God and music : Arnold Schoenberg's philosophy of compositional unity in trinitarian perspective /Stearns, Michelle L. January 2007 (has links)
Thesis (Ph.D.) - University of St Andrews, September 2007.
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An examination of the influence of visual feedback, aural feedback and reflection time on the pitch and duration characteristics of 9-year-olds' musical compositions :Robinson, Nathalie Gail. January 1995 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1995. / Typescript; issued also on microfilm. Sponsor: Lenore Pogonowski. Dissertation Committee: Harold F. Abeles. Includes bibliographical references (leaves 235-239).
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Sprache als Musik Studien zur Vokalkomposition seit 1956 /Klüppelholz, Werner. January 1978 (has links)
Thesis--Cologne. / Vita. Includes bibliographical references (p. 200-214).
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Studien zur Satztechnik Bachs Untersuchung einiger vom Erscheinungsbild der Vokalpolyphonie geprägter Kompositionen /Lenz, Christfried, January 1970 (has links)
Thesis--Heidelberg. / Vita. Includes bibliographical references (p. 172-177).
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Following poetic density working with the subjective in my recent music compositions and analytical method /Jamieson, Ian. January 2002 (has links)
Thesis (M.A.)--York University, 2002. Graduate Programme in Music. / Typescript. Contains original music compositions. Includes bibliographical references (leaves 87-88). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pMQ82930.
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An analysis of the compositional techniques employed in the Requiem by Randall ThompsonKummer, Randolph Frederick, January 1965 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1966. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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For the record recorded objects and the new listener /Dellaira, Michael. January 1991 (has links)
Thesis (Ph. D.)--Princeton University, 1991. / This essay and the composition "The Fire and the Mountains" together constitute the dissertation but are otherwise unrelated. Includes bibliographical references (leaves 177-179).
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Timespan formation in nonmetric, posttonal musicNauert, Paul Charles. January 1997 (has links)
Thesis (Ph. D.)--Columbia University, 1997. / Includes bibliographical references (leaves 276-285).
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The improvised melodic prelude in the eighteenth century evidence from woodwind, string, and vocal tutors 1700-c. 1800 /Peters, Karen A. January 1992 (has links)
Thesis (M.A.)--University of California, Santa Cruz, 1992. / Typescript. Includes bibliographical references (leaves 129-136).
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Intercultural composition and the realisation of ancient and medieval musicCunio, Kim E. January 2008 (has links)
Thesis (D.C.A.)--University of Western Sydney, 2008. / A thesis presented to the University of Western Sydney, College of Arts, in fulfilment of the requirements for the degree of Doctor of Creative Arts. Includes bibliographies.
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