Thesis--State University of Iowa. / Vol. 2 contains a full score and an arr. for piano and horn of Stich's Concerto, no. 6. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis--State University of Iowa. / Vol. 2 contains a full score and an arr. for piano and horn of Stich's Concerto, no. 6. Includes bibliographical references. Also issued in print.

No description available.

Thesis (Ph. D.)--University of Chicago, Department of Music, August 2002. / Also available on the Internet.

Thesis (D.M.A.)--University of Wisconsin--Madison, 1987. / Typsecript. Vita. Includes lists of published and unpublished works by the composer. Includes bibliographical references (leaves 169-173).

Thesis (D.M.A.)--University of Maryland, College Park, 2007. / Compact discs.

Not available / text

Not available / text

This thesis presents an historical and technical analysis of the Mozart horn concerti.

This project delivers to the scholar and performer a critical edition of a little-known horn concerto by Antonio Rosetti. Standing in contrast to performance or practical editions, critical editions demand that the editor exerts a non-trivial measure of authority over the state of the text. Performers often find this fact to be uncomfortable given the normal tendency to revere the perceived intent of the composers based upon the text that they set down. When engaging with sources, it is rarely clear what that intent is, or which of the available sources most closely represents that intent. Those available sources often disagree with one another, even those in the composer's own hand. It is vital for the editor to know, as precisely as is possible, who created the source material, when they created these sources, and why they created these sources. At that point the editor must decide which sources will best fit his or her framework for the creation of the critical edition. At that point the editor will grapple with numerous inconsistencies and ambiguities within those sources, and then use his or her own authority to fix the text of the composer's work into a single version for today's use. The Horn Concerto in E-flat Major (C41) by Rosetti presents a unique case to the editor, scholar, and performer, in that it exists in two versions that carry substantial differences in the solo part. These differences are so great that it is often difficult to consider them as representative of the same work. This edition presents both versions, as each have different original purposes, and edits them in parallel so that the performer may determine which usage is most appropriate for his or her needs.